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296 pages, Paperback
First published April 8, 2014
I loved this book. The writing was beautiful, each word felt intentionally chosen and placed perfectly within the narrative. The images and metaphors worked to build each scene and create emotional impact. Nothing here felt haphazard or accidental.
The three main characters, Agatha, Margaret, and Hope, were obviously related and still uniquely individual. Marshall did a wonderful job of nailing each woman's perspective and experience, especially considering the different generational and cultural distances. Hope was an angsty know-it-all pre-teen, and yet she wasn't stereotypical. Margaret with her need for perfection and to live "how things should be" instead of how they are felt true as well, and I felt annoyed by her as much as Hope was. But I also pitied her the way her friend Trig did, and felt sympathy for her much in the same was Agatha did. Agatha, however, was my favorite of these three women. I think that was because she felt more unknown to me than the other two. Her whole life intrigued me, and even by the end of this novel, I wanted to spend more time with her. I wanted her to teach me how to make bannock and to sit by the fire with her and her photo albums, listening to her stories.
The two different settings of South Carolina and Scotland were wonderfully crafted. I always felt grounded in the story, whether it was in the red clay of the American South or the deep dark earth of the Scottish Isle of Skye. And the way each setting helped reveal the characters who lived there was subtle. Marshall's deft use of language to create these two silent major characters really helped add depth to a story that many of us know, and which could have come off as trite in lesser skilled hands.
This book was not a typical read for me, but it is one I would read again and recommend to others. Complex, atmospheric, wonderfully written and well paced, The Thorn Tree was a beautiful literary triumph.