Max Reinhardt

by J.L. Styan

Max Reinhardt (1873–1943), one of the major theatre figures of the twentieth century, was among the first to establish the importance of the director in modern theatre. His fame outside Germany rests somewhat unfairly on his distorted image as producer of giant, Gothic spectacles staged in vast auditoria or cathedral squares. In this book Professor Styan is concerned to illustrate Reinhardt's astonishing versatility as director of more than six hundred productions, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman, which together cover almost all the dramatic genres and all the major theatrical movements of the time. Professor Styan explains Reinhardt's place in the history of Austrian and German culture and world theatrical movements. Using contemporary reviews and the Regiebuch, or director's promptbook, he describes in detail the organization, performance and impact of some of the director's major his symbolist interpretation of Ghosts and Salome; the expressionist experiment with plays by Wedekind, Strindberg, Sorge and Buchner; the Shakespeare sequence, including the classic A Midsummer Night's Dream; productions of Greek tragedy, Goethe, and the baroque spectacles such as Everyman.

171 pages, Paper Back

First published June 30, 1982

Reviews

[Fauré · Rating 2 out of 5]

This book leaves me with the impression that Reinhardt was a jack-of-all-trades from an artistic point of view, and if not primarily a businessman.

[Ali · Rating 3 out of 5]

Max Reinhardt is famous by his powerful staging techniques, how he harmonised stage design with the language, music, choreography, and introduced new dimensions into German, but also the world theatre. His performances, specially Ibsen's Ghost (1906), Danton's Death and Macbeth (1916), made him a big shot in history of theatre. The book is a breif description on Reinhardt's ideas about theatre performance ...