From straw in the crotch to beating back wild dogs, urgent sex on the hoods of cars to freckles like a woman’s skin’s sky, Barnes’s poetry is always real, always present, and ready, half the time, to remind you of the sort of Eros and Thanatos combinations that make his words both so dangerous and so virile. Transgressive, bold, this poet’s viewpoint is that of a durable man in an unforgiving landscape, presenting both the “cynicism and suspicion of the proletariat” in some turns--and the gratifying necessity of sating a man’s animal needs in others. Barnes can be as eloquent about poetic settings as Whitman but as carnally drawn to women’s flesh as any hot-blooded American male. There is an aggression in these poems, the sense of a strong man prone to temptation and diversion, this at contrast with the old women depicted shelling peas, bittersweet parenting notes on the subject of raising children, and an intense romanticism and sensitivity that flits out only in the rare moments when the reader is ready to be seduced. In short, Barnes can take you anywhere with this book—and his lines are so elegantly sculpted that they contribute to the sense of urgency his narratives create, present and corporal—like the scent of new-fallen blood or the vivacious clutch of a mesmerizing, confident, marauding hand.
Rusty Barnes is a 2018 Derringer finalist and author of the story collections Breaking it Down (Sunnyoutside Press 2007) , Mostly Redneck (Sunnyoutside Press 2011), and Kraj The Enforcer: Stories (Shotgun Honey 2019), as well as four novels, Reckoning (Sunnyoutside Press, 2014), Ridgerunner (Shotgun Honey/Down & Out Books, 2017), Knuckledragger (Shotgun Honey/Down & Out Books 2017) and The Last Danger (Shotgun Honey/Down & Out Books 2018), His fiction, poetry and non-fiction have appeared or are forthcoming in many journals and anthologies, like Dirty Boulevard: Crime Stories Inspired by the Songs of Lou Reed (Down & Out Books 2018), Best Small Fictions 2015, Mystery Tribune, Goliad Review, Smokelong Quarterly, Red Rock Review, Porter Gulch Review and Post Road. His poetry collections include On Broad Sound (Nixes Mates Press, 2016) and Jesus in the Ghost Room, (Nixes Mates Press 2017). He founded and edits Tough, a journal of crime fiction and occasional reviews. Find him on Twitter @rustybarnes23
Rusty is the poet of the trailer park. He writes about broke & broken dreams, hard living in hard lives. This collection is full of bravado & beauty, lost love that feels current after a few drinks, & folks trying to protect those rare moments of joy amidst the horrorshow of life. Good stuff.