The Girl Next Door by Cynthia Eden is more than just a top-tier Mills & Boon Intrigue offering, but a very good little mystery/romance thriller on its own. The Mills & Boon Intrigue branding may be why many readers pick up this one, but were it missing those labels it would satisfy any reader’s appetite for a lean-and-to-the-point, swiftly-moving romantic thriller. Coming in at 216 pages in my edition, few words were wasted as the author economically drives both the thriller elements and the romantic entanglement forward without sacrificing atmosphere. This makes it an enjoyable page-turner and easily outshines more ballyhooed books “supposedly” a cut above the Harlequin/Mills & Boon lines, which have their origins in the pulp stories of yesteryear.
This one takes place during summer in Washington, DC, and opens with a bang as EOD agent Cooper Marshall finds former agent Keith Lockwood with his throat slit. Enter reporter for the DC Inquisitor, Gabrielle Harper, walking right into the crime scene because of a tip. Cooper, her neighbor at a DC brownstone, can’t let her know he arrived on the scene first, but also must contain the story. No one but a few know about the elite EOD, but the recent killings Gabrielle is investigating threaten to blow the lid on the most secretive of government agencies. Each of the victims is either directly connected to the EOD, or one of its operatives. It seems one of their own has gone rogue, and for some reason as yet unknown, he/she is killing his own. Cooper has to find the most deadly of killers before he/she blows the whole lid on the town, and exposes the EOD.
Gabrielle Harper had a visceral reaction to Cooper the first time she met him — when she brought him cookies as a housewarming gift — and that reaction was mirrored by Cooper. But as he tags along with her under the guise of friendly neighbor, wanting to keep her safe, he has to keep lying to the reporter, even thwarting her skilled efforts to get at the truth. And then the killer takes aim at the resourceful Gabrielle, and has her doubting who and what Cooper is, despite her heated attraction. When she finally gets the truth about Cooper from her boss Hugh Keller, who covertly slips her the information even as he’s headed for a forced vacation — Cooper’s boss Bruce Mercer pulling strings — she naturally feels hurt and used. Cooper has no option but to bring her in for her own safety.
Yes, it sounds kind of routine, and perhaps even slightly cheesy, but to the author’s credit it isn’t. It’s incredibly well done, laced with some exciting moments, some revelations, even some grit and a touch of real violence — but nothing too gory. The two sex scenes are handled fairly well, not being too graphic or unrealistic, and they don’t slow the pace of the narrative in any way. The relationship and the background of the two leads, Cooper and Gabrielle, has just enough flesh and bones on it to make them, and the relationship, seem real. The story itself is tightly woven — even a bit more complex than expected once some side tangents are revealed near the end. Though I guessed the killer I wasn’t 100% sure, because there were other ways it could have gone. Though there is a cornball moment when all is said and done that felt more at home in a Harlequin romance than an Intrigue offering, it didn’t give me diabetes or anything.
All in all, this is just a terrifically entertaining read. Mills & Boon Intrigue fans who enjoy a bit more complexity and story to their thriller/romance will love this one, but it’s good enough that I’d suggest it to those who don’t normally read a Mills & Boon Intrigue. A swift and involving narrative that’s hard to put down make this a fun little genre read. Highly recommended.