A Play of Lords
Joliffe the Player #4
By Margaret Frazer
Reviewed January 24, 2024
A Play of Lords is the fourth in Margaret Frazer’s Joliffe the Player series, and things are going from “normal” murder mysteries to political intrigue.
It’s the fall of 1435, and Lord Lovell and his household have moved to his London residence (Lovell Inn) for the opening of a session of Parliament. Naturally, there will be feasts, banquets, and entertainments, so Lovell’s Players have accompanied their patron.
Our hardy group of players are enjoying the opportunity to stay put for a few weeks. No wandering from village to town, but staying at Lovell Inn for the duration, and the group enjoys doing some shopping and sightseeing in between performances.
One of the highlights of their visit is seeing the various lords and their retinues as they parade through London on their way to Winchester for the opening of Parliament. Among the colorful entourages are those of various members of the Neville clan and the young Duke of York and his bride, Cecily. Although these people have little more than a walk-on role, it was fun to see some of those who will play major roles in future events that will culminate in the Wars of the Roses in a few years.
Pleased with a play Joliffe has written, a farce about the current deteriorating relationship between England and Burgundy, the troupe is requested by his Eminence, the Bishop of Winchester, Henry Beaufort, to perform for him. For the first time, Joliffe and his fellow players are in the presence of real power, for Beaufort is the king’s uncle and one of the wealthiest and politically influential men in the country – quite a step up from living hand to mouth, going from one village to another, often sleeping in the open.
Later, Beaufort asks Joliffe to rewrite the play to change the duke of Burgundy from the villain of the piece to a dupe of the French dauphin. Feelings against Burgundians are running high in London because the duke’s actions are having a direct impact on the wool trade, a very important part of the English economy, and the bishop hopes that if enough people see and hear about the play, making the duke of Burgundy into a buffoon rather than villain may help tamp down some of the anger being taken out on any Burgundians who happen to be in the city.
The bishop is also impressed with Joliffe’s ability to observe and analyze what he sees and recruits him to be his eyes and ears wherever the troupe plays. Along the way, a couple members of the troupe are attacked – not to be killed or robbed, but frightened off. Someone doesn’t want the play about the duke of Burgundy to continue being performed (the troupe is invited to perform for a number of wealthy and important persons, including the Duke of Gloucester, Beaufort’s rival for the king’s attention). Riots are being stirred up by men paid to provoke ill feelings against foreigners in general and Burgundians in particular. And before all is said and done, Joliffe has a decision to make about whether to continue in the bishop’s service.
I first encountered Joliffe in a couple of Frazer’s Dame Frevisse novels, where he is a full-fledged spy, first for Bishop Beaufort and later, for the Duke of York. Although I very much enjoyed the earlier, straight up mysteries in this series, I loved the novels that had more political intrigue and royal conspiracies and was happy to read how Joliffe evolved from being a player with a mysterious past to a spy.
As with any author who writes many books, some of Ms Frazer’s stories are better than others, but I can honestly say that I haven’t met one of her books that I haven’t liked…and that goes for this tale of intrigue and politics in 15th century London.