I read this book for bad reasons. I read it because (1) it was the free Samsung book of the month; (2) I was feeling lazy and relaxed and wanted to read something easy, and this is so clearly chick lit; (3) I was mildly curious about the cultural elements of a book about four black American girlfriends, since being a white Australian in Australia, I've never had a black American girlfriend; and no, it didn't escape my notice that one of the central characters is a lesbian.
So here we all were. It was most of the things it promised to be: free, easy to read, and with an intriguing lesbian relationship. There were a couple of nuggets about 'black love' which I found pretty interesting - two of the characters having opposing views about whether they wanted to date someone who was also black. I have a friend who has talked before about not wanting to date men from her ethnic background because of certain cultural gender dynamics, while at the same time not really wanting to date certain types of white men who seek out people of her ethnicity. I would be interested to explore that topic further because it really is a can of worms. There are things you can pretty easily miss as a white person in an Anglo-dominant culture.
Anyway, I'll say that this book did the trick, so thumbs up for that. But by no means is it a masterpiece. I guess the biggest problem for me was believing in the characters. Even though their stories were told in the first person, I could feel myself sitting up above them and I knew they were all on strings. They behaved in ways that were clearly foolish and oblivious (Sharita's interactions with crappy boyfriends, for example) and it was impossible to see things from their perspective. Sharita's boyfriend was so clearly a user, I couldn't believe she didn't walk away immediately. I could have believed it, had Sharita's voice and perspective been strong enough, but I could hear the author's voice over the top, manipulating the character to speak and behave as required.
Risa's behaviours and choices were also awkwardly false. Maybe it's because I read this book with the expectation of lesbianity, but I identified 'The One' almost as soon as I started reading. It didn't make any relationship sense, and I didn't really believe it, but I knew that that's what the author wanted from the characters, so I knew it was coming.
Thursday's relationships with her father and mother were the most meaningful aspects of this story. I felt like that was the real story here, and the other plots were woven around it to make it seem bigger and more complex. But I would say to the author - don't be afraid of simplicity. Thursday is clearly the most well-realised character here, and her values, beliefs and personal narratives are the only ones genuinely challenged in this novel. We can all relate, in some way, to the transformation of her perception about her parents. Hers is the true passage from 20s to 30s, and to be honest, she's the only person who I believed enough to care about.
A ***SPOILER*** side note/pro-tip for the author (and other writers out there) - try not to tragically kill your lesbian characters if you can help it, all right? There's a boycott on.