Botvinnik: Move by Move by Cyrus Lakdawala is undoubtedly one of the worst chess books I have ever read despite a broad selection of 60 of Botvinnik's finest games - some incredibly well known (i.e., his win against Capablanca at the AVRO tournament in 1938, his win against Alekhine from the same tournament, the draw against Fischer at the 1962 Varna Olympiad, as well as wins over Bronstein, Smyslov, Tal, and Petrosian from his multiple World Championship matches) as well as some less well known gems spanning his long career. While the games sparkle with originality, insight, and an iron will, the commentary and analysis were bizarre, at best, and ridiculous, at worst. Constant use of inane metaphors and allegories (such as the following examples that were selected at random) add no real value to understanding the games and are often simply confusing:
"The unbelieving king, who up until now had only seen the inside of churches and temples via funerals and weddings, decides to engage upon spiritual matters."
"White adds a log to the fire of his pawnless, queenside attack, until it spits and crackles to life."
"Through dark powers the shaman, in death, transfers his spirit into the body of the black queen, who rises to take up the battle once again."
Variations were slightly better despite being either admittedly generated by an engine (Houdini) or from Lakdawala's own work on an assortment of openings. Unfortunately, the variations frequently run too long to be of much use to a mid-level player like me.
I've read that Lakdawala's writing style is an acquired taste - like drinking Jägermeister or eating tripe. Although I tried, I could not warm to it, which left me feeling increasingly disappointed and sad with each game. I had high hopes for this collection when I started. As I progressed, however, I found myself increasingly looking forward to the end. There are so many better chess writers. I would definitely not recommend Botvinnik: Move by Move to anyone unless you have already acquired a taste for the Lakdawala style.