Nieuwe levens

by Ingo Schulze

Ingo Schulze, de grote chroniqueur van de jongste Duitse geschiedenis, analyseert in Nieuw leven genadeloos hoe het dagelijkse leven in 1989 en 1990 voorgoed verandert door de val van de Muur. De Oost-Duitser Enrico Türmer, een theaterman die het schrijverschap ambieert, keert de kunst de rug toe en gaat werken bij een krant. Over deze ommekeer in zijn leven en andere kwesties die hem bezighouden doet hij intieme onthullingen in brieven aan drie dierbaren: zijn zus Vera, zijn jeugdvriend Johann en aan Nicoletta, een onbereikbare geliefde. Op subtiele en komische wijze maakt Schulze zichtbaar hoe ingrijpend de maatschappelijke gevolgen van de hereniging waren en schetst hij de hilarische ontwikkelingen in Türmers leven: de mislukte Oost-Duitse schrijver wordt uiteindelijk een succesvol zakenman.
In Nieuw leven, het magnum opus van Ingo Schulze, laat deze vertelkunstenaar pur sang het tijdperk van de Duitse eenwording herleven. Schulze wordt beschouwd als een van de belangrijkste jonge Europese auteurs.

Genres: Fiction, Germany, German Literature, Contemporary

650 pages, Hardcover

First published January 1, 2005

About the author

Ingo Schulze is a German writer born in Dresden in former East Germany. He studied classical philology at the University of Jena for five years, and, until the German reunification, was an assistant director (dramatic arts advisor) at the State Theatre in Altenburg 45 km south of Leipzig for two years.

After oversleeping the events of the night of November 9 1989, Schultze started a newspaper with friends. He was encouraged to write. Schultze spent six months in St Petersburg which became the basis for his debut collection of short stories 33 Moments of Happiness (1995). He has lived in Berlin since the mid 1990s.

Schulze has won a number of awards for his novels and stories, which have been translated into twenty languages, among them into English by John E. Woods.

Reviews

[Antonis Michailidis · Rating 4 out of 5]

Η ελληνική έκδοση του μυθιστορήματος είναι αρκετά καλά επιμελημένη χωρίς σοβαρά λάθη, αν και τα μικρολάθη είναι πολλά. Το έργο αποτυπώνει πάρα πολύ ζωντανά την μεταβατική φάση της ανατολικής Γερμανίας από το κομμουνιστικό στο δυτικό σύστημα. Ο συγγραφέας κατορθώνει να δείξει τόσο τους θεσμούς σε αυτή την μεταβατική περίοδο όσο και την στάση των περισσότερων κατοίκων της ανατολικής Γερμανίας και ασφαλώς και των κρατικών οργάνων. Κανείς δεν μπορεί να αποδώσει μια ταραγμένη περίοδο πιο αξιόπιστα από έναν λογοτέχνη, από έναν μυθιστοριογράφο.

[Lawrence · Rating 1 out of 5]

Tedious read. I struggled to finish this book. Uninteresting characters, pointless commentary in too many footnotes, and ultimately a theme that has far better execution in other novels by far better writers. The reviews that attracted me to the book was sadly wrong, wrong, wrong. I am willing to believe (for a very little while longer) that the novel is just not Schulze's best medium for writing because, after all, his short story that I have read were not so bad. But . . . only for a little while.

[Ricarda Gaspar · Rating 2 out of 5]

Ich war sofort fasziniert wegen der Form wie alles geschrieben war.Leider kann ich das Buch nicht zusammenfassen,und dass weil wirklich nichts ich zu einer Idee zusammenbringen kann.Ich sage eins:ausfuhrlich beschriebene Lebensmomente!!

Es "riecht" sehr viel nach Thomas Mann.Fur mich bedeutet dieses Buch einfach das Aufzahlen aller Gedanken des Autors auf einmal reingeschrieben ohne Nachschreibungen.Es hatte eine Ende aber konnte ruhig noch weiter und weiter gehen und keiner wurde sagen : "Jetzt sind mal aber am Ende!"

[André · Rating 2 out of 5]

I guess that writing this book must have been really interesting and enjoyable. The book is an artwork itself but I only started enjoying reading it starting on page 500. Sometimes it reminded me of Dürrenmatt's dialogues but the book has some lengths.

[Sarah · Rating 5 out of 5]

This is really, really, really good, but that said, I think you may find it annoying if you have never lived in Germany, aren't familiar with communist societies, and don't have the dates of 1989-1990 burned in your memory. Still, it really is the best thing I've read about the fall of the wall.

[Petros Vakalios · Rating 1 out of 5]

Μακριά!!! Ένα από τα χειρότερα βιβλία που έχω διαβάσει ποτέ (όσο μπόρεσα δλδ 182 σελ.) δε ξέρω αν φταίει η μετάφραση αλλά είναι πραγματικά ένα ανούσιο έργο, ειλικρινά δε βρίσκω για ποιο λόγο να κάτσει να γράψει αυτό το βιβλίο???

[SecondMe80 · Rating 3 out of 5]

Gesellschaftsporträt mit spürbaren Längen.

[Elalma · Rating 2 out of 5]

Forse questo romanzo desta maggior interesse a chi ha vissuto in Germania durante il crollo del muro. Per me, invece, è troppo frammentario, troppo ricco di particolari, di eventi privati che non danno una visione organica della storia. Tutto ciò appesantisce molto la lettura: là dove si cerca coerenza narrativa degli eventi storici si trovano vicende private noiose, senza però che queste si aggreghino per formare una storia.

[Fran · Rating 1 out of 5]

I wanted to read a book by a highly regarded contemporary German author. The subject sounded interesting because it took place during and immediately after the fall of the Wall. However the writing is extremely dense and the book is much too long for the story bring told.

[Ali]

New Yorker 12.22.08, translation by John E. Woods.

[Boyd · Rating 1 out of 5]

Virtually unreadable--and I really *like* Ingo Schulze.

[Brittani Sonnenberg]

Somehow Schulze pulls off the epistolary form in a charming manner. Like having coffee (for hours and hours) with a meandering but captivating friend.