What do you think?
Rate this book
Why Do Dramas Do That? Part 1
Why do dramas do that?
Korean television dramas aren't just for Korea anymore—their popularity has exploded across the globe, picking up rabid followings and spawning addictions worldwide. Maybe it's the glossy production value or the fast-paced, addictive storytelling of dramas like Boys Over Flowers, Coffee Prince, or Secret Garden. Maybe it's the family bonds that pluck the heartstrings, or it's the pathos of a hard-won love that rings true with its universality.
Yet for all the universal themes at play, inevitably things will get lost in translation. Like why heroines always get swindled out of house and home, or why heroes will fight tooth and nail to win their beloveds, only to send them away "for their own good." Or perhaps it's the language itself that doesn't quite clear the cultural gap—why does nobody call each other by name? Why is everyone always encouraging each other to go "fighting"?
The authors created the wildly popular blog Dramabeans.com to explore these questions and more, where they deconstruct Korean dramas and pop culture on a daily basis. They take their trademark irreverence to Why Do Dramas Do That? Part 1, where they answer those questions and explore the most common tropes that arise from drama to drama. A must-read for anybody who's ever fallen headlong into a drama addiction, puzzled over a story turn, or wondered, "Why do dramas do that?"
Korean television dramas aren't just for Korea anymore—their popularity has exploded across the globe, picking up rabid followings and spawning addictions worldwide. Maybe it's the glossy production value or the fast-paced, addictive storytelling of dramas like Boys Over Flowers, Coffee Prince, or Secret Garden. Maybe it's the family bonds that pluck the heartstrings, or it's the pathos of a hard-won love that rings true with its universality.
Yet for all the universal themes at play, inevitably things will get lost in translation. Like why heroines always get swindled out of house and home, or why heroes will fight tooth and nail to win their beloveds, only to send them away "for their own good." Or perhaps it's the language itself that doesn't quite clear the cultural gap—why does nobody call each other by name? Why is everyone always encouraging each other to go "fighting"?
The authors created the wildly popular blog Dramabeans.com to explore these questions and more, where they deconstruct Korean dramas and pop culture on a daily basis. They take their trademark irreverence to Why Do Dramas Do That? Part 1, where they answer those questions and explore the most common tropes that arise from drama to drama. A must-read for anybody who's ever fallen headlong into a drama addiction, puzzled over a story turn, or wondered, "Why do dramas do that?"
- GenresNonfictionAsiaCulturalTv
97 pages, Kindle Edition
First published September 30, 2013
14 people are currently reading
85 people want to read
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 30 reviews
March 3, 2016
3.5 stars
Hello, GR friends. My name is Tamara. And I'm an K-drama addict. What is a K-drama addict? Weeelll....
Yup. That’s me. I’m a K-drama addict. There. I said it. First step is admitting. Other steps, such as quitting or just watching one episode instead of binge-watching? Oh please, like that’s possible.’I’m just going to watch just one episode’ said no K drama addict ever.
I’ve been watching Korean (and Asian dramas) ever since…like 2005. So, babies, I know my stuff. Things weird you out first (that weird and awkward 'kissing with eyes open' thing every Korean drama does!!!) but then suddenly you get excited for stuff you wouldnt get excited if you were watching a non Korean drama -such as;
Then, there is the second lead syndrome.
(Good luck with that. No cure has been found yet, my friend. Hey, dramas, it’s not like I needed my heart anymore anyway, right?)
Then comes all the weird makjang plots, over-the-top melo drama, cancer and amnesia for plots, sageuks always having the same ending...and sageuks always having the same ending etc. etc.
(WHAT.THE.HELL. SAGEUKS. SRYSLY, WTH?!)
Anyway, K dramas can be a bit hard getting used to, ok? You consistently ask yourself, even after watching them for million years, ‘Why dramas do that?’
Why are Koreans so obsessed with live-shooting?
Where are all the noona-killers and oppa chaebols live and how can I get one?
How come Koreans can start a drama really beautifully but fuck up the ending? (Cheese in the trap I'm looking at you. And also to so many others *sigh*)
What's up with rooftop rooms?
Seriously, what's up with the rooftop rooms? At least they have views I'd kill someone to have (kidding) but what about those one rooms that are cramped with barely room for a desk and a bed and usually used by students to kill themselves to death by studying.
How can one get a nosebleed from studying? Is it possible? Was I...was I a lazy student since I never got one?
But overall; seriously female lead ARE YOU FUCKING BLİND? CHOOSE THE DAMN SECOND LEAD FOR ONCE!!
Ahem.
I'm cool.
Everything is cool.
Some of these questions will be answered in this book. Some of them will be forever on your head. Some of them you'll just learn to ignore cause duh welcome to the K-drama land where anything is possible.
For beginngers; Things to keep in mind while watching K-dramas:
☑ Second lead male character never gets the girl (there has been a few exceptions but they are very very rare.)
