Early last summer, I read my first Stuart Woods book featuring cop-turned-attorney Stone Barrington (Unnatural Acts, which I believe is the 23rd in the Barrington series). So when this one became available, I figured I'd give it a go. A day later, I'd finished - and although I can't say I didn't enjoy it, I realized it had evoked no emotions whatsoever: No thrill, no heart palpitations and no particular connection to any character including Barrington.
That prompted me to re-read my review of Unnatural Acts - and found that my reaction to that book was exactly the same: Good plot that moves along quickly but with zero excitement. Everything that happens seems to be accepted matter-of-factly.
Such is the case here as well. Maybe, I've concluded, it's a matter of wealth; Barrington is filthy rich, as are several of the other characters. Maybe when you own and pilot your own airplane, own homes all over the country and move in circles where everyone has obscene amounts of money, situations that most people would be at least a little upset about - such as a total loss of memory of four days out of your life - just aren't worth fussing over.
Nor, I guess, are people. When Barrington hears from his assistant that two of his dearest friends were on the passenger list of an airplane that's crashed with no survivors, for instance, for a couple of sentences he seems a tad concerned about having to tell the couple's son. But soon after, when he learns they're safe, he doesn't bother to call his assistant or the son to make sure they know the truth.
Some details seem a bit off as well. One night, standing on the back porch of his vacation home in his bathrobe (after tucking his gun at the back to free up his hands to hold binoculars), Barrington and one of his law enforcement buddies spot what they think are bad guys sneaking up on the property from the water. Immediately, the two decide to sneak down in the pitch dark and surprise the intruders. In his bathrobe? For goodness sake, man, at least grab a pair of pants.
Still another scene has Barrington, described as a pilot who never fails to follow the checklists for take-off and landing, simply handing over the controls to a woman who's never been in a cockpit before just because she asks. Perhaps he reasoned that because she took him to the moon and back in bed she'd be a good pilot as well?
On the positive side, I learned about some excellent fine wines, haute cuisine and how to fortify a home and car (not that I can afford any of that, mind you). And there was a bit of question throughout - I can't quite bring myself to call it suspense - as to which character might turn out to be the villain here. And as I said before, everything moves along quickly and interestingly - just don't expect to get excited.