I would like to preface this by admitting that I have not read a lot of m/m romance (maybe one or two over the past several years, I can't even recall any titles). I was aware of a few tropes, however, that made me reluctant to try it again. But I was whining about things as usual the other day, and my partner pretty much put the book in my hand and said, "If you're so bored, read this." And honestly, I'm glad that I did, because it's got me thinking that perhaps I should give m/m more of a chance in the future.
This book takes place in a world that seems to be similar to the Holy Roman Empire. Slavery is legal, and the protagonist Vasilios is a eunuch, a slave captured in war and completely castrated at the age of fifteen. He has overcome adversity within the household he was bought into and is now respected for his skill in overseeing his master's financial and household affairs. I don't recall ever seeing his actual age at the time of the story, but I assumed him to be middle-aged.
He seems to have admired the love interest, Markos, for a long while before they are brought together again in the book. Markos is the Emperor's general and is a tough but kind man, perhaps a few years older than Vasilios. Markos is currently investigating the mysterious disappearance of infants in the city, and when Vasilios realises that his recent nightmares of a child-devouring demon are in fact linked to the disappearances, he goes to Markos to offer his assistance.
While working with Markos and other characters in finding and eradicating the demon, Vasilios also must deal with the harsh realities of living as a slave in a society that affords them no security or protection. There are sudden changes in the household in which he lives that force him to make some dangerous and life-altering decisions. Meanwhile, he and Markos tentatively begin to explore their mutual attraction and desire for a relationship, despite the various barriers between them.
Now for the actual review
Overall, I very much enjoyed this book. It was a quick read, but satisfying. Though it wasn't very long, I was pleased to find that I was consistently wanting to continue and discover what happened next. The pacing was well done and there was always something happening.
Something I found that I liked quite a bit was the fact that neither of the love interests was a young, astonishingly attractive, melodramatic sex god. As amazing as I'm sure such people are, I've found that a) there seem to be a lot of them in romance, particularly what I've read of m/m and b) I do not in fact like to read such characters (at the very least, not more than one per novel!) Vasilios and Markos were older, only reasonably attractive, relatable and appealing in character. They handled situations and their relationship in a mature way, despite obvious emotion. They prioritized and thought of other people and attempted to navigate the various situations with sense and delicacy. In my experience plots, particularly romantic ones, all too often progress due to an astounding lack of common sense on the parts of the characters. It was nice to read about sensible people.
I have mixed feelings about the worldbuilding. I found that it confused me on some points and that I wanted clarification. The society itself was well done and navigable, but the world it was in seemed like an odd mixture of original fantasy world and our own history. I was distracted by things like a mention of Latin: if they have Latin, did they have a Roman Empire? What happened to it, why wasn't it mentioned? Is it an alternative version of our own world, or not? Is there a pattern or reasoning behind the bits and pieces of our own history that appear?
It seemed to me that it was based on our own geography, Christian mythology, and the Holy Roman Empire. But why use the term 'Latin' and not the term 'Roman'? Similarly, the name 'Christ' was used, which implies that there must be Christian history, meaning the crucifixion of Christ due to the persecution of the Jews and gentile Christians by the Romans (otherwise, why would the Christ figure have been considered a criminal, tried and executed?) I would have accepted it if there were a brief explanation of the history included with the glossary in the back of the book. As it was, I found the sudden references jarring in an otherwise self-contained world.
This could just be my own nitpicking, however.
Along a similar vein, I found it interesting that Vasilios interacted with angels and demons despite not personally believing in the religion. I liked that, as otherwise I would have felt like the story was some sort of Christian allegory and I prefer such things to be much subtler.
I had mixed feelings again about the dealings with the demon. He was definitely unpleasant and I was a bit creeped out by him (which is in fact what I want in an evil half-decayed baby-eating monster). His actions were, considering his circumstances and the rules of mythology, very reasonable. But although I liked the way Vasiolos' dreams worked, the demonic entity itself, the settings described, etc., I somehow found the climax oddly disappointing. I honestly cannot figure out why - I don't know what I was expecting, and there was some action on Vasilios' part. Perhaps it felt over too quickly, or I subconsciously expected Vasilios to have more to do with the actual dispensation of the baby-eater.
Most of the characters were, in my opinion, well done, with their own concerns and histories. I would love to know who eventually went out of their way for Vasilios at the end, since it wasn't Markos. A few of the characters I did not like as people, but through no fault of the author.
The relationship between Vasilios and Markos was, as I mentioned, nice and mature. However, there was something a bit strange about it, again something that I can't quite pinpoint. Perhaps it was because of Vasilios' inexperience with romance - he seemed so startled by everything! Nevertheless, I enjoyed it. The intimate scenes were also handled pretty well, and I was pleasantly surprised that they did not follow the traditional route.
And one last thing: I loved the title, but I could not for the life of me figure out how it pertained to the story. I kept expecting to see a theme develop, but I simply didn't find one. Fire was mentioned at the end and briefly elsewhere, but not enough that it made sense to me. Maybe I missed something.
Four out of five for this one. I enjoyed it and look forward to reading some other works by E. E. Ottoman, particularly for their realistic and appealing characters. If LFTB is part of a series (I couldn't tell, but is seems implied by the 'Into Flame' at the top of the book), I will definitely be buying the next volume.