☑ Second lead female character is usually a bitch who is obssed with the male lead and she makes you want to go:
☑ Male and female leads always belong together. There is 70% chance they were childhood lovers (or each other's first love), or a birth secret tied the character's destinies to each other.
☑ Get used to back hugs. That's probably only proper action you are gonna get
☑ Awkward kissing (usually on the last episode and usually at the last moment. There is like 50% chance thats how the drama ends.)
☑ Evil people always have a change at heart and get redeemed because our lead character is a Mother Teresa and can forgive any evil deeds done by evil people who were either family members or jealous ex-gf's of the male lead.
☑ Sunbae knows the best.
☑ The lead aka Candy is usually a Cinderella on steroids
☑ Everyone is either super rich or super poor but they'll still wear designer clothes and have better phones than you and me even though the poor one needs to work at like 3 jobs for money
☑ If you don't have a birth secret, you just haven't discovered it yet.
Last Thoughts:My favorite part;
HAHAHAHA. That's K-drama logic for you. ^^
I higly recommend this short book to every K-drama fan, specially the beginners. Writers, Javabeans and Girlfriday, have been writing on a blog that's dedicated to news, hilaripus recaps of Korean Dramas called Dramabeans for years so you can bet they know their stuff.
It was one quick, fun and informative read and I actually learned a few new things thanks to book. Why 3,5 stars then? Well, I already knew most of the stuff since I've been a avid K-drama watcher for a while now so even though I absolutely loved Javabeans and Girlfriday's writing and tone, I wish at some parts content was a bit better. By better I mean, maybe more of those thought provoking or informative parts and more of those wit and humor. However, the problem may have been me. Since I know so much and I expected a bit much ;)
Hello, GR friends. My name is Tamara. And I'm an K-drama addict. What is a K-drama addict? Weeelll....
Yup. That’s me. I’m a K-drama addict. There. I said it. First step is admitting. Other steps, such as quitting or just watching one episode instead of binge-watching? Oh please, like that’s possible.’I’m just going to watch just one episode’ said no K drama addict ever.
I’ve been watching Korean (and Asian dramas) ever since…like 2005. So, babies, I know my stuff. Things weird you out first (that weird and awkward 'kissing with eyes open' thing every Korean drama does!!!) but then suddenly you get excited for stuff you wouldnt get excited if you were watching a non Korean drama -such as;
Then, there is the second lead syndrome.
(Good luck with that. No cure has been found yet, my friend. Hey, dramas, it’s not like I needed my heart anymore anyway, right?)
Then comes all the weird makjang plots, over-the-top melo drama, cancer and amnesia for plots, sageuks always having the same ending...and sageuks always having the same ending etc. etc.
(WHAT.THE.HELL. SAGEUKS. SRYSLY, WTH?!)
Anyway, K dramas can be a bit hard getting used to, ok? You consistently ask yourself, even after watching them for million years, ‘Why dramas do that?’
“ Why do dramas do that? It's the question that we get asked more than any other, from countless readers around the world. Why do poor heroines always live in rooftop rooms? Does the amnesia fairy get paid overtime? How will you kiss her if you only hug from behind?’’Why dramas do that indeed?
Why are Koreans so obsessed with live-shooting?
Where are all the noona-killers and oppa chaebols live and how can I get one?
How come Koreans can start a drama really beautifully but fuck up the ending? (Cheese in the trap I'm looking at you. And also to so many others *sigh*)
What's up with rooftop rooms?
Seriously, what's up with the rooftop rooms? At least they have views I'd kill someone to have (kidding) but what about those one rooms that are cramped with barely room for a desk and a bed and usually used by students to kill themselves to death by studying.
How can one get a nosebleed from studying? Is it possible? Was I...was I a lazy student since I never got one?
But overall; seriously female lead ARE YOU FUCKING BLİND? CHOOSE THE DAMN SECOND LEAD FOR ONCE!!
Ahem.
I'm cool.
Everything is cool.
Some of these questions will be answered in this book. Some of them will be forever on your head. Some of them you'll just learn to ignore cause duh welcome to the K-drama land where anything is possible.
For beginngers; Things to keep in mind while watching K-dramas:
☑ Second lead male character never gets the girl (there has been a few exceptions but they are very very rare.)
☑ Second lead female character is usually a bitch who is obssed with the male lead and she makes you want to go:
☑ Male and female leads always belong together. There is 70% chance they were childhood lovers (or each other's first love), or a birth secret tied the character's destinies to each other.
☑ Get used to back hugs. That's probably only proper action you are gonna get
☑ Awkward kissing (usually on the last episode and usually at the last moment. There is like 50% chance thats how the drama ends.)
☑ Evil people always have a change at heart and get redeemed because our lead character is a Mother Teresa and can forgive any evil deeds done by evil people who were either family members or jealous ex-gf's of the male lead.
☑ Sunbae knows the best.
