Brombert shows how a text works--its structure and narrative devices, and the symbolic function of characters, episodes, words--and he highlights the distinctive postures and styles of each writer. He gives us a sense of the hidden inner text as well as the techniques writers have devised to lead their readers to the discovery of what is hidden. With wonderful subtlety he unravels the reader's participatory response, whether it be Hugo reading Shakespeare, Sartre reading Hugo, Stendhal reading Rousseau, T. S. Eliot misreading Baudelaire, or Baudelaire, Balzac, and Flaubert reading their own sensibilities.
Bought this when I was studying Balzac. Dipped into it at the time but haven't gotten back to it. Looks like an excellent source for comparative analysis of French literature of the 19th century.
I wish I could use the scholarly phrases and intelligent words used in this volume. The discusIons of Realistic Fiction were made impressive through the author’s insight and experienced eye.