Six nouvelles à chute : Un humaniste, Le Faux, Citoyen pigeon, Tout va bien sur le Kilimandjaro, Je parle de l’héroïsme, Les Habitants de la Terre, J’ai soif d’innocence…À la fois drôles et sérieuses, ces nouvelles divertissent tout en poussant à la réflexion.Les personnages ne sont pas toujours ce qu’ils semblent être, leurs discours ne doivent pas systématiquement être pris au premier degré.Les différentes nouvelles s’achèvent de manière inattendue, avec des renversements, des coups de théâtre et des révélations qui changent le sens de l’histoire.
Romain Gary was a Jewish-French novelist, film director, World War II aviator and diplomat. He also wrote under the pen name Émile Ajar.
Born Roman Kacew (Yiddish: קצב, Russian: Кацев), Romain Gary grew up in Vilnius to a family of Lithuanian Jews. He changed his name to Romain Gary when he escaped occupied France to fight with Great Britain against Germany in WWII. His father, Arieh-Leib Kacew, abandoned his family in 1925 and remarried. From this time Gary was raised by his mother, Nina Owczinski. When he was fourteen, he and his mother moved to Nice, France. In his books and interviews, he presented many different versions of his father's origin, parents, occupation and childhood.
He later studied law, first in Aix-en-Provence and then in Paris. He learned to pilot an aircraft in the French Air Force in Salon-de-Provence and in Avord Air Base, near Bourges. Following the Nazi occupation of France in World War II, he fled to England and under Charles de Gaulle served with the Free French Forces in Europe and North Africa. As a pilot, he took part in over 25 successful offensives logging over 65 hours of air time.
He was greatly decorated for his bravery in the war, receiving many medals and honors.
After the war, he worked in the French diplomatic service and in 1945 published his first novel. He would become one of France's most popular and prolific writers, authoring more than thirty novels, essays and memoirs, some of which he wrote under the pseudonym of Émile Ajar. He also wrote one novel under the pseudonym of Fosco Sinibaldi and another as Shatan Bogat.
In 1952, he became secretary of the French Delegation to the United Nations in New York, and later in London (in 1955).
In 1956, he became Consul General of France in Los Angeles.
He is the only person to win the Prix Goncourt twice. This prize for French language literature is awarded only once to an author. Gary, who had already received the prize in 1956 for Les racines du ciel, published La vie devant soi under the pseudonym of Émile Ajar in 1975. The Académie Goncourt awarded the prize to the author of this book without knowing his real identity. A period of literary intrigue followed. Gary's little cousin Paul Pavlowitch posed as the author for a time. Gary later revealed the truth in his posthumous book Vie et mort d'Émile Ajar.
Gary's first wife was the British writer, journalist, and Vogue editor Lesley Blanch (author of The Wilder Shores of Love). They married in 1944 and divorced in 1961. From 1962 to 1970, Gary was married to the American actress Jean Seberg, with whom he had a son, Alexandre Diego Gary.
He also co-wrote the screenplay for the motion picture, The Longest Day and co-wrote and directed the 1971 film Kill!, starring his now ex-wife Seberg.
Suffering from depression after Seberg's 1979 suicide, Gary died of a self-inflicted gunshot wound on December 2, 1980 in Paris, France though he left a note which said specifically that his death had no relation with Seberg's suicide.
C'est par ces quelques nouvelles que je découvre Romain Gary, et je ne suis pas déçue ! J'ai adoré son style simple et direct qui rend la lecture fluide et claire. Il sait amener ses chutes intelligemment, sans trop en faire. J'ai aimé la tournure comique que prend l'auteur, qui sait très bien se placer entre le tragique et le rire, notamment à travers ses chutes qui sont amusantes et brèves. Il laisse au lecteur le soin d'y repenser, de se raconter l'histoire de nouveaux, pour en déchiffrer tous les sens.
Ce livre m'a donc appris qu'il est très efficace d'utiliser le rire pour décrire les situations les plus sérieuses.
Par ailleurs, je recommande cette édition qui sait très bien apporter un contexte à l'oeuvre et à l'auteur.
En bref, ce n'est assurément pas ma dernière lecture de Romain Gary !
The short stories are really good and I do want to read more of Gary's work but I haven't much to say about it other than giving it a facebook thumbs up so I'll say this instead:
According to my mom, college admissions officers will find it sus and weird I have no social media accounts, so the only thing they will see instead is my Goodreads reviews and thirsting on Letterboxd. That being said, HELLOOOOOO!!! <333