What do you think?
Rate this book
City Witchcraft
Gathered together for the first time, here you will find the ground breaking columns of Christopher Penczak from the first years of newWitch magazine. The City Witch column followed his experiences and insights traveling the country, interacting with the spirits of place in urban environments and the challenges of practicing magick on the road. City Witch continued the teachings found in his award winning book, City Magick. Through the introduction, learn about the impetus of the column and his reflections looking back on the book that started it all. City Witchcraft brings all the original articles together, with new editing and art, to provide inspiration for a new generation of Witches, magicians and shamans living on the road and in the city, helping them find the magick wherever they are.
108 pages, Paperback
Published November 1, 2013
About the author
Christopher Penczak
101 books442 followersChristopher Penczak is a Witch, teacher, writer and healing practitioner. His practice draws upon the foundation of both modern and traditional Witchcraft blended with the wisdom of mystical traditions from across the globe as a practitioner and teacher of shamanism, tarot, Reiki healing, herbalism, astrology and Qabalah. He is the founder of the Temple of Witchcraft tradition and system of magickal training based upon the material of his books and classes. He is an ordained minister primarily serving the New Hampshire and Massachusetts pagan and metaphysical communities through public rituals, private counsel and teaching, though he travels extensively teaching throughout the United States.
Born in Lawrence, Massachusetts on May 10, 1973, Christopher was raised in an Italian/Polish family while living in Salem, NH. After twelve years of Catholic school and becoming an avowed agnostic, he initially pursued an interest in chemistry, stemming from a childhood fascination with alchemy and herbalism. As a youth, he had an out of body experience, passing out in a fourth grade science class, but observing the whole scene in spirit, from above the room. While in high school, he was visited by an apparition of his recently deceased great aunt. These two experiences made him question his dedication to science and pursue a study of the mystical and occult, as well as his artistic pursuits. He attended the University of Massachusetts as a vocal major, earning a Bachelor of Music Performance/Music Business in 1995 and set his sights on becoming a full time performer. While studying classical voice, he founded a band called Doctor Soulshine that fused mystical imagery and shamanic concepts to traditional heavy rock music.
While in college, a long time friend and teacher introduced Christopher to the principles of witchcraft, meditation, tarot and spell work. At first he was skeptical, but his experience with a healing spell at a full Moon ritual was enough to convince him that there was truth to these ideas and he sought to understand more. He took classes with Laurie Cabot, in her Cabot Tradition with an emphasis on Witchcraft As A Science. He was fascinated with the science and philosophy of her teaching, grounding witchcraft in sound thinking and personal experience. A psychic healing experience left him with a sense of empowerment and spiritual connection. After this initial training, he studied with an assortment of witches, shamans, yogis, psychic readers and healers in the New England area, developing an eclectic path of personal witchcraft. He later focused on the healing arts, completing training as a Reiki Master (Teacher) in the Usui-Tibetan and Shamballa traditions and certification as a flower essence consultant and herbalist.
After graduation from college, Christopher began work at the A&R department of Fort Apache, a recording studio and record label in Cambridge, Massachusetts. He soon found himself leading meditations and ritual groups for friends seeking to know more about the Craft. During his time in the Boston area, Christopher experimented with the ideas he later wrote about in his book City Magick: Urban Rituals, Spells and Shamanism. The initial ritual group formed the nucleus of the first Temple of Witchcraft series.
Although having no real interest in teaching formally, Christopher received a message during a meditation in 1998 to start teaching more and begin writing. Thinking it was his imagination, Christopher ignored it, saying to himself and the universe, “I’m too busy with my music career. If you want me to teach, give me the time.” The next week he was laid off from his job and had plenty of time. Although with a booming economy and many job opportunities, Christopher had no luck finding a position in the music industry, or a more traditional office job. When he posted a few flyers about meditation and witchcraft classes at a local shop, the response was immediate and he began teaching cla
Born in Lawrence, Massachusetts on May 10, 1973, Christopher was raised in an Italian/Polish family while living in Salem, NH. After twelve years of Catholic school and becoming an avowed agnostic, he initially pursued an interest in chemistry, stemming from a childhood fascination with alchemy and herbalism. As a youth, he had an out of body experience, passing out in a fourth grade science class, but observing the whole scene in spirit, from above the room. While in high school, he was visited by an apparition of his recently deceased great aunt. These two experiences made him question his dedication to science and pursue a study of the mystical and occult, as well as his artistic pursuits. He attended the University of Massachusetts as a vocal major, earning a Bachelor of Music Performance/Music Business in 1995 and set his sights on becoming a full time performer. While studying classical voice, he founded a band called Doctor Soulshine that fused mystical imagery and shamanic concepts to traditional heavy rock music.
