This book essentially has three -ahem - 'story' lines. None are good.
Two of the lines centre on Saul/Paul.
1) P/S's autobiography of himself as a child and youth. Nutshell:
>'I am a very special boy. I am smarter and better and more pious than anyone else. Even the most learned scholars come to me for advice, steal my ideas and pass them off as their own. But that's OK because I am very, very special and even those guys know that I am more special than them. My beliefs are better and more important than anyone else's and I will ram them down everyone else's throats, even if it means I must kill them all to (somehow) ensure that they follow God's laws exactly as I interpret them. I am very special and so God will have to notice me more than anyone else because I am more right than anyone else about God and God's laws.'
P/S in this part of the book really reads like a sociopath though Jenkins writes it as if this is all normal behaviour. And yes, I know that part of this portrayal is to try and show the later transition but really...
2) P/S's time in the dungeon awaiting his own execution. Nutshell:
>I am very special. God has noticed me and loved me more than anyone else. I am the person who has The Truth. My conversion was more special than anyone else's. My beliefs are better and more important than anyone else's and I will ram them down everyone else's throats to my very last breath. I am very, very special and I am more right than anyone else about God and God's laws
So yeah, not really any change there at all. And, he still reads like a sociopath right to the end.
3) Augie's supposedly 'suspenseful' quest to save his friends and P/S's manuscript from the bad guys. Nutshell:
>I am a very special boy. I am smart, personable, good-looking, and athletic. But wah! daddy doesn't love me. But, that's OK because I am mommy's special boy. And I am a believer, which I will tell people every few pages, so that makes me even more special. I will take every possible opportunity including many the author creates just for this moment, to ram my beliefs down other people's throats. Because even though daddy doesn't love me, I am a very special boy, and I am good enough, and smart enough, and doggone it! People like me!*
The 'story' lines were flat. The characters were flat and largely stupid despite Jenkins insistence that all were highly educated and special. There was no suspense at all.
On top of that the messages about women are disgusting, and NO I do not mean from the ancient-times part of the book but those from supposed current time. In one place, Sofia's father calls her, in so many words, his most 'precious possession' ?!? Because yeah, women are property. But worse, Augie has heart to heart talks where he learns and seems to endorse the idea that his mother never went to seminary school to become a reverend, because of course, as a woman, she would not have done so. But on top of that, his mother explains that she stayed and continues to stay in an abusive relationship with his father because it is 'her godly duty' to do so?!? Blech!
After that there were the glaring historical inaccuracies:
>despite Jenkins' attempts to twist the facts, most credible biblical scholars agree that the writers of the gospels NEVER met Jesus. They lived, and wrote, decades after Jesus died
>at one point Augie says the supposed writings of P/S "the most important document since the New Testament".
-how does a supposed biblical and religious scholar like Augie not know that the New Testament was not, originally 'a document'
-we know that this 'document' is, in fact, a collection of writings done by different people at different times and in different places (again none of whom actually met Jesus). These writings were selected and compiled by the Council of Nicea who cherry picked only those writings that served the Council's agenda while rejecting all other documents that said something other than what the Council wished to ram down everyone's throats.
Aside from all of that, the book contradicts itself in many places. Three big, important to the 'plots' examples:
>P/S wrote his autobiography in his own writing which he insisted on his friends bringing to him
-he asks Luke to rewrite the document in neater hand and edited/smoothed out by Luke
-later, Luke decides that P/S must rewrite Luke's rewriting so that it is in P/S's handwriting rather than Luke's... because the whole process didn't start with a document in P/S's own writing to begin with?!??
>a wrapped package which might or might not even be a document is found in an ancient dungeon. One of Augie's friends steals it and tells no one about it until he must, and then only tells another friend
-and yet, somehow, the guy 2nd in charge of Italy's art police knows for certain: that the package contains a document (something even the friend didn't know for sure when he took it), what that document is, and that the document is authentic despite the odds against such a document having even survived for all of that time, if it were possible for it to have existed in the first place (because ESP?)
>Augie repeatedly notes how super duper trained, technologically equipped, and skilled the Art Squad in Italy are.
-then he is sure they cannot crack the encryption on a phone he got from a local university?
-then he is certain that none of them know what he or Sofia look like?
-then he is surprised to learn that these same police know which hotel he is staying in, you know, after he rented a car in his own name, drove it to the hotel, checked in under his own name, and paid for it with a credit card in his own name?
-Oh and even knowing that he is reluctant to give out his super-secret phone number because it might be used to track him back to his hotel, where said he would be, where he is headed, and where they already know that he is staying at?
Smaller examples:
>Augie was able to activate a credit card that had never been used before even after it had been kept in a box for years?!?
>Augie has a top-secret-hide-his-identity phone but his girlfriend's mother answers his call by greeting him by name because he showed up on her call display, with his name attached to this super-secret-never-been-used number?
>Augie discards his students' exam books after marking them? Because no student ever challenged a grade and no prof or dean ever had to look over the exam book to see if the evaluation was fair?
>5'8" is short?
>Europeans are using miles and pounds as units of measurement?
>People of ancient times were using miles and pounds as units of measurement?
>why are they driving from Napoli to Rome would it not be Naples to Rome or Napoli to Roma?
>a male and a female teenager, who are known to be courting each other romantically, are frequently allowed to be alone enough to 'share kisses' while living in Ancient Jerusalem and having super-religious parents?
>Augie has an appointment to meet someone at a specific place and time but ignores the driver's horn honk to alert him because he 'doesn't want to appear overeager'?
>the friends are whispering quietly to prevent others nearby from hearing them but still Sofia's father hears them while on his way to (not at) their table?
>Augie calls Lydia 'the first female convert to Christianity' (because women didn't exist in the Mid-East and/or in times before then? I know women are very rarely mentioned in his holy book, but surely he had to know that they existed - where does he think the men came from?, or does it only count for him if the woman is also white?)
And many more. But, this review is already too long for most people to have made it this far. I would shorten it but i) I don't care enough about the book to do so, and ii) I don't want to waste any more time on this book.
I am happy to send this book back to the library and move on to other reads. I will not be looking up other work by this author.
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*with apologies to SNL for bringing their words into this drivel of a book. Also, it is unlikely Augie wold say doggone it! since it is likely derived from damn it! and Augie would never say anything like that. He is a special boy and a believer.