Now this is my kind of history book—action packed, anti-interventionist, applicable to the present. I’m struggling to think of things to criticize or question, so I’ll start by going over all the positives. First, McPherson expertly tackles a very specific subject in three very specific places during very specific time periods and applies the equally specific lessons they can teach us to the present. Whereas Countryman’s conclusion was basically forgettable, McPherson’s is crucial: the broad cast of characters and set of events he juggles throughout the book are all revisited and wrapped up.
All of this is abetted by the nontraditional narrative format, which follows themes rather than a specific chronological or geographical course. This is not just a scattered, aesthetically disorganized postmodern work tied together by well-crafted chapters. McPherson caps off his discussion of occupation resistance with “Brambles and Thorns,” detailing the atrocities committed and (on rare occasions) endured by American troops. Before he transitions to the various methods of withdrawal, he discusses the cultures and politics of resistance, covering everything from race relations to drug regulations. Of course, all of this is effectively knitted together by the conclusion, which uses PowerPoint-style topic headings to break down “what we’ve learned” in a creative manner. In the end, under the “Beware Nation Builders” heading in particular, we discover that this is not a narrative of “invaded” victory. Therein lies the book’s success: it observes without impressing the bias or distortion of the ex-invader; the villains are human and the heroes, despite being mostly involved in all sorts of military juntas, are sympathetic.
My first question is simple, probably because I enjoyed the book so much. Does McPherson successfully address his thesis? In the end, I felt that I’d read a compelling narrative of American evil and Latin American, not a staunch defense of the argument McPherson presents on page four. I detected some very blatant attempts to attach parts of the narrative to the thesis in the withdrawal section—US officials turning to political reforms to maintain their control over Haiti, for example—but otherwise this appears to be a straightforward, informative take on native resistance.
Also: does The Invaded function as an effective allegory? The first sentence in the book references the Iraq War, and McPherson draws parallels between Monroe Doctrine-style interventionism and the invasion of Iraq from then on. Does the existence of this allegory bolster the relevance of a century-old conflict between an emerging global power and various technologically weaker countries, or does it overshadow it, turning the book into a preachy, twenty-first-century diatribe? My opinion on this is probably already clear. However, it's a question worth asking whenever historians strive to attach tales from the past to present issues. Can the America of today learn from The Invaded, who is it a wholly different country from the vicious Invader McPherson depicts?