☑ The lead aka Candy is usually a Cinderella on steroids
☑ Everyone is either super rich or super poor but they'll still wear designer clothes and have better phones than you and me even though the poor one needs to work at like 3 jobs for money
☑ If you don't have a birth secret, you just haven't discovered it yet.
Last Thoughts:My favorite part;
“Dear Noble Idiot,
Okay, I know your full name is Selfless Well-Meaning Sacrifice in Service of One True Love, Esq., but there's a reason we've dubbed you the Noble Idiot. Because as much as nobility is your cause, idiocy is your effect....
...when the heroine landed herself in a coma in Secret Garden, you stepped in to prompt the hero to nobly swap bodies with her so that she could be the one to live on, awake. Because there's nothing like waking up from a coma to find your boyfriend inyour coma, only to realize you're stuck for life in his body. Thanks, honey.’’
HAHAHAHA. That's K-drama logic for you. ^^
I higly recommend this short book to every K-drama fan, specially the beginners. Writers, Javabeans and Girlfriday, have been writing on a blog that's dedicated to news, hilaripus recaps of Korean Dramas called Dramabeans for years so you can bet they know their stuff.
It was one quick, fun and informative read and I actually learned a few new things thanks to book. Why 3,5 stars then? Well, I already knew most of the stuff since I've been a avid K-drama watcher for a while now so even though I absolutely loved Javabeans and Girlfriday's writing and tone, I wish at some parts content was a bit better. By better I mean, maybe more of those thought provoking or informative parts and more of those wit and humor. However, the problem may have been me. Since I know so much and I expected a bit much ;)
August 9, 2014
Javabeans and girlfriday have laughingly described themselves as 'overeducated and underemployed' - I think it's great to see their overeducation applied to deconstructing dramas and dissecting their tropes. What could be something of a base pleasure or mindless viewing becomes an active and enriched experience when it's given the respect other types of fiction are afforded. Maybe like a lot of kdrama fans, I've endured the poor opinion of others, but really? Their loss. Kdrama is unfairly maligned.
'Why Do Dramas Do That?' hits the trifecta of being relevant, interesting and entertaining. It's bang up-to-date (at time of release, Master's Sun has just wrapped, and it, along with a few other very recent dramas, get mentions), and references dramas going back as far as decades. This is the joy of these authors: with such a breadth of experience, they really give you a much bigger, much more integrated picture of dramas *in the context of dramas* that only comes with time and an intimate knowledge of the real world in which they exist. This, essentially, is the purpose of this book: to pick out the threads common to some extent in many dramas - if not all - that don't have a ready translation or cultural equivalent in different cultures such as US or UK.
While this book is light-handed and funny, it also accomplishes its goal well by providing a thoughtful exploration of prominent kdrama tropes, backed up by social and historical context, cross-referenced against the applicable dramas. As an academic (which I strongly suspect the authors also are), I also appreciate that they take care not to generalise the kdrama narrative into a wider commentary on Korean society, and often point out divergences between dramaland and real life, a caution which is useful whichever culture you approach from.
There are four sections, with a pleasing logical progression: the first serves as an introduction to drama itself - definitions and distinctions, the system of production, the genres. The second offers a tidy introduction to language and its function in defining social contexts via the address and type of speech used (but in a way that is fascinating and relevant, not as dry as that sentence sounded). This had some of my favourite chapters (noona-killers and ahjummas! ha!).
The third section deals with money issues - this means Candy and Cinderella, loan sharks, princes and rooftop rooms. You...you kind of have to be there. To be honest, this section slowed me down (money makes me tired and my eyes blur), but it was a very momentary and minor slowing-down. Lastly, having laid down a solid base, the fourth section takes on major dramaland cliches: first loves, birth secrets, amnesia, and backhugs, among others.
It's not long, but it's a zippy, fun and informative read even to long-time fans of kdrama (because it's exciting to see your dramas get mentions). It's also really nice to be able to give something back to the authors who've given so much to their readers over the years, and created a brilliant, dynamic place. New readers, if you enjoyed this book, go on over to their website for more.
In conclusion: A NOONA-KILLER IS A GOOD THING.
Bring on Part 2.
'Why Do Dramas Do That?' hits the trifecta of being relevant, interesting and entertaining. It's bang up-to-date (at time of release, Master's Sun has just wrapped, and it, along with a few other very recent dramas, get mentions), and references dramas going back as far as decades. This is the joy of these authors: with such a breadth of experience, they really give you a much bigger, much more integrated picture of dramas *in the context of dramas* that only comes with time and an intimate knowledge of the real world in which they exist. This, essentially, is the purpose of this book: to pick out the threads common to some extent in many dramas - if not all - that don't have a ready translation or cultural equivalent in different cultures such as US or UK.
While this book is light-handed and funny, it also accomplishes its goal well by providing a thoughtful exploration of prominent kdrama tropes, backed up by social and historical context, cross-referenced against the applicable dramas. As an academic (which I strongly suspect the authors also are), I also appreciate that they take care not to generalise the kdrama narrative into a wider commentary on Korean society, and often point out divergences between dramaland and real life, a caution which is useful whichever culture you approach from.
