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Uncanny X-Men (1963) #141-142
Especial X-Men: Dias de um Futuro Esquecido
Contiene The Uncanny X-Men Vol.1 nº 141 y 142 (I y II/1981).
Contiene la historia DÍAS DEL FUTURO PASADO.
Tinta: Terry Austin
Color: Glynis Wein
Traducción: Pérez Navarro
Rotulación: Elena Gueimunde
Contiene la historia DÍAS DEL FUTURO PASADO.
Tinta: Terry Austin
Color: Glynis Wein
Traducción: Pérez Navarro
Rotulación: Elena Gueimunde
52 pages, Mass Market Paperback
First published February 1, 1980
About the author
Chris Claremont
3,349 books932 followersChris Claremont is a writer of American comic books, best known for his 16-year (1975-1991) stint on Uncanny X-Men, during which the series became one of the comic book industry's most successful properties.
Claremont has written many stories for other publishers including the Star Trek Debt of Honor graphic novel, his creator-owned Sovereign Seven for DC Comics and Aliens vs Predator for Dark Horse Comics. He also wrote a few issues of the series WildC.A.T.s (volume 1, issues #10-13) at Image Comics, which introduced his creator-owned character, Huntsman.
Outside of comics, Claremont co-wrote the Chronicles of the Shadow War trilogy, Shadow Moon (1995), Shadow Dawn (1996), and Shadow Star (1999), with George Lucas. This trilogy continues the story of Elora Danan from the movie Willow. In the 1980s, he also wrote a science fiction trilogy about female starship pilot Nicole Shea, consisting of First Flight (1987), Grounded! (1991), and Sundowner (1994). Claremont was also a contributor to the Wild Cards anthology series.
Claremont has written many stories for other publishers including the Star Trek Debt of Honor graphic novel, his creator-owned Sovereign Seven for DC Comics and Aliens vs Predator for Dark Horse Comics. He also wrote a few issues of the series WildC.A.T.s (volume 1, issues #10-13) at Image Comics, which introduced his creator-owned character, Huntsman.
Outside of comics, Claremont co-wrote the Chronicles of the Shadow War trilogy, Shadow Moon (1995), Shadow Dawn (1996), and Shadow Star (1999), with George Lucas. This trilogy continues the story of Elora Danan from the movie Willow. In the 1980s, he also wrote a science fiction trilogy about female starship pilot Nicole Shea, consisting of First Flight (1987), Grounded! (1991), and Sundowner (1994). Claremont was also a contributor to the Wild Cards anthology series.
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Displaying 1 - 30 of 56 reviews
May 11, 2017
I found this "Days of The Future Past" arc in bargain sales years ago, before the movie version. Even in those age, we already heard something about near future theme where Sentinels almost annihilate all mutants.
It was so cheap and in mint condition, so I didn't think long to buy it.
The art was as expected for 1980s Marvel's comic books. The basic idea was similar as in movie version.
It was so cheap and in mint condition, so I didn't think long to buy it.
The art was as expected for 1980s Marvel's comic books. The basic idea was similar as in movie version.
September 2, 2011
In a dystopian future, Kate Pryde is sent back in time, switching consciousness with the Kitty Pryde of 1980, to prevent the assassination of Senator Robert Kelly. Will she be able to prevent her timeline from happening or will the Senator be killed, setting off a shock wave of anti-mutant hysteria?
First off, there are a ton of X-Men trades called Days of Future Past. This one is the 48 pager.
I stumbled upon it in a used bookstore that I hate and figured I was winning one back for the good guys considering it's low price. I've been wanting to read this story for a couple decades and never got around to it. Was it worth the wait? I'll let you know in a bit.
The story itself is pretty cool. The future version of Kate Pride goes back in time to rally the X-Men against the Brotherhood of Evil Mutants and save a Senator's life. Cyclops is gone after the events of the Dark Phoenix Saga and Storm is leading the X-Men for the first time. Angel is back and the rest of the lineup is pretty much the standard Byrne-Claremont lineup.
The dystopian future was my favorite part of the story. I liked seeing Franklin Richards, Rachel Summers, and a wheelchair-bound Magneto, as well as both Wolverine and Colossus with white at the temples. Do comic characters never go gray in a pattern other than the Reed Richards look? Speaking of Reed Richards, the graveyard with all the superhero headstones in it really sold how bad the future had become after Robert Kelly's death. As for the present day part of the story, it's pretty much standard superhero fare for the time. I did like that they hinted about a connection between Mystique and Nightcrawler way back then.
One observation I had was that Wolverine's healing factor wasn't so ridiculous in either branch of the story. In the present, he's brought to his knees by Pyro's attack and, in the future, he's roasted and killed by a Sentinel. Wolverine goes through more crap than that in two or three issues of his current comic without missing a beat.
Claremont and Byrne raised the bar for other comics with their X-Men run. Byrne's art was at the head of the pack in its day and people still use what Claremont did as a model.
So, Was it worth the wait? Let's just say my 14 year old self would have enjoyed it a lot more than my 34 year old self. It's still definitely worth a read and was revolutionary for its time but it's a little on the dated side.
First off, there are a ton of X-Men trades called Days of Future Past. This one is the 48 pager.
