Breaking Ties is an historical romance set at the end of the sixteenth century. Based around an historical event, the story tells of a group of religious separatists on a voyage to the New World (Chesapeake Bay) to establish a colony. From the little research I did concerning these events it seems that the fate of these early colonists remains largely unknown. Their leader, John White, returned to England for additional supplies. Upon his return to the colony, the colonists had disappeared. The gaps in our historical knowledge of this event has left Grafford space in which to create a fictionalised version of events: a tale of intrigue, betrayal and romance.
At the centre of the story are two main elements. The first is the suspicion that some aboard the ships undertaking the voyage are in the pay of enemies of the separatists, with the mission to sabotage the colony. The second is a romance between one of the colonists, Rose Payne, and a native American travelling with them, Manteo, who serves as ambassador for his people. As far as I can tell, all of the characters in the story are based on real people, although the story itself is fictional. It follows the colonists on board one of the ships, from the moment of sailing, to the moment when the fate of the colony is decided. The story provides a plausible resolution to the mystery.
The story is related from the first person point of view by Rose, a red-haired Scottish lass fleeing England to escape a romance gone bad. She is hired as the ship’s clerk, and is not one of the religious separatists. Getting inside the head of a sixteenth century woman of relatively low socio-economic status is not an easy task. It is easy to slip into a perspective that is too modern. It seemed to me that Grafford pulled this off with a reasonable degree of success. Rose is sufficiently complex, with a chequered past, to be interesting and fairly believable. The other stand-out characters are Agnes Wood, the apothecary, and Jane Mannering, the ship’s teacher. Both are slightly unconventional. Jane is tall and beautiful, and as tough as any of the men. The image that refused to leave my head was that of Geena Davis in the movie Cutthroat Island. Agnes is intelligent, clearly more competent than the drunken doctor on board, and slightly modern in her views. All three represent women who, I think it is fair to say, are somewhat unconventional for the period, but not so much so that they become unbelievable. The men of the story do not fair so well. The governor, John White, appears weak and vacillating. Manteo, the native American, with whom Rose falls in love, is little more than a shirtless body roaming the decks, silent, strong, enigmatic and inscrutable. The only other male character of whom I took any notice was the pastor, Christopher Cooper. He, at least, is a little more complex and interesting. The main villain of the piece, Simon Fernandez the Navigator, who seems to do all he can to sabotage the mission, plays his role largely from the wings.
The author has worked hard to research this piece and, for the most part, has remained true to the period. I had a few historical quibbles: quoting Macbeth before it was written, for example. I detected a few modernisms in the characters’ speech patterns from time to time (eg., ‘Come again’; ‘back on topic’). I don’t believe many of the types of fruit they found on one of the islands belonged there. Experts on this historical period may have found many more discrepancies. All in all, though, I felt the author did a good job of placing the reader in the period, on board that vessel. The story worked reasonably well, particularly in terms of the gradual unfolding of the plot to sabotage the colony. The romance between Rose and Manteo was rather stereotypical, and smacked of nineteen fifties or sixties Hollywood. However, there were enough moments of excitement and adventure along the way to keep me reading and interested. I thought that the final moments of jeopardy were particular well-written and well-constructed. The ending, while predictably Hollywoodian to a large extent, was, nevertheless, reasonably satisfying. I suspect that my quibbles about this and with the character of Manteo are what would make this an enjoyable romance for others.
I cannot complete this review without commenting on one chapter in particular which, I felt, was a standout, but not in a good way. In Chapter 17, I felt that the author’s attention to detail abandoned her. In describing the colonists’ time on this island (I don’t want to give away too much of the plot here) she has them doing things that would not have been possible. For example, where did they suddenly acquire bricks for building a two storey house (in a matter of only a day or two)? Where did they acquire the material for thatching cottages? These and other glaring inconsistencies, as well as some weak plot points, really stood out for me. This chapter could use a major revision.
It is probably fair to say that this book was not exactly my cup of tea. The romance I found stereo-typical. On the other hand, the story of the colonists and the historical setting were interesting. The author had me interested enough to care for these people and their fate, so much so that I would like to know the fate of certain other characters, which remains unresolved at the end of the book. There are enough loose ends to indicate the sequel(s) in the offing; but not too many to leave the reader feeling unsatisfied. I think this is a good book, without quite being very good, and I therefore give it three stars.