I used to be a fan of the NFL-- years and years ago. Not so much anymore. But that didn't prevent me from thoroughly enjoying Cheap Shot (Spenser #42). Ace Atkins really does know how to write Spenser like the original Spenser novels were written. And bless him, Atkins manages to keep the gag reflex quality of Susan Silverman to a minimum.
The story line is pretty easy to follow. A star linebacker for the New England Patriots, hard-hitting and just recently richly rewarded contractually, Kinjo Heywood would appear to have it all. Unfortunately, as is often the case these days with many a professional athlete, his off-field antics has dogged him in the media, and now appears to have manifested in some potentially lethal confrontations with persons known or unknown. So, Heywood's agent (written to be conspicuously self-serving and annoying) hires Spenser to find the men who have been harassing Kinjo.
Things escalate rapidly when Heywood's 9 year old son, Akira (Kinjo is really into Japanese movies), is kidnapped. With help from both Hawk and Z, Spenser will follow up leads, far and wide, to help recover the little boy. Meanwhile, Heywood and his ex are torn up over the abduction, while his current wife appears more interested in the increase in the number of her followers on Twitter. Hmmm, could be we have multiple possibilities regarding who might be in on the kidnapping? Funny thing is, no ransom has been demanded, and as time passes, the likelihood the the boy remaining alive dwindles rapidly. Lots of expected involvement from the Mass Staties, FBI, and local cops, but once Kinjo elects (ostensibly due to his frazzled mental state) to go public with a rather questionable decision, all bets are off.
As usual, we get lots of smart-Alec quips from Spenser, only a modicum of nauseating fawning over his girlfriend Susan, and some nice action from Spenser's protégée, Zebulon Sixkill (aka: Z). Hawk is, well, Hawk and it's always better with him in the midst of the action than without. I'm no expert in Spenser-dom, but I know what I like. This story moves along at a rapid clip, is funny and irreverent (hey, it's Spenser), and the plot is sufficiently twisty that the ending has a nice surprise charm to it.
I am really enjoying Atkins' treatment of this character and want to go back to the early novels by Parker to see just how close he's come to those originals. I think most will agree that he's done an admirable job, and I look forward to reading more of these in the future.