Boşanma Mevsimi, Amerika'nın Çehov'u olarak anılan John Cheever'ın toplu öyküleri serisinin üçüncü kitabı. Öykülerle Amerikan rüyasının her Amerikalı için geçerli bir hayal olduğunu hissettirecek şekilde yan yana dizilmiş evleriyle banliyöye yeniden konuk oluyoruz. Fakat Cheever, küçük insanın büyük hayallerine bir daha bakmaya çağırıyor bizi. Umuda sinsice bulaşan gelecek korkusunu, huzurun birden endişeye dönüştüğü anı ve insanın değişmeyen arada kalmışlığını hatırlamak için...
1979'da Pulitzer Ödülü'ne layık görülen Cheever'ın birbirinden güzel öykülerinden oluşan Boşanma Mevsimi, Roza Hakmen'in yetkin çevirisi ile dizideki yerini alıyor.
"Saat ilerledikçe hava soğudu, netleşti, durgunlaştı; o durgunlukta Doğu Irmağı boyunca uzanan fabrika bacalarından çıkan dumanlar Pepsi-Cola uçağının yazdığı netlikte kelimeler ve cümleler yazıyor gibiydi. Gün dönümü. Felaket. Çözmek zordu. Yılın çöküşe geçtiği gündü sanki -gastrit, sinüzit ve solunum yolları rahatsızlıkları açısından berbat bir gün-; başka kış mevsimlerini hatırlayıp ışık çizgilerine bakınca boşanma mevsimi olduğuna kanaat getirdim."
John Cheever was an American novelist and short story writer, sometimes called "the Chekhov of the suburbs" or "the Ovid of Ossining." His fiction is mostly set in the Upper East Side of Manhattan, the suburbs of Westchester, New York, and old New England villages based on various South Shore towns around Quincy, Massachusetts, where he was born.
His main themes include the duality of human nature: sometimes dramatized as the disparity between a character's decorous social persona and inner corruption, and sometimes as a conflict between two characters (often brothers) who embody the salient aspects of both--light and dark, flesh and spirit. Many of his works also express a nostalgia for a vanishing way of life, characterized by abiding cultural traditions and a profound sense of community, as opposed to the alienating nomadism of modern suburbia.
Ethel is a stay-at-home mother who has the same routine doing housework and caring for her two children every day. A married man in the neighborhood becomes obsessed with Ethel to the point where he's almost a stalker. While Ethel does not love the neighbor, his attention has brought her buried unhappiness to the surface.
Ethel and her husband seem to have a stable marriage, but they tend to take each other for granted. Ethel has had to lose a part of herself in acting like a good wife and mother. She remembers when she had time to think about something other than household chores. She feels like she is losing the person she used to be, and needs a more fulfilling emotional connection. Her husband, the narrator, does not understand her feelings. This story was published in 1950, and seems to describe a typical middle-class marriage at that time with the husband going off to work while the wife stayed home with the children.
"The Season of Divorce" is story #12 in the collection, "The Stories of John Cheever."
Çok ilginç okurken aklımda hep ‘Mad Men’ dizisi vardı, internetten araştırırken bir baktım ‘Umutsuz Aşk Şarkısı’ adlı öyküde bahsi geçen Joan Harris gerçekten de dizideki aynı isimli karaktere esin kaynağı olmuş! Seçkide bir tanesi hariç (La Bella Lingua) hepsi Amerikan banliyösünde geçen 19 öykü var. Orjinali 1978’de basılmış, hikayeler de sanırım 1942 ile 1959 yılları arasında çoğunlukla New Yorker dergisinde yayınlanmış. O zamanların tipik Amerikan dünyası; bolca içki içiliyor, sadakatsizlik diz boyu. Adından da anlaşılacağı gibi evlilik ve boşanma (boşanamama demek daha doğru) öykülerin bazen merkezinde bazen de etrafında yer alıyor. John Cheever’ın babası alkolikmiş, varlıklı bir tüccarken yoksulluğa düşmüş ve Cheever ve erkek kardeşi mali sıkıntılar sebebi ile üniversite okuyamamış. Sanırım Cheever’ın alaylı olması içinde ukde kalmış zira seyrettiğim bir röportajında bu konudan biraz utanarak bahsediyor. Neyse ki 17 yaşında bir hikaye yarışmasına katılıp kazanıyor ve böylelikle yazım hayatına adım atıyor. 