There are four sections, with a pleasing logical progression: the first serves as an introduction to drama itself - definitions and distinctions, the system of production, the genres. The second offers a tidy introduction to language and its function in defining social contexts via the address and type of speech used (but in a way that is fascinating and relevant, not as dry as that sentence sounded). This had some of my favourite chapters (noona-killers and ahjummas! ha!).
The third section deals with money issues - this means Candy and Cinderella, loan sharks, princes and rooftop rooms. You...you kind of have to be there. To be honest, this section slowed me down (money makes me tired and my eyes blur), but it was a very momentary and minor slowing-down. Lastly, having laid down a solid base, the fourth section takes on major dramaland cliches: first loves, birth secrets, amnesia, and backhugs, among others.
It's not long, but it's a zippy, fun and informative read even to long-time fans of kdrama (because it's exciting to see your dramas get mentions). It's also really nice to be able to give something back to the authors who've given so much to their readers over the years, and created a brilliant, dynamic place. New readers, if you enjoyed this book, go on over to their website for more.
In conclusion: A NOONA-KILLER IS A GOOD THING.
Bring on Part 2.
January 4, 2014
I've been watching Korean dramas for a couple of years now, the blog-site ran by the authors of this book (dramabeans.com) has been incredibly helpful in helping me understand and enjoy those dramas better.
I'm not Korean, I'm not even Asian or from anywhere near Asia, but I swear those dramas are laced with extremely addictive drugs, once hooked you can't stop watching them. I don't like watching much TV, but if I do, it's generally a Korean Drama. The hook for me is that these dramas are like books. They have a set number of episodes,a beginning, middle an end and move on.
When I started watching I was fascinated by the differences and similarities of the Korean culture to the one I grew up in; yet there is so much I still do not understand while watching or gets lost in translation. This book helps bridge that gap by helping me understand why some things are done in Korean Dramas.
Believe it or not in just a couple of years Korean Dramas have grown in popularity. They are easily available now via Hulu, Netflix, DramaFever and Viki. It used to be so hard to get them and now they are readily and legally available. This helps me feel like I'm not alone in my addiction. I used to get stinky eyes when people learned that I enjoyed K-dramas, now there are many blogs and groups of people who love to gather thoughts and opinions on the latest episode of their favorite drama.
This book is well written and funny. It is part one of 3 similar books that explain various tropes, meaning of language and some history linked to K-dramas.
This book will probably sound like a lot of gibberish if you are not even slightly familiar with Korean Dramas, but if you have watched them and want to understand them better, then, this book is for you. At less than 100 pages and for less than $2 at amazon it's definitely worth the read.
I'm not Korean, I'm not even Asian or from anywhere near Asia, but I swear those dramas are laced with extremely addictive drugs, once hooked you can't stop watching them. I don't like watching much TV, but if I do, it's generally a Korean Drama. The hook for me is that these dramas are like books. They have a set number of episodes,a beginning, middle an end and move on.
When I started watching I was fascinated by the differences and similarities of the Korean culture to the one I grew up in; yet there is so much I still do not understand while watching or gets lost in translation. This book helps bridge that gap by helping me understand why some things are done in Korean Dramas.
Believe it or not in just a couple of years Korean Dramas have grown in popularity. They are easily available now via Hulu, Netflix, DramaFever and Viki. It used to be so hard to get them and now they are readily and legally available. This helps me feel like I'm not alone in my addiction. I used to get stinky eyes when people learned that I enjoyed K-dramas, now there are many blogs and groups of people who love to gather thoughts and opinions on the latest episode of their favorite drama.
This book is well written and funny. It is part one of 3 similar books that explain various tropes, meaning of language and some history linked to K-dramas.
This book will probably sound like a lot of gibberish if you are not even slightly familiar with Korean Dramas, but if you have watched them and want to understand them better, then, this book is for you. At less than 100 pages and for less than $2 at amazon it's definitely worth the read.
December 5, 2017
3.9stars.
As a kdrama addict myself, I've been following Dramabeans for as far as I can remember watching kdrama. They're good with reviews & recapping while also providing news & information regarding new dramas & movies in k-entertainment scene.
The book itself is really informative; explaining all the trobes, terms and most importantly, why they did anything in Korean drama. I'd really recommend this for new korean drama addict.
As a kdrama addict myself, I've been following Dramabeans for as far as I can remember watching kdrama. They're good with reviews & recapping while also providing news & information regarding new dramas & movies in k-entertainment scene.
The book itself is really informative; explaining all the trobes, terms and most importantly, why they did anything in Korean drama. I'd really recommend this for new korean drama addict.
May 7, 2014
** This review was first posted on Notes of a Book Lover.
This book was published in October 2013 and I’ve been really excited to read it because it was published by the people behind the Dramabeans blog, which I’ve followed religiously for recaps and analysis of my favourite Korean dramas.
