My writing career has been, at least in this one respect, it had to mark and chart, step by step, its own peculiar champaign. My earliest papers, beginning in 1942, were technical articles in this or that domain of Uralic linguistics, ethnography, and folklore, with a sprinkling of contributions to North and South American linguistics. In 1954, my name became fecklessly associated with psycholinguistics, then, successively, with explorations in my thology, religious studies, and stylistic problems. It now takes special effort for me to even revive the circumstances under which I came to publish, in 1955, a hefty tome on the supernatural, another, in 1958, on games, and yet another, in 1961, utilizing a computer for extensive sorting of literary information. By 1962, I had edged my way into animal communication studies. Two years after that, I first whiffled through what Gavin Ewart evocatively called "the tulgey wood of semiotics." In 1966, I published three books which tem porarily bluffed some of my friends into conjecturing that I was about to meta morphose into a historiographer of linguistics. The topmost layer in my scholarly stratification dates from 1976, when I started to compile what eventually became my "semiotic tetralogy," of which this volume may supposably be the last. In the language of "Jabberwocky," the word "tulgey" is said to connote variability and evasiveness. This notwithstanding, the allusion seems to me apt.
Thomas Albert Sebeok or Sebők was a prominent linguist and semiotician, and editor-in-chief of the leading periodical in the field, Semiotica, from its 1969 founding until 2001. He earned his Ph.D. from Princeton University in 1945. He is counted among the originators of the field of biosemiotics, and was highly influential in the study of non-human signaling and communication systems.
Sebeok was survived by his wife (and frequent co-author), Jean Umiker-Sebeok
Things are noisy when there's a relay race going on. If you go near toxic things, you're likely to be contaminated. Ronald Reagan had a sneaky semiotic advisor. Zoos are interesting places and things are not what they seem.