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192 pages, Paperback
First published September 25, 2014
But the danger of the digital public sphere is not exclusion but invisibility. As Herbert Simon observed, a surplus of information leads to a surfeit of attention; in a digital public sphere, anyone can speak, but not everyone can be heard.I am constantly stunned by my rush of endorphins when an update says, “So-and-so likes your review on Goodreads!” I know it is a trap, that variable-interval reward schedules—randomness, or patterns so complex as to appear incomprehensibly random—can become habitual; it is likely why people, never knowing when they’ll be rewarded with a stimulus, check email so often. Random or seemingly random rewards are insidious; brains trying to weave a cohesive tapestry from a patternless tangle are primed for all sorts of pliable and suggestive strangeness.
Infringement on the property rights of private actors is often brought up as a criticism of DDOS actions, as if there was a space online that wasn’t controlled by one private entity or another. Charges of censorship are usually thrown into the mix as well, because (ironically) of the inter’s overwhelming use as an outlet for speech, by individuals, corporations, states, and everyone else. “Why,” the critique goes, “can’t you come up with a way to protest that doesn’t step on somebody else’s toes?” But the internet, as it were, is all somebody else’s toes.It might sound tautological, but different things are different, and should be treated as such. We want to analogize DDoS actions as sit-ins, because we know where to position sit-ins in our worldview; but they aren’t sit-ins. The internet isn’t the sidewalk—it’s more like Outer Space. Because no will hear you scream. Except, again, it isn’t like Outer Space either; the trap of the analogizing brain makes everything like something else, even when it isn’t.
The word “hacker” was, and is still now, used by the news media as a catchall term to apply to any type of criminal or “bad” computer activity, including those that did not break any laws. The hacker figure himself (media depictions of male hackers outnumber those of female hackers by a wide margin) became a type of “folk devil,” a personification of our anxieties about technology, the technologically mediated society, and our increasingly technologically mediated selves. The hacker, as depicted in film and on the 6 o’clock news, is the central deviant of the information society.Maybe from poetic license. Whatever the case, The Coming Swarm: DDOS Actions, Hacktivism, and Civil Disobedience on the Internet attempts to frame the internet as its own thing; no bad metaphors or weak analogies clutter the pages. It opens up a conceptual framework that is in danger of being elided before it has a chance to be recognized—the internet, uncoupled from physicality, creating new ways for incorporeal voices to be heard.