Having read several of the Dynamite Comics trade paperbacks of Red Sonja, I thought I would try one of the novels about the character. Coming out decades before what I read of Dynamite, this one has a copyright date of 1981.
The story is about Red Sonja as a mercenary and getting involved in the combined mercenary and regular soldier army of Lord Olin, a man trying to reclaim his kingdom from a sorcerer, Asroth. Lord Olin plans to attack the sorcerer’s forces at Suthad, the former capital of Olin’s realm, leading several thousand soldiers and mercenaries along with several other people, the main ones figuring into the story being a couple, Allas and Tias (man and woman respectively, with Tias originally going on the expedition unarmed and not a warrior and along the way becoming a fighter), Som (a gentle giant of a warrior, wielding two swords), and Duke Pelides (Pelides always wears a metal mask to cover his hideous face; Pelides once served Asroth but was gravely disfigured by the sorcerer and vows revenge and though not entirely trusted by everyone, is deemed by Olin to be essential in his quest).
Along the way the increasingly smaller army encounters Lovecraftian horrors (lots of tentacles and fear and ichor and cultists involved in the proceedings) that may be sent by Asroth, or may be attracted to a ring Sonja picks up, the titular Ring of Ikribu (or both). The ring might actually both attract horrible things – monsters, cultists, zombies – to the general area of the Ring, but at the same time protect the Ring wielder (though apparently one has to be a sorcerer to use the Ring to actually take any other actions). If that wasn’t intrigue enough, Pelides really, really wants the Ring, instrumental in seeking vengeance against Asroth, and is willing to pretty much murder anyone who possesses it.
The positive, lots of good battle scenes, some suitably icky Lovecraftian horrors, the cultists would have fit right into an H.P. Lovecraft tale, appeasing dark gods to ostensibly save humanity (yet also doing dark and horrible things to do this, all for the “greater good”). I didn’t find Sonja too sexualized; I wondered if she would be. There isn’t a lot of time spent describing her appearance (and a blink and you miss it description of her attire; “She wore a brief vest and skirt of silvery scale-mail that covered her breasts and hung from her waist, but left her limbs and midriff bare”) and no one really seemed to ogle her much (other than a general occasional passing appreciation of her beauty). Olin falls in love with her and there is a plotline dedicated to that, one in which Sonja discusses her views on romance and whether or not she can be with a man (the romance plotline was nice and could have used some fleshing out).
The negative, there is a long, long section, I would say almost a quarter of the book if not more, where the increasingly whittled down, quite literally bogged down in the quagmire of a swamp, army faces all manner of horrors from monsters to mundane swamp threats to the swamp itself animating to attack the army to cultists. Some good action but it felt like the group was never, ever going to leave the swamp. I liked the arc of Tias learning to be a warrior but she was kind of whiny before that arc got going and I wondered several times both why she was originally on the expedition (though I admit she becomes a key figure to the story’s outcome) and how she could survived so many horrors and battles when experienced and well-armed and well-armored warriors could not (though to be fair I remember one character asking this very question).
As has been pointed out in another review, the biggest issue perhaps with the book is how central Sonja is to the narrative. She kind of isn’t. She is a witness, she saves lots of lives, is a leader, but she went from being basically a hired hand on a mission that was already planned to essentially to a bystander (if that) as she did not kill either the main or secondary villain but rather another character did.
The second biggest issue is that for the vast bulk of the book, Asroth is entirely off screen so to speak. That made for a weak villain, though perhaps that explains all the loving detail given to eldritch horrors and zombies and cultists. The reader doesn’t lack for villains, just not much is seen of the main villain.
It read fast. Quite a bit of adverbs but this seemed to fit the subgenre and style. Reading it definitely felt like reading a much older, pulpish style of fantasy/horror novels and I liked that.