As an exponent of the classic detective novel in its pure form, Leo Bruce is unquestionably in the front rank. These stories complete the oeuvre of a major detective novelist. Here Bruce's gift for entertaining dialogue is at its peak, and so is his extraordinary gift for he teases, tangles and contrives with cunning. Even the slightest of the stories is deft and telling, skillfully narrated, with economy and point. The best are worthy additions to the canon, elegant, clever and satisfying. All but one story in this collection were written for the London Evening Standard , where they appeared between 1950 and 1956. This collection contains twenty-eight stories, only two of which have been previously ten feature Sergeant Beef, eight feature Sergeant Grebe and ten have no series character. They add to our knowledge of Sergeant Beef, one of the most colorful of fictional detectives (and one whose full-length cases are too few in number); they introduce an unexpected second detective, the astute and resourceful policeman, Sergeant Grebe; and they offer a last chance to encounter anew their author's characteristic wit and ingenuity. Few writers so adroitly avoid the formulaic quality of crime writing by the variety and vitality of their characters.
I love Leo Bruce's stories especially the Sergeant Beef ones. These weren't all Sergeant Beef and usually the ones that weren't were not as good as the ones that were. There were some very short ones which were ok to pass a few moments but consequently hadn't got a lot of character and were more about being tricky. A few were just unpleasant and two were just variations on the same mystery. So not my favourite outing with Leo Bruce but still has entertainment value.
Lots and lots of very short detective stories that share a lesser number of plots. Like the Father Brown stories, they are best read separately as reading one ofter the other results in an awful lot of repetition.
I love the Sergeant Beef stories which are funny as well as clever. The volume begins with about twenty of these. Once Beef disappears the book tails off.
The stories are all plot based and the plots present a problem that is then unravelled by deductive thinking by the police officer or detective. Some would have delighted Edward de Bono and his “Lateral Thinking” exercises.
To be filed under “glad I read it but won’t be reading it again”.
Short stories by the master. The best The scene of the crime. A man talks to an old man who lives in a house where a murder has been committed many years ago. Buy some clever deduction he comes to the conclusion that the nephew had been the murderer only to learn that the old guy was indeed the nephew. Some years older than the uncle. Very nice. Other stories not quite as strong.