I had a sneaky eye on this one from the minute it arrived into the bookstore where I work, due to the temptation of a cover recommendation from Michael Connelly, and a Washington setting promising echoes of George Pelecanos. To be honest, I could not have been any more delighted with this book, as it not only delivered in spades from this starting point, but also imbued all the social critique and wry humour of The Wire too. I know. You’re intrigued now too aren’t you?
I will immediately put my hands up and confess that I do usually do a slight bodyswerve when reporters carry the weight of a crime book. With a few exceptions, I sometimes find that the plot overshadows the characterisation of such protagonists, and they merely become a conduit for whatever browbeating issue/murder investigation ensues. Not this one. Oh no. What Tucker delivers is not only an enthralling murder investigation (based on the real life case of the 1990’s Princeton Place murders), but a plot that is strengthened and illuminated by two of the best characters I have read for some time- reporter Sully Carter and his cohort, the streetwise gangster Sly Hastings, whose intimate knowledge and personal involvement with the seedy underbelly of Washington provides a regular source of information for Sully. Sully is a weary, cynical, PTSD suffering, former war reporter, physically and mentally scarred by his experiences. A little too keen on the drink, but a harbinger of not only a strong moral core, but a tenacity for justice and truth that shines through in his mercurial personality. I loved his character, whether dealing sensitively with bereaved families, facing up to the arrogant David Reese (father of the initial murder victim) who has tried to sink Sully’s career before, and his pure obstinancy when berated and sidelined by those intent on scuppering his investigation. Equally, Sly is a gem of a character, sassy, bursting with street smarts and possessed of an almost charming disposition that belies the violence he is so capable of meting out, and the fear he instils in others. Together, their exchanges are pure gold with Sully attempting to squeeze information out of Sly, and Sly pretty much only volunteering what suits him, but equally, very capable of a few surprises…
Despite the very character driven nature of the book, not only with Sully and Sly, but with the police officers, Sully’s work colleagues, local residents and the associates and families of the victims, the plot stands solidly throughout. Not only does it bring into focus the political power and wrangling inherent in Washington, but perhaps more ardently, puts into the spotlight the undercurrents of racial tension, urban crime and poverty that underscore the nation’s capital. In his writing, Neely Tucker gives a voice to the dispossessed and the ignored, especially in relation to his character’s linking of a series of murders where the victims cannot hope for the same pursuance of justice afforded to the likes of Sarah Reese, as the daughter of an influential figure. Through Sully Carter these voices resonate loudly in the book and it is gratifying to see that one man embodies the dogged determination to bring their killer to justice.
So with such a glowing review, there is little for me to add, except, you should buy this book. Free up some quality reading time, get yourself comfortable and prepare to be gripped and enthralled in equal measure. A great debut and I think Michael Connelly succinctly sums it up: “If this is Tucker’s first novel, I can’t wait for what’s coming next.”