But I did not buy the book immediately because I was not sure if it was worth the money and if I should wait for all three parts to be released before buying at one go. But in the end, I decided to just go ahead and buy it because I was in a reading slump and I figured this book might help to get me out of the reading slump since the book is about a topic I’m interested in.
I’m not a Korean nor an expert in Korean culture, history or dramas. So I’m unable to comment on the accuracy of the content.
The content was useful and interesting and the writing style was the typical witty style of Javabeans and Girlfriday.
This book read more like a compilation of what’s been posted on the Dramabeans website rather than wholly new content written specifically for the book. To be honest, it’s quite disappointing and a waste of money if I can read most of these for free on the Dramabeans website.
But I did not regret buying Why Do Dramas Do That? Part 1 and would still buy the subsequent installments in the series because I found the content really useful and really like and support the people behind Dramabeans.
In conclusion, I like this book and would recommend this book to all fans of Korean dramas for the useful resource it is.
This book was published in October 2013 and I’ve been really excited to read it because it was published by the people behind the Dramabeans blog, which I’ve followed religiously for recaps and analysis of my favourite Korean dramas.
But I did not buy the book immediately because I was not sure if it was worth the money and if I should wait for all three parts to be released before buying at one go. But in the end, I decided to just go ahead and buy it because I was in a reading slump and I figured this book might help to get me out of the reading slump since the book is about a topic I’m interested in.
I’m not a Korean nor an expert in Korean culture, history or dramas. So I’m unable to comment on the accuracy of the content.
The content was useful and interesting and the writing style was the typical witty style of Javabeans and Girlfriday.
This book read more like a compilation of what’s been posted on the Dramabeans website rather than wholly new content written specifically for the book. To be honest, it’s quite disappointing and a waste of money if I can read most of these for free on the Dramabeans website.
But I did not regret buying Why Do Dramas Do That? Part 1 and would still buy the subsequent installments in the series because I found the content really useful and really like and support the people behind Dramabeans.
In conclusion, I like this book and would recommend this book to all fans of Korean dramas for the useful resource it is.
January 15, 2014
One of my favorite things about self-publishing is that it allows those books with a small niche audience to find a home. Without self-publishing, books like Why Do Dramas Do That? Part 1 by Javabeans and Girlfriday would probably not have found a home. Luckily, for those of us that fit into their small target audience, we are able to enjoy their book with a simple download.
Why Do Dramas Do That? is the brainchild of Dramabeans, a blog dedicated to critical analysis of Korean Dramas. This is their first in a planned 3 book series and it is intended to provide an easy guide for the K-Drama beginner.
As a starter guide to Korean Dramas for international fans, this book answers questions like, “Why do people always say fighting?” and “Is a noona-killer a good thing or a bad thing?” The entries are short and, at times, I wish there had been more detail given, but the chapter titles are clever and the writing is both informative and entertaining. I don’t know about the rest of the K-Drama lovers out there, but this fangirl needed a guide just like this and can’t wait until the others are published.
Why Do Dramas Do That? is available on Amazon. Be sure to check out the Dramabeans blog, too!
www.calamusworks.com
Why Do Dramas Do That? is the brainchild of Dramabeans, a blog dedicated to critical analysis of Korean Dramas. This is their first in a planned 3 book series and it is intended to provide an easy guide for the K-Drama beginner.
As a starter guide to Korean Dramas for international fans, this book answers questions like, “Why do people always say fighting?” and “Is a noona-killer a good thing or a bad thing?” The entries are short and, at times, I wish there had been more detail given, but the chapter titles are clever and the writing is both informative and entertaining. I don’t know about the rest of the K-Drama lovers out there, but this fangirl needed a guide just like this and can’t wait until the others are published.
Why Do Dramas Do That? is available on Amazon. Be sure to check out the Dramabeans blog, too!
www.calamusworks.com
September 30, 2018
Pretty good, quick read explaining some of the tropes and such Korean dramas seem to always include. I found the cultural bits interesting, maybe especially as they were coupled with that element in dramas.
I've seen /maybe/ 2-5 episodes of at least one Kdrama (and the movie Attack on the Pinup Boys, which I found quite funny), so I haven't had the pleasure of repeatedly seeing these elements. Doesn't stop me from enjoying the book, or remembering it the next time I pick up a drama.
Speaking of, thanks to a one-off mention of the drama Arang and the Magistrate being a 'historical with paranormal comedy elements', I was curious enough to look it up. Which led me to look up other titles such as Rooftop Prince (mentioned in the book) and Vampire Idol.
Will definitely get parts 2 and 3 if they ever come out. =D
I've seen /maybe/ 2-5 episodes of at least one Kdrama (and the movie Attack on the Pinup Boys, which I found quite funny), so I haven't had the pleasure of repeatedly seeing these elements. Doesn't stop me from enjoying the book, or remembering it the next time I pick up a drama.
