I’m always happy to find middle grade fantasy to read, especially with black characters. So I grabbed this one off Libby from my library. I was not disappointed.
This book starts out with the readers not having a clue what’s going on. You just know a young girl named Nic lives with her father who has abilities that allow him to capture monsters. And he’s training her to follow in his footsteps. He has promised for years that when she turns twelve, he’ll teach her to start using her gift, but before that he’s been homeschooling her in their heritage and traditions, the lore and legends non-magic people think are fictional, but are actually real, even if only the remarkables (people like Nic and her father and their small circle of acquaintances) can see them and know they are authentic. They move a lot and it’s presented as an adventure for Nic and her dad, and she doesn’t pick up any darker context to it.
Nic gets the surprise of her life when she sees a vision of the future that makes no sense to her, and her father freaks out about it and makes her stay home from a signing for her favorite author. That’s when things pick up and never slow down again.
I enjoyed this book so much. I was hugely appreciative of the great worldbuilding. I love how it draws on African American (and African folklore/mythology and heritage) in a way that is very affirming to kids from that heritage who don’t get this ability to see themselves and their background in the stories they read. I found the variety of creatures and their presentation in the story wonderfully creative. For example, what more people refer to as a werewolf are called Rougarou which is a very regional term for werewolves common in the swampy areas of Louisiana. This book has some creatures from African mythology that I studied, such as the Aziza (a fairy type creature), Grootslang (giant elephant/snake), and the Boo Hag (which comes from Gullah traditions–descendents of enslaved people who live on the coast of South Carolina), who steals the lifeforce and breath of sleeping people, along with their skin.
The concept of magic in this story is also distinct. Magic is ancestral, passed down in families. In fact, magic came from Africa with enslaved peoples. While some Remarkables, which are regular humans with no magical heritage, can employ wands to exploit magic, it is a more corrupted form, prone to backfiring.
Angie Thomas examines the realities of life and history for African Americans through the lens of being a Remarkable, born into the magic world. The issues of systemic racism and its effects (from the capture and enslavement of Africans to police brutality and killings to overpolicing and stereotyping black people as criminals) are shown in the lived experiences of the characters. For example, when Nic goes into a store in a small town with her two companions, they are subjected to unfriendly, judgmental scrutiny by the storekeeper, who assumes they cannot pay for the groceries they are going to buy. I was surprised at how white supremacy is conveyed in a way that is far from being on the nose, but instead in a creative and very fitting way for this story.
If there were any negatives, I feel like some of the adult characters were underdeveloped. I would have liked the chance to know and understand them more, since they prove to be very important in this story. Otherwise, the relationships between the characters are such a cozy and fulfilling part of the book. I loved Nic’s relationship with her dad, her friend TJ, and other relationships that develop as the book goes along. I just wish that a pivotal character who is introduced later on had more page time and development as it’s so important to the story.
The culmination of the third act is almost shocking, although I should not have been surprised at all. It examines black trauma in a very impactful way. One character’s actions are unforgivable, harmful and heinous, especially as they are focused on an innocent child. That really threw me. This book is not graphic in any way, but some of the content packs an emotional wallop, especially if black trauma is a trigger for some readers. The story ends in a satisfying way, while the groundwork for an ongoing great threat is laid.
I enjoyed this a lot. I didn’t have any real expectations, but they were more than met with this novel. The audiobook was great and I appreciated the narrator so much. They were really good at doing different voices, younger, older, male and female, but also conveying their supernatural characteristics. I recommend checking out the audiobook if you choose to read it.
Recommended to readers who enjoy middle grade fantasy. If you are looking for a female, black lead that falls into the niche of books like Harry Potter and Percy Jackson, but does something fun and different and brings in African diaspora heritage, legend and lore, check this one out!
Overall rating: 4.25/5.0 stars