Find out what the words in your favorite blues songs really mean! In The Language of the Blues: From Alcorub to Zuzu (Foreword by Dr. John), rock musician Debra Devi defines 170 blues terms like mojo, hoodoo, buffet flat and killing floor with wild stories and fresh insights from her interviews with such blues stars as Hubert Sumlin, Robert Jr. Lockwood, Henry Gray, Little Milton Campbell, Bob Margolin, Jody Williams, Robben Ford, Jimmie Vaughan, and more. Devi combines her interviews with in-depth research into etymology, African language, voodoo and the origins of blues, rock and jazz. The result is a lively read Reuters calls "a witty, bawdy and fascinating dictionary." The Language of the Blues has received the ASCAP Deems Taylor Award for Outstanding Book on Music
The Language of the Blues includes more than 30 photos (17 color) and a remarkable foreword by Dr. John, who helped Devi uncover the illegal gambling origins of terms like "gig" and "axe." The Language of the Blues has earned back-cover praise from Bonnie Raitt, Joe Bonamassa, former Muddy Waters guitarist Bob Margolin, producer Hal Willner, and even Ministry singer Al Jourgensen! "What a great resource, as fascinating as it is informative. Debra Devi's passion for the blues shines through," says Bonnie Raitt. Joe Bonamassa adds, "Devi's book will teach you what you really need to know about blues history and where the blues are coming from." Al Jourgensen notes: "Finally one can understand the mechanics behind the overwhelming viscera of the Blues. Debra Devi's work is a true guide book to the soul."
Blues Revue deems The Language of the Blues "an essential purchase for scholars and fans" and New York Times columnist Shelton Ivany says, "If you have any questions about blues songs, lyrics, musicians or events, chances are you will find your answers in this unparalleled publication."
"Don't think that The Language of the Blues might read like a dictionary or reference book," explains former Muddy Waters guitarist Bob Margolin. "There's no plot, but you can open it at random and fall into the world of your favorite blues songs, finding out more about the lyrics than you would by guessing from context. I learned a lot more about the blues music I love."
Devi is an American Blues Scene contributing editor and former Blues Revue associate editor. She is also an accomplished rock singer and guitarist. Visit her at www.debradevi.com
Backcover Blurbs for The Language of the Blues: From Alcorub to Zuzu by Debra Devi
"What a great resource, as fascinating as it is informative. Debra Devi's passion for the blues shines through." - Bonnie Raitt.
"Devi's book will teach you what you really need to know about blues history and where the blues are coming from." - Joe Bonamassa
"This book is fascinating! Take it to the bathroom and don't come out until you're done reading it." - Jimmy Vivino
"This is a beautiful book. After hearing 'Hellhound on My Trail' in high school I bought every vintage blues record available at the time. Upon receiving The Language of the Blues I discovered my knowledge only scratched the surface. Debra Devi has written an invaluable reference book. And it's also great fun to read." - Hal Willner
"Congratulations to Debra Devi for The Language of the Blues. Its candor and witty honesty bring us into the world she describes so well with beautiful strength. This is a book that lovers of music and just plain old lovers will love to have in their collections." - Ed Sanders
I've been listening to blues music for over 40 years. There's many phrases and words in the lyrics that I did not understand. Debra not only defines the phrases. She outlines the etymology of the words. There's great anecdotes from musicians, explanations of alternate guitar tunings and more.
Far from just a glossary, this is a history of the blues, told through the stories behind its words and images.
Devi traces many, many familiar slang terms, like “cat”, “hip”, “jam”, . . . back to African roots. This was eye-opening to me. Not that I didn’t know that many of the roots of blues music itself were African, but I had no idea that those common words, with seemingly obvious metaphorical significance, might actually be derived from African words — “cat”, for example, from a Wolof word, “katt”, meaning “singer.”
You can doubt Devi’s etymologies, and her histories — sometimes she speaks with a bit more confidence than seems warranted, about the origins of words and phrases, or about the events surrounding them (for example, she states without reservation that Marie Laveau was born in Haiti, despite controversies about her birthplace and even an apparent consensus that she was born in Louisiana).
I’m not an etymologist, so I wouldn’t dare to pass judgement. But I do wonder how strong conclusions about word origins, by even the sharpest word detectives, can really be.
But there’s no doubt that the book is entertaining. I bought it partly on the strength of Dr. John’s endorsement, and the Foreward he wrote for the book. And I had thought I would put it aside, to occasionally dip into or to look up a word or pass a few minutes of boredom. But once I began reading bits and pieces, I decided to read it cover to cover. It’s an easy, fast, compelling read.
It does read like a history book, just one written with page by page changes of perspective. Always entertaining. I learned a lot, and I suspect I’ll come back to read bits and pieces over and over.
"Get yourself a black cat bone. Cut your nails to the quick and put the trimmings in a small bag with the black cat bone. During a full moon, bring the bag and your instrument to a lonely crossroads a few minutes before midnight. Kneel in the middle of the crossroads and chant six times: 'Attibon Legba, open the gate for me.'
Now sit cross-legged and play your best song. At the stroke of midnight, you will hear footsteps. Do not look up until they stop in front of you and a hand reaches down to take your guitar. Standing before you will be a tall man dressed in a sharp black suit. Do not speak to him. He will take your guitar, tune it, and play a song. When he hands it back to you, the deal is done and your soul belongs to him."
A through look at the words, traditions, and history that gave voice to the blues. Also gives insight into the Voodoo and Santaria religions. As a lover of the blues I found it very enlightening.
The author is now listed, on the cover and on her website, as Debra Devi, but the book is the same and it's great. It's basically a dictionary, but one that has enormous amounts of historical, sociological, ethnographic, music and other sorts of information in all of its listings. I learned a tremendous amount about the influences of African culture on America from this book. The research that went into it is extremely impressive. And it's fun to read. And there are songs listed at the end of each entry by way of example of what it is talking about. It took me a lot longer to read it all the way through than it might have otherwise as I was constantly stopping to listen to songs online or look up things that I got more curious about while reading the book. It is a book that should be of interest even to people who don't love blues music, who have the slightest interest at all in linguistics or American history and African culture. I'm keeping it around and I'll pick it up from time to time to leaf through it again.
The Language of the Blues: From Alcorub to Zuzu by Debra DeSalvo is an encyclopedia of words and phrases associated with the Blues. Culturally, historically, linguistically and musically well-researched, DeSalvo's book provides deep and wide insight into such items as "black cat bone," "nation sack," "goofer dust," "John the Conqueroo" and "signifying." I found it interesting that a great many of the terms have origins in voodoo and can be traced back to specific areas of West Africa. As I read, I had many "aha" moments and said to myself, "So that's what that means." Now "I believe I'll dust my broom."