Now while I do very much and heartily appreciate the main (the entire) wordless storyline of Marla Frazee's The Farmer and the Clown, I am if truth be told simply not all that much (if at all) a fan of the illustrations themselves. For although I am indeed and definitely well pleased that The Farmer and the Clown is not ever overly cluttered with too much superfluous visual details and is thus thankfully also not as potentially confusing and distracting as many other wordless picture books I have read in the past have tended to be (and with this I do in particular mean offerings by David Wiesner, whom many do consider spectacular, but whose wordless illustrations I have generally found so lush and detailed that without accompanying textual explanations, I tend to get majorly lost), from a personal aesthetics point of departure, I must admit that I have found both Marla Frazee's drawings, renderings and the entire colour scheme of The Farmer and the Clown much too drab and visually uninspiring for my own personal artistic tastes, and with especially the farmer also rather appearing a wee bit creepy to and for my eyes with his long and lanky almost tentacle like arms and legs. And considering that in a wordless picture book, it is of course ONLY the illustrations which count, as there are ONLY visual, there are only pictorial renderings featured, if one does not really find these all that visually and aesthetically appealing, this will (or at least can) quite naturally negatively influence and affect reading (viewing) pleasure.
Now certainly there is nothing in any manner remotely problematic with regard to The Farmer and the Clown as a wordless tale in and of itself (and I actually thematically and content-wise have in fact much enjoyed visually following how the farmer and the baby circus clown he has rescued slowly become used to one another and how both learn from the other as well, with the farmer learning to act and behave spontaneously and clown-like in order to amuse and divert his rescued guest and the baby clown happily figuring out how to do farm chores, how to milk cows and work in the fields, even though with the ending of The Farmer and the Clown, I was actually kind of hoping that the farmer and the young clown would remain together, that he would not rejoin the circus when the train returned). However, as much as I have indeed enjoyed the wordless storyline of The Farmer and the Clown from a plot and themes point of departure, I really cannot grant more than a three star rating, as indeed, Marla Frazee's illustrations really and truly are not at all my aesthetic cup of proverbial tea (and I also do believe that my three stars are actually quite generous, as if I were to truly consider the pictures encountered in The Farmer and the Clown as to how much I have visually liked seeing them, I should probably only be rating this with two stars).