I bought this book because I found the childhood flashback in the first chapter to be quite moving. I hadn't read the first book in the series, but I assumed it would be fine because these are standalone romances. However, at the end of this book, the author mentioned that she had had the hero propose to the heroine in the previous book only as comic relief at first. This unfortunately made a lot of sense to me. Like a zombie mimicking a human being, this book sadly just felt like a shambling mass of jokes pretending to be a coherent story.
The premise of the novel is that the heroine, Angela Bartham, is about to marry a respectable businessman and secure a stable reputation for the rest of the family. Angela considers it to be very important to marry well, as her family still suffers from the scandal of her mother, Clio, who obtained a divorce to marry Angela's father, Neil Bartham. Additionally, Neil has been missing for 7 years, sparking rumors that he abandoned the family. Sadly, Angela's plans to obtain respectability are foiled when, at the altar, it is revealed that her husband-to-be is a bigamist multiple times over. Honestly, this reveal was my first hint of how contrived and absurd this book was going to be; Angela mentions how her relatives have checked on this guy to make sure he's respectable only for 3 different women to reveal that he married them during the actual wedding procession. I mean, come ON.
In attendance at the wedding is Sunny, the Earl of Sunderham and the hero of this story, who has brought a mysterious French woman with him to prove that he's over Angela. (Obviously, since this is a romance novel, he's not.) When Angela's fiance runs from the nuptials, Sunny takes his place in order to salvage the situation. To prevent the tabloids from making a whole spectacle of the thing, Sunny decides that it's best for them to retreat to the family's Gothic chaleau in the Bois de Bologne near Paris.
For the first part of the book, Sunny gives off deeply pathetic Nice Guy vibes. The motivation we are given for him intercepting Angela's incoming scandal by marrying her is that he wants to get payback for a letter that Angela wrote him after he first offered marriage to her, a letter essentially going "it's not you, it's me" after Angela rejects his suit in order to marry the businessman. The conflict over this letter is what motivates the "tension" of the first quarter, which isn't actually tension so much as Sunny's bullish refusal to try and understand what Angela is going through. I liked Angela much better than Sunny, which is why I'm sad she's stuck with him.
Because I'm based and Angela Carter-pilled, I was excited to have the main characters reside in the chaleau by themselves, assuming the book would use their exploration of the house to develop their characterization. Instead, all that happened was some repeated hamfisted mentions that Sunny's dad bought the chateau after his first son died. We already knew this at the beginning, and the author only manages to do this by clumsily dropping lines like (I'm paraphrasing here) "Why did the chateau only have one bed? ... Angela realized that it was because the previous earl wanted to mourn the death of his son alone." Worst of all is that none of the plot involves Sunny directly working through his second son trauma, but he does have time for a random vigilante subplot.
It's crazy how much of the plot is driven by the side characters rather than the hero and heroine. They pale in contrast to the supporting characters Helene and Luke. Helene is a lesbian swordfighter and former nobility in depreciated circumstances, and Luke is a reporter sent by Angela's sister to help defend her reputation by writing favorable articles about her marriage, and he's the one who uncovers the plots of the nefarious journalist who's the main antagonist. I came out of this book thinking that Luke should have been the hero because he had more meaningful, plot-relevant interactions with Angela over the course of the book. There's a scene where Angela finally gets a tour around Paris, and Luke is the one actually accompanying her. Like, why even write a romance book when the main characters aren't even hanging out with each other half the time?
There's not really any meaningful character work or sense of atmosphere, but I kept reading because everything was just so random. Stuff would happen and I would be like "I guess this is what we're doing." Angela stumbles into a bar where the villainous journalist hangs out and Sunny coincidentally has followed her (because of his aforementioned vigilantism)? At the last minute, Sunny's mom (obsessed with propriety and hating on Angela's family) just waltzes into the picture and randomly decides that, oh, she's actually cool with Angela now? There was a duel and the heroine interrupted it by doing a grand jete between the two fighters? Just a deeply unserious novel.