“I don’t know how fast he is with this thing,” Mulder cautioned, adding with a grin, “he might be as quick as greased—”
“Don’t say it,” Scully said (excerpt from Voltage)
Voltage, which is a juvenile adaptation of a Season Three episode of The X-Files titled “D.P.O.”, is set in the small town of Connerville, Oklahoma. FBI Agents Mulder and Scully investigate a series of freak lightning-related deaths which they eventually connect to the only person to have survived a lightning strike: an emotionally charged youth named Darin Peter Oswald. Although Darin possesses an uncanny expertise at arcade gaming, it’s nothing compared to his other extraordinary ability: he can generate and control massive amounts of lightning and manipulate any electrical devices in his immediate vicinity. With his newfound powers, Darin Oswald sets out to exact his own high-voltage revenge and win the affections of his boss’s wife.
Written for a juvenile audience, the novelization was well-paced and maintained a respectable suspense throughout its 100-some pages. Young readers are sure to relish the story's compelling characters and exciting climax. The first time I read this book was about nineteen years ago, having recently become a fan of the series during its original third-season run. Author Easton Royce (a pseudonym for writer Neal Shusterman) deftly adapts the antagonistic Darin Oswald to paper, fleshing out the character even more so than what we saw in the episode. Chapter 11, in particular, provides especial insight into the night Darin acquired his bizarre abilities after being struck by lightning in the pasture near his house. Readers are also treated to Darin’s memories of the time his former teacher, Sharon Kiveat, offered him the job at her husband’s garage, which first triggered his deadly infatuation with her. Unlike the televised episode, the book depicts the days following Darin’s accident when he first came to realize his unique gift—by bringing a dead flashlight back to life and melting it with excessive amounts of electrostatic charge—and how he, as a troubled youth, treated this uncanny ability with adolescent recklessness, much in the same way a toddler wielding his dad’s handgun. Because this novelization is based on the show’s original shooting script, it included an interesting scene that didn’t make it to broadcast: in this deleted scene, Mulder questions a reticent scientist named Dean Greiner at the Astradourian Lightning Observatory—an “amazing” building, according to Mulder, with its ornate atrium and its cluster of lightning rods adorning the roof like a bed of needles. I would’ve enjoyed seeing this structure translated to the small screen.
Much as I enjoyed the book, there were a few noticeable flaws that prevented me from giving it a top-notch rating. Early in the story, Scully briefly reflects on some of her past cases with Mulder, one of which included “a human monster who digested other people’s fat” (p.11), an obvious reference to fat-sucking vampire Virgil Incanto from the episode “2Shy”. However, episode chronology sets “2Shy” AFTER “D.P.O.” Therefore, how could Scully muse over a human monster that she has yet to encounter? Another problem I had with this adaptation is that it leaves out a key exchange between Mulder and Scully in which they briefly discuss the game-changing events that occurred in recent myth-arc episodes. I realize that the author wants to keep the details of Mulder and Scully's investigations confined to this episode; however, given what the agents just went through in the “Anasazi” trilogy (2x25-3x02), I think that by conveniently ignoring this dialogue does a disservice to the agents’ relationship and how it has developed as a result of those key mythology episodes.