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191 pages, Paperback
First published January 1, 2013
The sturdiness of the load-bearing columns devised by Gaudí after decades of study meant that large zenithal claraboyas of hyperboloid form could be included in the vaults that, along with the enormous hollows made by the walls, illuminate the interior in a harmonious and uniform manner.
In the same way the ogival windows and rose windows of neo-Gothic genre that go round the temple were planned by Gaudí in order to hold a new kind of stained glass, with a system created by the architect that consists of superimposing three panes of primary colors, resulting in a combination of new tones.