29 yaşındayken Yale Üniversitesi dekanının kızı Mary ile evleniyor ne var ki karısını hem kadınlarla hem de erkeklerle aldatıyor ama boşanmıyorlar. Cheever’ın yazar olmasını hiç istemediği 1943 doğumlu kızı Susan 5 roman yazmış ki bunlardan çoğu alkolizm üzerine (biri Adsız Alkolikler’in kurucusu Bill Wilson biyografisi) anne ve babasının ilişkileri hakkında ‘birbirlerini çok hırpalıyorlardı ama bunu boşanmak için bir sebep olarak görmüyorlardı’ diyor. Tüm bu araştırmayı yazarın kişisel hayatının yaratımına nasıl yansıdığını görüp anlamak için yaptım. En sevdiğim öykülere gelince; Cinin Kederleri; buradaki babasını alkolizmin pençesine düşmekten kendince korumaya çalışan Amy karakterine bayıldım. Bu öykü 2004 yılında çıkarılan sesli kitap seçkisinde Merly Streep tarafından okunmuş. Kırmızı Eşya Kamyonu; Bu öykü 21/03/1959 tarihinde New Yorker’s yayınlanmış. İçince sapıtan ve bu yüzden de dokuz köyden kovulan komşu çift üzerine. Adamın adı Gee Gee (Greek God) karısının ismi ise Peaches. Anlatıcı Charlie’nin bu yakışıklı komşusunun etki alanına girmekten kendini alamamasını ve adım adım kendi sonunu hazırlamasını çok anlamlı buldum Müzik Öğretmeni; Bu öyküde de ilk başta bahsettiğim Umutsuz Aşk Şarkısı isimli öyküdeki gibi mitolojik karakter Hecate’a benzeyen bir kadın var. Sonu daha farklı bitebilirdi ama bu haliyle de çok sevdim. Sonuç olarak 50lerin Amerikan banliyösünden kesitler veren kurgusu güzel, dili yalın, çevirisi mükemmel (Roza Hakmen) bu öyküleri tavsiye ederim.
In the title story of this collection, Cheever shows that he is not the misogynist that many label him, at least not all the time. Cheever shows that he can sympathize with the challenge women face when they are restricted to only cleaning the house and caring for the children; the mental stagnation and the loss of their ambitions when they are a stay-at-home mom and wife. This was behind the picture of post-war suburban life that is often portrayed on the tv and in people's idealization of the time which wasn't as perfect as sometimes pictured or remembered.
Impressive, outstanding- these are the words that come to mind when I think about this and to the other John Cheever stories I have read so far.
I had known that John Cheever is an excellent author, because I had read Falconer and The Wapshot Chronicle, but I did not know he won both the National Booker Prize and the Pulitzer. The latter was awarded for his short stories, which I am in the process of reading now.
For The Season of divorce we have a narrator, which seems familiar when he tells the story of his wife. It may be the same, in some aspects with the saga of my home, except here we have ten children with fur or feathers and the outlook is altered, a bit, by their presence.
Ethel is the epitome of the housewife, earlier on in the last century…in the first place I have put down just century, because I still live in the last one, I am still not used with the fact that my life moved into a different time frame.
There is an article in The Economist which spells out an interesting fact- the number of women staying at home had decreased in the “last „century, only to be on the rise in the last years.
This does not alter the fact that Ethel’s life is unfortunate. She is the wife of the narrator and the main character of the story. She takes care of the children, cooks and does all the other house duties.
Since last summer, when I have started reading Positive Psychology, my perspective and interpretation of most of the books I read has changed. In the past, reading this short story, I would have been what Tal Ben-Shahar calls a “fault-finder”, and looked at the gloom, sadness of the tale, which cannot be denied in many of its undertones. But I am becoming more of a “merit-finder „and somehow find the humor, positive message and the lessons which we can learn from a failed relationship. The narrator should have appreciated his wife more, we need to be more satisfied with what we have and take care of our relationships.
A doctor Trencher comes along and he appreciates Ethel much more than her husband, falls in love with her and wants her to marry him. He had already talked with Mrs. Trencher about getting a divorce.
There is humor when the doctor comes to tell the narrator about his interest and love for Ethel, insisting that he is a practical man, talking about the money he has, the custody of the children, while the present husband tells him to get out of his house.
What happens next? Well, we can’t be sure, because John Cheever doesn’t tell us explicitly, we have to guess and the course of events had been rather unexpected so far. If Ethel laughed, then felt sorry about the doctor and his confessions, with time this changed to some kind of empathy.
John Cheever is an extraordinary author with a complicated life, from what I have read…in fact an episode of Seinfeld was based on aspects of his biography.
I look forward to reading his other stories. Posted 22nd April 2014 by realini
Collected Stories of John Cheever offer a literature feast to the reader by one of the best story writers ever. I have decided that I love John Cheever better than Raymond Carver although I don't know why I tend to compare story writers every single time. Cheever and Katherine Mansfield come first. Raymond Carver and Flannery O'Connor come second among the best storywriters for me.