While in college, a long time friend and teacher introduced Christopher to the principles of witchcraft, meditation, tarot and spell work. At first he was skeptical, but his experience with a healing spell at a full Moon ritual was enough to convince him that there was truth to these ideas and he sought to understand more. He took classes with Laurie Cabot, in her Cabot Tradition with an emphasis on Witchcraft As A Science. He was fascinated with the science and philosophy of her teaching, grounding witchcraft in sound thinking and personal experience. A psychic healing experience left him with a sense of empowerment and spiritual connection. After this initial training, he studied with an assortment of witches, shamans, yogis, psychic readers and healers in the New England area, developing an eclectic path of personal witchcraft. He later focused on the healing arts, completing training as a Reiki Master (Teacher) in the Usui-Tibetan and Shamballa traditions and certification as a flower essence consultant and herbalist.
After graduation from college, Christopher began work at the A&R department of Fort Apache, a recording studio and record label in Cambridge, Massachusetts. He soon found himself leading meditations and ritual groups for friends seeking to know more about the Craft. During his time in the Boston area, Christopher experimented with the ideas he later wrote about in his book City Magick: Urban Rituals, Spells and Shamanism. The initial ritual group formed the nucleus of the first Temple of Witchcraft series.
Although having no real interest in teaching formally, Christopher received a message during a meditation in 1998 to start teaching more and begin writing. Thinking it was his imagination, Christopher ignored it, saying to himself and the universe, “I’m too busy with my music career. If you want me to teach, give me the time.” The next week he was laid off from his job and had plenty of time. Although with a booming economy and many job opportunities, Christopher had no luck finding a position in the music industry, or a more traditional office job. When he posted a few flyers about meditation and witchcraft classes at a local shop, the response was immediate and he began teaching cla
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 3 of 3 reviews
June 2, 2022
City witchcraft is not to be mistaken with Christopher other book City Magic. The author used to have a column in a magazine where the theme was the urban witch.
I have to stress that this book doesn’t deal with how you can connect with nature when you are in the city. This book is about connecting to the actual spirit of the city.
If you are have a creative block pull out a map of your city and find creative landmarks. Draw a line to connect those landmarks and there you have a sigil.
There is an exercise where the author suggests to just to walk on the sidewalk as see what your city offers you. I think you get what I mean.
When you start this book knowing what it’s intent is I do think you will enjoy it.
I have to stress that this book doesn’t deal with how you can connect with nature when you are in the city. This book is about connecting to the actual spirit of the city.
If you are have a creative block pull out a map of your city and find creative landmarks. Draw a line to connect those landmarks and there you have a sigil.
There is an exercise where the author suggests to just to walk on the sidewalk as see what your city offers you. I think you get what I mean.
When you start this book knowing what it’s intent is I do think you will enjoy it.
March 15, 2022
The fetishisation of Indigenous cultures' "shamanic" practices, as well as that of other POC (especially Black) magical/spiritual practices feels increasingly gross/racist once you notice it. There was definitely some interesting (if US-centric and, now, dated) information in there, but I don't think it outweighs that fetishisation and appropriation of BIPOC practices.
October 5, 2024
this is an interesting take on City Witchcraft. i do enjoy Christophers conversation style of writing. i didn't agree with everything, as is usual with any given book. it gave me some good things to think about, to explore and explained some concepts and practices that i had already been doing but either never thought of it that way, or didn't have the words for.
and thankfully there was no fixing the plumbing with magic spells.
and thankfully there was no fixing the plumbing with magic spells.
Displaying 1 - 3 of 3 reviews