Speaking of, thanks to a one-off mention of the drama Arang and the Magistrate being a 'historical with paranormal comedy elements', I was curious enough to look it up. Which led me to look up other titles such as Rooftop Prince (mentioned in the book) and Vampire Idol.
Will definitely get parts 2 and 3 if they ever come out. =D
December 8, 2017
Aha, I thought I know everything about k-drama and this book is just a validation of my 'knowledge' but boy, I was wrong. This book exceeds my expectation and there is a part, I know nothing about it which is a good thing, because I can learn from it. And I love the history and cultural background in every topic they raised. Overall, I'm good- I love it.
June 26, 2019
I've been a K-drama fan for a few years now and this book is clearly not designed for me. It's witty and interesting in places but the basic questions and answers are just that - basic. It isn't really much use to a seasoned drama addict but would be an excellent little book for those just entering Dramaland.
January 25, 2018
I need the sequel, stat!
January 2, 2019
Love Korean dramas and this is a very basic rundown of the typical elements.
May 7, 2016
Actual Rating: 3.5
Short and to the point, the first part of Why Do Dramas Do That? is a fun overview of the wide expanse of Korean dramas. From culture specific terms/honorifics to common filming locations to the overuse of clichés, the two authors do their best to explain the cultural norms and expectations that might be impenetrable to non-Korean audiences.
The book could easily be divided into three sections: the first discusses important language functions and ideas that not have English counterparts, or least exist differently in Korean than they do in English. By far this is the most well organized section of the book, and the authors use very good examples from popular K-dramas to prove their points. It would have been very easy to write dry and dictionary-like explanations of the terms and concepts--and I have no doubt that I could hop on Wikipedia to find just that--so the efforts put forward an entertaining tone into the educational nature of the book is greatly appreciated. It's very apparent that both Javabeans and Girglfriday are quite knowledgeable about the topic.
From language conventions, the book moves onto "behind the scenes" trivia, which was the most interesting to read altogether. It would not be an exaggeration to say that the Korean television industry is the complete opposite its American counterpart in every single way, in both execution and philosophical conception. Learning about the practices of live-shooting, for example, was extremely illuminating to terms of how dramas are created and how Korean fans affect the production of a show. Additionally, a substantial amount of time is spent describing the urban housing market of Seoul, the reputations that its various neighborhoods have, and how it's reflected in Korean drama. I personally would have liked to learn a little bit more about non-Seoul or more historical locations, but it didn't hamper my enjoyment of the book.
My praise, however, ends with the final half of the book. The meat (and selling point) of Why Do Dramas Do That? is answering questions about frequent cliches or archetypes within Korean media, and the book unfortunately falls flat. Too often, questions are answered with "well, it makes for good drama!" followed by a few examples of shows that utilize the stated cliché. There is very little explanation given for why certain aspects resonate so well with its native audience. It's a shame, because when the book actually does explain why Koreans like certain elements so much (f'ex, why Cinderella-esque narratives are so common), it's genuinely interesting. While it's understandable that the authors wouldn't want to rely to much on cultural generalizations or stray too far from drama-related facts, it ultimately ends on an underwhelming note.
Because of the short length and the amount of general information that can be found elsewhere, I would recommend waiting to buy this book when Part 2 and Part 3 are released. However, if you're the type of person who is mildly interested in the topic and you have a free afternoon to spend, it probably wouldn't be a disappointing read.
Short and to the point, the first part of Why Do Dramas Do That? is a fun overview of the wide expanse of Korean dramas. From culture specific terms/honorifics to common filming locations to the overuse of clichés, the two authors do their best to explain the cultural norms and expectations that might be impenetrable to non-Korean audiences.
The book could easily be divided into three sections: the first discusses important language functions and ideas that not have English counterparts, or least exist differently in Korean than they do in English. By far this is the most well organized section of the book, and the authors use very good examples from popular K-dramas to prove their points. It would have been very easy to write dry and dictionary-like explanations of the terms and concepts--and I have no doubt that I could hop on Wikipedia to find just that--so the efforts put forward an entertaining tone into the educational nature of the book is greatly appreciated. It's very apparent that both Javabeans and Girglfriday are quite knowledgeable about the topic.
From language conventions, the book moves onto "behind the scenes" trivia, which was the most interesting to read altogether. It would not be an exaggeration to say that the Korean television industry is the complete opposite its American counterpart in every single way, in both execution and philosophical conception. Learning about the practices of live-shooting, for example, was extremely illuminating to terms of how dramas are created and how Korean fans affect the production of a show. Additionally, a substantial amount of time is spent describing the urban housing market of Seoul, the reputations that its various neighborhoods have, and how it's reflected in Korean drama. I personally would have liked to learn a little bit more about non-Seoul or more historical locations, but it didn't hamper my enjoyment of the book.