Amerikan banliyölerinde evlilikler, kaçamak aşklar, ayrılıklar, ikili ilişkiler çocuklar ve boşanmalar. İçinde sıkıntıdan bir topak taşıyan insanların sıradan, ölümlü, darmadağın hayatlar, küçük insanlardan büyük hikayeler yaratan bir adam J. Cheever. Yalnızlık, parasızlık, anlaşılamamak, umutsuzluk içinde savrulup duran kadın ve erkekler. Herkes bir çıkış arıyor. Endişe ve huzursuzluk öykülerin atmosferini belirleyen unsurların başında geliyor. Gelecek duygusunu yitirmiş, umudunu kaybetmiş ruhlar birbirlerine tutunmaya çalışıyorlar ya da başka bedenlerde arıyorlar kaybettiklerini. Roza Hakmen'in muhteşem çevirisi inanılmaz.
Impressive, outstanding- these are the words that come to mind when I think about this and to the other John Cheever stories I have read so far.
I had known that John Cheever is an excellent author, because I had read Falconer and The Wapshot Chronicle, but I did not know he won both the National Booker Prize and the Pulitzer. The latter was awarded for his short stories, which I am in the process of reading now.
For The Season of divorce we have a narrator, which seems familiar when he tells the story of his wife. It may be the same, in some aspects with the saga of my home, except here we have ten children with fur or feathers and the outlook is altered, a bit, by their presence.
Ethel is the epitome of the housewife, earlier on in the last century…in the first place I have put down just century, because I still live in the last one, I am still not used with the fact that my life moved into a different time frame.
There is an article in The Economist which spells out an interesting fact- the number of women staying at home had decreased in the “last „century, only to be on the rise in the last years.
This does not alter the fact that Ethel’s life is unfortunate. She is the wife of the narrator and the main character of the story. She takes care of the children, cooks and does all the other house duties.
Since last summer, when I have started reading Positive Psychology, my perspective and interpretation of most of the books I read has changed. In the past, reading this short story, I would have been what Tal Ben-Shahar calls a “fault-finder”, and looked at the gloom, sadness of the tale, which cannot be denied in many of its undertones. But I am becoming more of a “merit-finder „and somehow find the humor, positive message and the lessons which we can learn from a failed relationship. The narrator should have appreciated his wife more, we need to be more satisfied with what we have and take care of our relationships.
A doctor Trencher comes along and he appreciates Ethel much more than her husband, falls in love with her and wants her to marry him. He had already talked with Mrs. Trencher about getting a divorce.
There is humor when the doctor comes to tell the narrator about his interest and love for Ethel, insisting that he is a practical man, talking about the money he has, the custody of the children, while the present husband tells him to get out of his house.
What happens next? Well, we can’t be sure, because John Cheever doesn’t tell us explicitly, we have to guess and the course of events had been rather unexpected so far. If Ethel laughed, then felt sorry about the doctor and his confessions, with time this changed to some kind of empathy.
John Cheever is an extraordinary author with a complicated life, from what I have read…in fact an episode of Seinfeld was based on aspects of his biography.
Este cuento es una verdadera joya, de las pocas veces que en un relato de Cheever, un personaje femenino despunta y se alza glorioso. Ethel, aparentemente en un matrimonio feliz y perfecto, con dos niños, se ha tenido que sacrificar y se ha convertido en la ama de casa casi robótica con un horario perfectamente encorsetado y dedicada completamente a su familia, pero algo ocurre en este relato que la hace resucitar un instante y ser consciente de su infelicidad y alienación... Maravilla!!
The Season of Divorce is the story of a woman -- a wife -- but told from the point of view of her husband. Ethel is a housewife from the first half of the 20th century, and is perfectly cast in the role. She cares for their children and takes care of all the cooking and household duties. And, by reading the title, one is immediately aware that the marriage is no longer happy in her marriage. She meets a new man who falls in love with her, appreciates her and treats her better than the husband. He also wants her to divorce and marry him. He is serious enough about her to have already asked his own wife for a divorce.
This story is essentially sad, but it is also filled with humor. There is a scene between prospective husband and current husband that made me laugh out loud at the silliness of one man expressing his practicality to the man he is usurping.
I am starting to realize that Cheever is very good at writing stories which are open-ended, and for me that is very rewarding.
Cheever's examination of an unfulfilling marriage, in which the wife is an intelligent, well-educated woman who is expected, almost sentenced, to live a life of nothing more than housework and children. She is under-appreciated by her husband, who narrates the story with such an obvious lack of understanding and comprehension that you wish to reach inside the pages and slap him.
