The In-Between Hour is a story about memories: those repeated, to oneself and others, in order to fondly preserve the past; those that fade and, maddeningly, are lost; and those that inflame or torment so acutely they become prisons for both heart and mind. Barbara Claypole White’s vividly rendered characters find themselves circling around their own closely held memories, unaware that the people around them possess a special, often surprising inner capacity to reframe and redirect even the most constricting recollections into a path to healing. Will Shepard, Manhattan-based author of a bestselling thriller series, has writer’s block, paralyzed by the violent death of his five-year-old son Freddie and badgered by constant calls from his octogenarian father Jacob, battling both Alzheimer’s and the status quo of his North Carolina retirement center. When Jacob’s unruly behavior leads to an unceremonious eviction, Will returns to his home state, newly burdened with a needy father, who lovingly recalls his deceased mentally ill wife, the mother who made Will’s childhood a living hell. What Jacob doesn’t recall is his grandson’s recent death. Rather than subject his father to a reprise of grief, Will tells Jacob that Freddie is on an extended globe-trotting trip with his mother. Determined to find a new facility for Jacob and return to New York, Will rents a cottage from Hannah Linden, a holistic vet with her own family secrets. Older son Galen, a gifted poet too troubled to write, will soon arrive from California, freshly discharged from a psychiatric unit after an unsuccessful suicide attempt. Will’s determination to leave the area, embedded with painful memories of his mother, is stymied when he can’t find a new facility for Jacob. Keeping up the pretense of his son’s vacation becomes increasingly difficult as Will struggles with his own grief. He forges an unlikely relationship with Galen, who disparages Will’s writing as little more than trash. Hannah and her friend Poppy, meanwhile, devote themselves to the forgetful Jacob, who ensconces himself in the cottage he now considers home. Alliances intertwine, the strands tightening as Hannah and Will find themselves increasingly attracted to one another, and Galen secretly rejects both his meds and contact with his California therapist. The reader can’t help but be captivated by the story’s inexorably escalating tension, its human drama mirrored in nature, whose unseasonable heat builds until the release of a violent, drought-breaking storm. As in White’s sensitive debut novel The Unfinished Garden, the characters in The In-Between Hour are vulnerable, scarred by the past, yet slowly drawn to risk themselves and share their journeys to emotional liberation with similarly burdened companions. This new narrative, while fraught with its characters’ grief, reflects a constant, if occasionally shadowed light of hope not unlike the golden window of peace and possibility offered, again and again, by the in-between hour better known as the gloaming.