My praise, however, ends with the final half of the book. The meat (and selling point) of Why Do Dramas Do That? is answering questions about frequent cliches or archetypes within Korean media, and the book unfortunately falls flat. Too often, questions are answered with "well, it makes for good drama!" followed by a few examples of shows that utilize the stated cliché. There is very little explanation given for why certain aspects resonate so well with its native audience. It's a shame, because when the book actually does explain why Koreans like certain elements so much (f'ex, why Cinderella-esque narratives are so common), it's genuinely interesting. While it's understandable that the authors wouldn't want to rely to much on cultural generalizations or stray too far from drama-related facts, it ultimately ends on an underwhelming note.
Because of the short length and the amount of general information that can be found elsewhere, I would recommend waiting to buy this book when Part 2 and Part 3 are released. However, if you're the type of person who is mildly interested in the topic and you have a free afternoon to spend, it probably wouldn't be a disappointing read.
February 21, 2014
Maybe rating this book 5 stars is slightly excessive, but I can't help it. It's just that much fun, even if it's a non-fiction book, it doesn't just deal with facts. At its most basic, the bare bones of the book consists of facts about Korean dramas (in South-Korea the word is used in a broader sense, for every acted television series) and interesting aspects in their production, plots and mise-en-scène.
In short: this book is not interesting at all if you're not interested in dramas, and even if you'd like to start watching, it probably doesn't really serve as a proper introduction. The book however is great when you already have some knowledge of dramas, even if it's basic. Javabeans and Girlfriday are both well versed in the world of dramas and are able to explain some occurences culturally as well. Even if you already know most of the information in the book... I'd say it's still interesting, because these women are just fantastic writers.
The book basically explains a few key themes and issues in dramas, that might get lost in translation for Western viewers. It's a quick guide, so the entries aren't too long, and there aren't too many examples of dramas mentioned (on a personal note, I really liked that they mentioned some of my favourite dramas, such as High Kick! 3, Queen In Hyun's Man and Rooftop Prince). However, just the range of dramas used as an example in this relatively short book should convince the reader of the fact that these women really know their stuff.
Should you be in doubt whether or not you'd like the book, you should probably check out the articles on their blog: Dramabeans.com. You will see that both Javabeans and Girlfriday have succeeded in creating a writing style that's informative, to the point and hilarious. I can really only recommend this eBook to fellow drama-lovers, and am personally very pleased there will be other volumes released.
In short: this book is not interesting at all if you're not interested in dramas, and even if you'd like to start watching, it probably doesn't really serve as a proper introduction. The book however is great when you already have some knowledge of dramas, even if it's basic. Javabeans and Girlfriday are both well versed in the world of dramas and are able to explain some occurences culturally as well. Even if you already know most of the information in the book... I'd say it's still interesting, because these women are just fantastic writers.
The book basically explains a few key themes and issues in dramas, that might get lost in translation for Western viewers. It's a quick guide, so the entries aren't too long, and there aren't too many examples of dramas mentioned (on a personal note, I really liked that they mentioned some of my favourite dramas, such as High Kick! 3, Queen In Hyun's Man and Rooftop Prince). However, just the range of dramas used as an example in this relatively short book should convince the reader of the fact that these women really know their stuff.
Should you be in doubt whether or not you'd like the book, you should probably check out the articles on their blog: Dramabeans.com. You will see that both Javabeans and Girlfriday have succeeded in creating a writing style that's informative, to the point and hilarious. I can really only recommend this eBook to fellow drama-lovers, and am personally very pleased there will be other volumes released.
May 18, 2016
dear friend,
i've an on-off relationship with korean dramas and have been watching them for at least a decade now (how time flies!). my sisters got me hooked and i will be forever indebted to them.
i can't really add anything new here that hasn't already been mentioned by another reviewer. it's all true, once you're in, you're in for life. if you've watched a particular drama and found it to be wanting, well, than you haven't found 'the one' (har har).
really though, kdrama junkie or not. this little, nifty ebook is incredibly fun, informative and a real breeze to read through. give it a try, won't you?!
xoxo
jo
p.s.
there are many sites out there in the www, allowing you to watch kdramas, but if you're not proficient enough in english, viki.com offers plenty more language subtitle options to choose from. you are soo missing out if you haven't given it at least one shot.
there's a reason asian productions are hugely popular!
i've an on-off relationship with korean dramas and have been watching them for at least a decade now (how time flies!). my sisters got me hooked and i will be forever indebted to them.
i can't really add anything new here that hasn't already been mentioned by another reviewer. it's all true, once you're in, you're in for life. if you've watched a particular drama and found it to be wanting, well, than you haven't found 'the one' (har har).
really though, kdrama junkie or not. this little, nifty ebook is incredibly fun, informative and a real breeze to read through. give it a try, won't you?!
xoxo
jo
p.s.
there are many sites out there in the www, allowing you to watch kdramas, but if you're not proficient enough in english, viki.com offers plenty more language subtitle options to choose from. you are soo missing out if you haven't given it at least one shot.
there's a reason asian productions are hugely popular!
