This study analyses the work of Nick Cave, a singular, idiosyncratic and brilliant musician, specifically through his engagements with theology and the Bible. It does so not merely in terms of his written work – the novels and plays and poetry and lyrics that he continues to produce – but also the music itself. Covering more than three decades of extraordinarily diverse creativity, this book explores such themes as the depravity of the worlds invoked in Cave’s novels and other written work, the consistent invocation of apocalyptic, his restoration of death as a valid dimension of life, the twists of the love song, and the role of a sensual and heretical Christ. This book draws upon a select number of theorists who provide the methodological possibilities of digging deep into the theological nature of Cave’s work, namely Ernst Bloch, the methodological foundation stone, as well as Theodor Adorno, Theodore Gracyk and Jacques Attali.
Roland Theodore Boer is a Marxist philosopher based in China. His research concerns the many dimensions of the construction of socialism, especially in China but also elsewhere.
Where were the editors (!) when this thing was sent off to be printed??? It's a real mess... A lot of factual errors, unnecessary repetitions, and clumsy use of language, as well as rather questionable conclusions being drawn (e.g. the queering of "Brompton Oratory"). This book made a lot of promises, but did not deliver. The only good thing I can say about it is that it is short. A waste of time, imho.
Very interesting read for someone as unfamiliar with the Bible as I am. I enjoyed the analysis but kept getting annoyed with the factual errors - for instance referring to Foi Na Cruz as a "Spanish" song. It's Portuguese! We can agree to disagree on the merits of The Boatman's Call.