So close to a 5, but I'm giving this a 4.5, not due to any fault of the author, but due to the evolution of the publishing industry. Morrell's focus here is on traditional publishing, and due to the book's age, it doesn't really get a chance to talk about the rise of independent publishing and e-books, though it does talk about the author-as-marketer, which is a key part of both traditional and indie publishing.
Okay, so that's literally the only negative thing I have to say about this book. I loved everything else about it, particularly learning about the up and down journey of making First Blood into a movie. Did you know the Rambo series might have had ninjas? Or James Bond-ish space satellites? This section in particular highlights one of the key nuggets of Morrell's experiential wisdom: getting traditionally published, or getting your book made into a movie, is as much about luck as anything else.
Don't get me wrong, there's skill involved as well, and Morrell dives deep into providing practical no-nonsense advice for writers: don't be boring, keep things moving, use the senses, have a strong first sentence, and avoid excess. He's a lover of Hemingway, Bronte, Dickens, and Faulkner. He's also a big believer in making sure you study the history and the important works of whatever genre you're hoping to write in. He tells a story about a former student who wrote a crime novel without ever really reading many crime novels...and ended up writing something that was competent and solid, but which felt derivative because the person had no anchor to point to when it came to his work. "Don't imitate, innovate" is a not-so-annoying platitude that Morrell espouses throughout this instructional guide. This ethos, mixed with pushing for a deep knowledge of the books that have come before you, make for a writing approach that is tangible - that has punch.
While I don't think he's as in-your-face as Steven Pressfield when it comes to kicking authors in their collective asses, I have no doubt that Morrell and Pressfield would get along quite well. Neither one of them has time for would-be writers who are just big-time talkers and excuse makers. Both push their students to get their asses in their chairs and to put the time in to become what they say they want to be.
One of the contentious parts of this book is when Morrell goes off about learned writing skills vs. innate talent. Unless I'm mistaken, he believes that writers are born, or at least grown in the early parts of their lives, instead of made. This is a little strange given the amount of time he dedicates to teaching the technical aspects of the craft. One of my favourite bits is when he admits that he has no time for people whom he meets and who say "I'm going to write a book one day," as if it's something that's easy to do, the very utterance of the sentence a slap in the face to those who put the WORK into their work and who struggle with their demons and their passion to get things out.
Morrell has a deep respect for those who came before him, and those who are attempting to capture life on a page in the now. He clearly loves his craft, and he's damn good at transmitting the same energy he feels while in the grasp of the muse into a book just like this one. I admire that.
So, do you want to be a writer? Read this book and find out not only the HOW, but get a glimpse at your own unique WHY. For most, the answer to why is simple: because they need to be. The question becomes more interesting when you follow that up with, well, why do you need to be? That's the question only you can answer.