Short stories written by Cheever in 1970s, which are still relevant to modern world. The stories might appear trivial, but the underlying emotions are very real and true. And you can get a grip on people's lives, understanding that every body is facing similar challenges and some of the first world problems of identity crisis.
Cheever's "The Season of Divorce" is a short story that had me thinking something was gone to happen but in the end it didn't, which actually made me happy. Cheever once again shows a blunt reality in his characters.
Story in short- A middle class couple with children are dealing with everyday life when a married man pays them attention.
The couple have been married 10 years and have two young children. Ethel, his wife takes care of the children and the apartment. Not having luxuries but making ends meet and the sameness day after day. Then after going to a party where the couple meets the Trenchers, a doctor and his older wife, they have no children. Mrs. Trencher is friendly to Ethel but that soon stops after her husband has been following Ethel and the kids to the park. He tells Ethel of his love and knows it is hopeless. Ethel feels sorry for him and her husband hears about this but does not worry until he sees the roses, the doctor has sent and thinking that Ethel has gone to another park but the doctor has followed her there. Ethel seems dissatisfied with her life and wonders about divorce. Her husband after hearing that the doctor's attentions are increased asks his wife if she wants to be with Trencher, which she round about says no, but she would like better life. Trencher is stalking the house and finally comes to talk to Ethel's husband about marrying Ethel. His wife would give him a divorce and he has plenty of money but the kids are to be decided by them. Ethel's husband is enraged and throws things at the doctor, who leaves. At the end the story, the Trenchers are still around the city but not apparently bothering Ethel and her family. It starts the same with the couples living their lives as if nothing happened. I was glad Ethel did not leave her husband, because marriage though hard is worth it. The children will be happier and if her childhood was a mess because her mother remarried, causes many feelings of sadness and despair, then why should she risk losing a man who she had loved and followed with pleasure during the war and causing grief for her kids. The doctor is an unknown, though he says he loves her, does he? Ethel did not love the doctor but the attention was exciting for her.
“They were a birthday present from Trencher, she told me. I was cross at myself for having forgotten her birthday, and Trencher’s roses made me angry. I asked her if she’d seen him recently. “Oh, yes,” she said, “he still comes to the playground nearly every afternoon. I haven’t told you, have I? He’s made his declaration. He loves me. He can’t live without me. He’d walk through fire to hear the notes of my voice.” She laughed. “That’s what he said.”
“He says that he comes over here and stares up at our lighted windows.” “When did he say this?” “At the playground.” “I thought you went to another playground.” “Oh, I do, I do, but he followed me. He’s crazy, darling. I know he’s crazy, but I feel so sorry for him. He says that he spends night after night looking up at our windows. He says that he sees me everywhere—the back of my head, my eyebrows—that he hears my voice.“
Cheever always delivers. In this short story, we see a marriage getting dangerously close to divorce but ultimately dodging it. However, the question lingers, did they really dodge a bullet? No. In 'The Season of Divorce', Cheever examines the toll that everyday life has on the psyche of human beings; one might think that normal people are meant to live normal lives, but that sometimes just isn't the case, and this story depicts that truth with such a precise style that even tense and even violent moments like the confrontation towards the end feel like a soft headache you can't seem to shake off.
And that's ultimately the message this conveys: Living unsubstantial, lame lives is an illness you can endure, it won't kill you, but God wouldn't it be awesome to enjoy life? In this case, the sickness that afflicts the marriage we meet in 'The Season of Divorce' is an unfulfilling marital life that has been slowly but steadily making both wife and husband hate the reality they live in, ultimately accepting this fastidious discomfort because of the tedious and draining process that actual divorce would mean. It is married life itself what deprives them of the energy necessary to embrace a new life, therefore making it clear at the end of the story that they will never get out of the misery of their lives.
The most surprising thing of all is that Cheever lays out this complex idea with a crystalline prose and a simple plot that at the end of the day says more about the silent deceptions and disappointments waiting for us out there, hidden in plain sight, waiting for us to fall into a rabbit hole of disillusionment from the comfort of our nice, normal living room.
This has been the third story i've read from 'The Stories of John Cheever' and, up until now, the best. I'm sure i'll keep finding valuable, rich pieces of short fiction in Cheever's masterpiece collection as I read my way through the world of american suburbia, turned into a thrilling adventure by this pulitzer prize-winning genius.
This entire review has been hidden because of spoilers.
It's not an HEA story but it's a happier than I expected ending. It's a realistic look at what a lot of families might have been experiencing in the early Baby Boom years.