Born2: In lyrics, prose poems, and a faux play, Allison Cobb excavates her history as a child of Los Alamos where the first atomic bombs were made, as the granddaughter of WWII veterans, and as a queer poet finding words to speak what she knows. These are poems of finding, and of survival.
Allison Cobb’s linguistically inventive take on origin—in this case, a childhood spent in the colonialized, bomb-born ambience of Los Alamos, NM—is like the same strip of territory mapped by airplane, satellite, seismograph, hiker’s sketches, local hearsay, and yellowed records from City Hall, all laid on top of one another until the area becomes palimpsest of the angles used to map it. The result is a provoking experiment in locating a self in space and time: poetry as echolocation, sound as sounding, verse as place.
A romp(er) in the sense that everything is worn, frayed, last legs etc. That the language is newish and known, a sound fulcrum, & um (sic) becoming. No being the master in these poems, no meaning no to those who wish to 'ah' at the end of the poem/section/book. Unless it's "ah! i just stepped on that honey." That's this book. Honey and glue and milky inconsistencies feeding both ends of the fire back to its original burning, ornery burning. Loosie-goosie fires that "flap flap". Yay!
Five very different, yet cohesive, sections make up this strange little book. It's language is delightful, as are the risks it takes. There's all sorts of collage, vispo, cancel-text, prose poems, even a play of sorts. Yet it's never as random or disjunctive as this write-up might imply. Read it, you'll be surprised!