June 6, 2016
Well, it wasn't what I was expecting (not all of it), but I still had fun reading through this little "guide" for K-dramas. Some sections I kind of hoped would have been a little bit longer with some more examples from dramaland, but we take what we get, right?
Still, it was just as entertaining as it usually is reading from the Dramabeans blog, and for that, I'm satisfied.
As I said before, I will read anything these ladies churn out, even if I don't always agree with some of their opinions. They are witty and creative and that, for me, is just enough. I mean, sometimes reading their drama series recaps and reviews are just so much more fun than actually watching the drama series itself.
So this was a nice little detour from the other books I'm in the middle of reading.
Looking forward to Part 2 now, which I'm sure won't be far behind.
Still, it was just as entertaining as it usually is reading from the Dramabeans blog, and for that, I'm satisfied.
As I said before, I will read anything these ladies churn out, even if I don't always agree with some of their opinions. They are witty and creative and that, for me, is just enough. I mean, sometimes reading their drama series recaps and reviews are just so much more fun than actually watching the drama series itself.
So this was a nice little detour from the other books I'm in the middle of reading.
Looking forward to Part 2 now, which I'm sure won't be far behind.
January 29, 2014
Javabeans is a treasure to any fan of Korean drama, both the person and the website. So it was a no-brainier to pick up this book. It's certainly most enjoyable to people who are already fans, and are looking for even more context. The information is provided with a good balance of enthusiasm and amusement, and it does a very good job of being considerate and respectful of cultural difference. My main complaint is that it is short, and the dramas felt more often listed as references ("as seen in this drama or that drama and that one and that other one, too") than as detailed illustrations ("such as the scene in this drama, summarized here, which played out this way because of what I'm talking about"). But these are small gripes. I thoroughly enjoyed this volume and look forward to future books.
August 28, 2015
A very short and easy read about the troupes used in Korean dramas (though many of them are present in US soap operas and Japanese dramas). The authors are very knowledgeable about the subject and their website is the go to for any k-drama lover. The only negative is that it does contain spoiler for the dramas mentioned so be warned (maybe there should be a warning in the intro. If there was one, I missed it). I am looking forward to parts 2 and 3.
August 24, 2014
Just what I was looking for and more. I've been watching a lot of Korean dramas over the last year. At first, I went to books on Korean culture and language for visitors to get insight into cultural items I knew I wasn't understanding. I learned a lot, but still had questions. This book answered my remaining questions. I think it helped that I've watched most of the referenced kdramas, so I knew exactly which episode had which example event.
April 3, 2016
This book was so enjoyable to me. For the past 4 years all things Korean, including dramas, have been my passion. Out of the 100+ dramas mentioned, I have seen 46. Others are on my queue.
There are things that I already knew but many other things I learned from the book. The writing style is easy-going and fun. I actually wanted to "talk" to the authors in my enthusiasm.
Why isn't there another book yet?
There are things that I already knew but many other things I learned from the book. The writing style is easy-going and fun. I actually wanted to "talk" to the authors in my enthusiasm.
Why isn't there another book yet?
July 20, 2016
Really excellent and entertaining discussion of some of the nuances of Korean television dramas. The author includes titles of current and past dramas that illustrate the various topics tackled. It was great to learn more about my favorite shows, how they are put together, and how differently things are done in television in South Korean.
October 14, 2013
Love girlfriday and javabean's snarky writing style. I found their discussions useful and informative, and will appreciate more aspects of the kdramas I watch knowing the background better. Can't wait for Part 2!
August 27, 2015
As a white girl, living in a very white state I don't think I would have gotten so deeply addicted to Kdramas if Javabeans and Girlfriday hadn't been there to recap my thoughts exactly on every addicting, hilarious, infuriating episode of Coffee Prince (and every Kdrama there after).
November 15, 2015
I am a drama addict and have been meaning to read this for a while now. This book was well-written and I want its next part to come out asap. Javabeans and Girlfriday are both funny and provide us the information w need at the same time. This book is a must-read for drama addicts.
October 7, 2013
very entertaining read for everyone who wants to get to know the world of Kdramas
November 16, 2013
Informative and funny. Excellent little guide for new (and old) kdrama fans. Can't wait to see the next two parts.
July 15, 2014
this book definitely helped me understand many things I didn't know I needed to understand and I'm looking forward to the next one
July 18, 2014
Entertaining, some good analysis. Great writing! Easy read.
April 19, 2017
Great read! Learnt a lot about dramaland! One complain: too short! There are still so many things to cover, tee-hee!
February 15, 2016
This was fun and helpful to read, particularly since I love kdrama but I'm still feeling my way around the conventions. I'm looking forward to future installments.
March 19, 2016
Now this made me want to watch all the dramas mentioned in the book.
Displaying 1 - 30 of 30 reviews