P.D. Sherrard's The Longest Spring is a recent entry into the canon of Great War literature. It's a remarkable work for a first novel and certainly belongs on the same shelf as Birdsong, All Quiet on the Western Front, Three Day Road, and Pat Barker's Regeneration trilogy.
The story is fairly straightforward, spanning March 1916 to the eve of the Battle of the Somme at the end of June that year. A young officer, Alex Ryan, arrives in France to join Company D. He is thrilled to be assigned to the same company as Captain James Eden, a celebrated hero of the war. Lieutenant Ryan is sent out as part of a trench raid on his first night at the front. His naive excitement soon turns to shock and horror when something goes terribly wrong during the raid. The remainder of the book evolves from that incident.
Like the marvelous books mentioned at the outset of this review, The Longest Spring depicts the horrors of trench warfare and its effects on the men immersed in its surreal brutality. More than that, though, Sherrard's novel explores the nature of heroism and leadership, and suggests that "heroes" aren't necessarily good leaders, and that some "leaders" are self-serving and oblivious to those who look to them for leadership. Such leaders view the men under their command as nothing more than replaceable parts in the larger machinery of war.
As with Stephen Wraysford in Birdsong, Alex Ryan also finds love with a French woman.
Similarly to Paul Baumer in All Quiet on the Western Front, Ryan discovers a family of sorts with the men of his platoon. However, the book differs from those works because its scope is more narrow and focused. Whereas, Birdsong and All Quiet on the Western Front give readers a glimpse of their characters' lives before the war, on the home front, and after the war (Birdsong), The Longest Spring focuses almost exclusively on Alex's experiences at a sector of the Front over a period of about four months. Even his romantic liaison with Odette, the French girl, takes place at his billet not far behind the trenches. Because of this, The Longest Spring seems somehow more personal than the other classic works of Great War fiction.
Among other things, Sherrard's novel was influenced by Britain's execution of over 300 soldiers for cowardice during the Great War. This heightens the overall tragedy of The Longest Spring, begging the question, "What is the point of more murder on top of all this butchery?" This is basically the same question Kurt Vonnegut posed in Slaughterhouse-Five.
P.D. Sherrard's writing style is clear and propulsive. This, along with the book's short chapters (which I've always liked), make The Longest Spring a quick but unforgettable read, one that will linger in the reader's mind days after finishing the book.
I recommend The Longest Spring to anyone who shares my fascination with the Great War and Great War literature. Even more, though, I believe those who ponder the nature of leadership, heroism, friendship, and love will also find much to admire and digest. This is an excellent first novel, and I'm looking forward to further works by P.D. Sherrard.