Ah, murderous gorillas of enhanced intelligence killing people left and right in the mysterious wilds of Africa . . . its always a pleasure to revisit Michael Crichton's long forgotten "Cong-
Oh wait, no, nevermind. This is something else. Paul McAuley has spent most of his career getting a reputation as a pretty decent SF writer (at least I liked him) with books like "Fairyland" and "Pasquale's Angel" but around 2001 he started going with a series of unrelated techno-thrillers that had some vague SF underpinnings, mostly in how future technology was used. I remember two of them ("The Secret of Life" and "Whole Wide World") not being too bad but certainly not mind-blowing and now I'm just getting to a book he published in 2004, so its possible he's shifted styles again since then.
Here, though, we have a near future that doesn't seem that great to live in unless you're rich (although none of the rich folk do so hot here either) where rampant genetic experimentation in Africa has pretty much wrecked the place, causing bizarre plagues (a large number of people have died from the Black Flu some time in the recent past) and strange changes in the landscape (a disease that converts everything to plastic, including people). Various organizations are working inside Africa and its with one of them that former British Army soldier Nick Hyde is involved with when he's witness and survivor to everyone around him getting killed by a group of fast-moving intelligent apes that also appear to understand how to use firearms. But when he gives this story to the local authorities, they tell him pish-tosh, all you saw were white-painted rebels and certainly not homicidal genetically altered apes. What a imaginative mind you have, ha ha!
And thus the cover-up begins and thus Nick starts to do his best to uncover the cover-up, despite almost every single person he comes into contact with attempting to silence him, kill him or some combination of the two. Most of this is due to the machinations of Obligate, a giant corporation that controls part of the Congo and at times seems like a creepier version of Scientology, with an emotional readjustment technique that seems to readjust everyone to the placid state of being high all the time. One of their scientific higher ups wants him dead and isn't very concerned about who gets in the way, which leads to nothing but fun times for Ol' Nick.
Meanwhile we sometimes check in with the ex-husband of the woman trying to murder Nick, who is in his own nature reserve watching over a clan that he calls "The Gentle People" and occasionally letting his archeologist daughter check in on him. There's also a band of mercenaries led by a racist, religious nut roaming around just for a change of pace here and there.
Its got a lot going on and yet . . . not a lot. The main story is pretty much the only focus and while the other characters act as interesting sideshows, given how McAuley ruthlessly prunes away anything extraneous as to where the plot ultimately wants to go, you have to wonder if he's just padding the book out sometimes or giving the characters other stuff to do until they're useful. The setting itself is worth a look, a damaged Africa with some pretty awful landscapes and everyone inside scrambling about either trying to save it or make a buck for themselves. McAuley does his best to extrapolate the hazards of genetic engineering in both small and large ways, whether its the Dead Zone where nature runs badly rampant or in the physical modifications that some soldiers have made to themselves. He captures the feel of moving from town to town, village to village, with an ex-pat's eye, having to hustle and stay under the radar while being forced to come up with plans on the fly to avoid having all your hard work undone.
And for the most part it works, at least for a good chunk of it. Nick is movie-resourceful, which means he's endlessly capable (and never seems to run out of money) and despite never having seen combat with the British Army, they must have a decent training program because he's able to outthink and outsmart almost everyone he comes into contact with, or at least take advantage of lucky breaks. McAuley crosscuts the various narratives with a sense of inevitability, even when some sections seem clearly less important than the others (all of Cody's scenes mostly seem to involve him murdering people or acting like a well-armed zealot). He details how a corporation can rigidly control information and if anything the book suffers by not going enough into that aspect of how Obligate got such complete control and how it exerts its pull . . . for the most part they seem to do whatever they want and we find out about it later, generally when a stranger pulls a gun on Nick.
Its the political maneuvering I wanted more of, frankly, but McAuley chooses to go with a "Heart of Darkness" type scenario instead, having our heroes push deeper into the continent to find the source of the "white devils" and if you're thinking the solution can't lie in some backwater camp run by a intelligent person of dubious sanity while civilization gradually winds its way backwards, then perhaps you shouldn't go and read "Heart of Darkness" or you'll be very disappointed. However, for those who find 19th century literally too staid you'll be pleased to find out that there are far more wall to wall explosions and discharged ammunition in this book, enough to make you look for a co-author credit for Michael Bay.
It makes for an exciting climax but sort of squanders the ethical and scientific dilemmas that the first sections of the book started to bring up in exchange for a more straightforward "man against the Man" premise. Of course, he's slaughtered most of the cast by this point so the only thing left is to whip out the firearms . . . but it does feel like a letdown, especially since the explanations behind the killer apes isn't that shocking and the man behind it all is like "Oops."
He does make time for a romance, which is nice, although this feels more perfunctory than anything else but by the end I feel the strands of the plot leave more questions than answers. What was the point of the Gentle People? Why did we never see Dr Dave or understand better how he came about? Why don't we get more information on how the plagues have ravaged Africa and how the rest of the world let it happen? What's all the stuff with engrams? At times it feels like McAuley had a more hard SF book written and tossed out some of the science to make it sexier. The book does move despite all the scenes that might be less than essential and its present tense prose bothered me less than it seems to have bugged other people (I've written stories using that tense so maybe I'm just used to it) . . . its got enough promise and ideas to make it worth a look but I feel like couldn't decide whether to go for the Michael Crichton crowd that wants an interesting science idea extrapolated into an exciting adventure story or the crowd that wants a hardcore scientific examination of the issues raised with a slightly less urgent plot. Both approaches have their merits but without sitting firmly in either camp it may be that McAuley was doomed from the start. "Dinosaur park gone out of control" is a good hook, "another example of the mess we've made of the world" is called the newspaper and I get one of those every day.