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160 pages, Hardcover
First published May 14, 2014
God made individuals with stunning distinctiveness and as absolutely unique refractions of his glory. Nevertheless, the greatest glory is when these refractions compose a unified display of God's greatness, as a stained glass window with thousands of fragments reveals one bright picture, not in spite of the difference among the fragments, but because of them.
My thesis is that this effort to say beautifully is, perhaps surprisingly, a way of seeing and savoring beauty. For example, when I hear my daughter singing worship songs in her bedroom, my heart is glad. But when I make the effort to put into suitable words what I love about her song - in a conversation, in a birthday card, in a poem - I hear more, see more, love more. This is how it is with all truth and beauty - the wonders of nature, the stunning turns of redemptive history, and the glories of Christ.
He is loved for his technical rigor and his spiritual depth. T.S. Eliot said, "The exquisite variations of form in the poems of The Temple show a resourcefulness of invention which seems inexhaustible, and for which I know no parallel in English poetry."
Of the 167 poems in the Temple, 116 are written with meters that are not repeated. This is simple incredible when you think about it. He created new kinds of structures for seventy percent of his poems.
For George Herbert, poetry was a form of meditation on the glories of Christ mediated through the Scriptures. Conceiving and writing poems was a way of holding a glimpse of divine glory in his mind and turning it around and around until it yielded an opening into some aspect of its essence or its wonder that he had never seen before - or felt. This is meditation: Getting glimpses of glory in the Bible or in the world and turning those glimpses around and around in your mind, looking and looking.
God has chosen him unconditionally, and God would therefore keep him invincibly. This was his rock-solid confidence and a fire in his bones and the power of his obedience. He wrote in 1739 fom Philadelphia:Oh the excellency of the doctrine of election, and of the saints' final perseverance, to those who are truly sealed by the Spirit of promise! I am persuaded, till a man comes to believe and feel these important truths, he cannot come out of himself; but when convinced of these, and assured of the application of them to his own heart, he then walks by faith indeed, not in himself but in the Son of God, who died and gave himself for him. Love, not fear, constrains him to obedience.
No eloquence can save a soul. But the worth of salvation and the worth of souls impels preachers to speak and write with all their might in ways that say: there is more, there is so much more beauty - so much more glory - for you to see than I can say.
He believed that when when one looks at Christianity across the centuries it has an astounding unity which has great apologetic power.. Even before he became a believer, he noticed that great Christian writers from Augustine to Bunyan represent
very different churches, climates and ages... and that brings me to yet another reason for reading them. The divisions of Christendom undeniable... but if any one is tempted to think - as one might be tempted who read only contemporaries - that Christianity is a word of so many meaning that it means nothing at all, he can learn beyond all doubt, by stepping out of his own century, that this is not so. Measured against the ages, mere Christianity turns out to be no insipid interdenominational transparency, but something positive, self consistent, and inexhaustible... so unmistakably the same; recognizable...
My thesis...is that Lewis's romanticism and his rationalism were the paths on which he lived his life and did his work. They shaped him into a teacher and writer with extraordinary gifts for logic and likening - and evangelism. What I mean by "likening" as we will see, is almost identical with what I have called "poetic effort" or "dramatic effort" in the previous chapters [with Herbert and Whitefield]. Lewis discovered that joy and reason, longing and logic (romanticism and rationalism) called forth a kind of language - a poetic effort, an imaginative use of likening - that illuminated the reality of what is by describing it in a way that it is not. Thus he spent his life pointing people, even in his rigorous prose, beyond the world to the meaning of the world, Jesus Christ.
Here is the crucial link between truth and Joy. "Joy itself, considered simply as an event in my own mind, turned out to be of no value at all. All the value lay in that of which Joy was the desiring." So we see what is at stake. The entire modern world - and even more so the postmodern world - was moving away from this conviction. Liberal theology, and postmodern cynics who score propositions, have gone with the flow of unbelief - subjectivism and relativism. Lewis stood against it with all his strength. Subjectivism and relativism means "the abolition of man."... but long before that, it means the destruction of Joy, because, as Lewis had learned when he became a Christian, an attack o the objective reality of God is an attack on Joy... without God, the event in my mind called joy is utterly trivial.
He reasoned like this: if the key to the deepest meaning of this world lies outside this world, then the world will probably be illuminated most deeply not simply by describing the world as what it is but by likening the world to what it is not....At one level, it seems paradoxical to liken something to what it is not in order to show more deeply what it is. But that's what life had taught Lewis. And he devoted his whole life to exemplifying and defending this truth.
Unless we see that this world is not ultimate reality but is only like it, we will not see and savor this world for the wonder that it is.
The Englishness of English is audible only to those who know some other language as well. In the same way and for the same reason, only Supernaturalists really see Nature. You must go a little way from her, and then turn around, and look back. Then at last the true landscape will become visible.
The salvation of a single soul is more important that the production or preservation of all the epics and tragedies in the world.
The glory of God, and, as our only means to glorifying Him, the salvation of human souls, is the real business of life.