I stumbled upon it in a used bookstore that I hate and figured I was winning one back for the good guys considering it's low price. I've been wanting to read this story for a couple decades and never got around to it. Was it worth the wait? I'll let you know in a bit.
The story itself is pretty cool. The future version of Kate Pride goes back in time to rally the X-Men against the Brotherhood of Evil Mutants and save a Senator's life. Cyclops is gone after the events of the Dark Phoenix Saga and Storm is leading the X-Men for the first time. Angel is back and the rest of the lineup is pretty much the standard Byrne-Claremont lineup.
The dystopian future was my favorite part of the story. I liked seeing Franklin Richards, Rachel Summers, and a wheelchair-bound Magneto, as well as both Wolverine and Colossus with white at the temples. Do comic characters never go gray in a pattern other than the Reed Richards look? Speaking of Reed Richards, the graveyard with all the superhero headstones in it really sold how bad the future had become after Robert Kelly's death. As for the present day part of the story, it's pretty much standard superhero fare for the time. I did like that they hinted about a connection between Mystique and Nightcrawler way back then.
One observation I had was that Wolverine's healing factor wasn't so ridiculous in either branch of the story. In the present, he's brought to his knees by Pyro's attack and, in the future, he's roasted and killed by a Sentinel. Wolverine goes through more crap than that in two or three issues of his current comic without missing a beat.
Claremont and Byrne raised the bar for other comics with their X-Men run. Byrne's art was at the head of the pack in its day and people still use what Claremont did as a model.
So, Was it worth the wait? Let's just say my 14 year old self would have enjoyed it a lot more than my 34 year old self. It's still definitely worth a read and was revolutionary for its time but it's a little on the dated side.
February 21, 2013
I should have read this one before Rogue Storm (not that I regret it much) for better continuity of plot.
Anyway, this story about a future authoritarian world makes a compelling read. The whole of Earth is guarded by Sentinels, robots that were at first designed to guard and protect humans, until at some point the robots decided that the biggest threat to humanity is - surprise! - humans themselves. And the worst of humans? Mutants with superpowers. And so the robots decided to take over the governments and 'babysit' the world's citizens under their rigid laws. Mutants are captured and/or destroyed. Those who escape live in disguise on the outer fringes of human habitation.
This story starts many years after the rise of the Sentinels. The start of the comic book is a little depressing because some of my favorite X-Men have apparently died at the hands of the Sentinels, leaving only a few to hatch a plan to save the planet... the rest, you should read for yourself.
Thumbs up for the good story line and beautiful artwork. Why can't the newer comic books be as good as the older ones? *sigh*
Anyway, this story about a future authoritarian world makes a compelling read. The whole of Earth is guarded by Sentinels, robots that were at first designed to guard and protect humans, until at some point the robots decided that the biggest threat to humanity is - surprise! - humans themselves. And the worst of humans? Mutants with superpowers. And so the robots decided to take over the governments and 'babysit' the world's citizens under their rigid laws. Mutants are captured and/or destroyed. Those who escape live in disguise on the outer fringes of human habitation.
This story starts many years after the rise of the Sentinels. The start of the comic book is a little depressing because some of my favorite X-Men have apparently died at the hands of the Sentinels, leaving only a few to hatch a plan to save the planet... the rest, you should read for yourself.
Thumbs up for the good story line and beautiful artwork. Why can't the newer comic books be as good as the older ones? *sigh*
May 13, 2015
I loved re-reading this classic Marvel story arc. Chris Claremont made the successful jump into alternate timelines and muddy continuum with this story. Although X-men timelines became a mess later, this was well done and super fun.
This is the original two issue story that inspired the movie with the same name. The events here had far reaching impact on decades of X-men titles. Anyone who claims to be a fan of the X-men or Marvel comics really should give this 47 page story a read!
This is the original two issue story that inspired the movie with the same name. The events here had far reaching impact on decades of X-men titles. Anyone who claims to be a fan of the X-men or Marvel comics really should give this 47 page story a read!
July 16, 2014
Collects Uncanny X-Men (Volume 1) issues #141-142
If you're reading this, you probably already know this, but this 2-issue X-Men story is considered one of the X-Universe's all-time greats. This collection is unique in that in only collects the two issues that make up this story. In fact, the publishers of this collection went out of their way to keep the story self-contained, and even went so far as to remove the full final page of Issue #142 because it sets up future storylines that don't appear in this trade paperback.
I first read this book as a pre-teen shortly after seeing the 1990's X-Men animated series do an adaptation of this comic. The cartoon and the comic have very little in common. I actually prefer the animated adaptation to this story.
I believe that this story is well-told, but it is hard to judge if it should be considered one of the greatest Marvel stories of all time. I think you could debate this from both sides, so I'll side with those that believe it is one of the greatest because it was ahead of its time.
If you're reading this, you probably already know this, but this 2-issue X-Men story is considered one of the X-Universe's all-time greats. This collection is unique in that in only collects the two issues that make up this story. In fact, the publishers of this collection went out of their way to keep the story self-contained, and even went so far as to remove the full final page of Issue #142 because it sets up future storylines that don't appear in this trade paperback.
I first read this book as a pre-teen shortly after seeing the 1990's X-Men animated series do an adaptation of this comic. The cartoon and the comic have very little in common. I actually prefer the animated adaptation to this story.
I believe that this story is well-told, but it is hard to judge if it should be considered one of the greatest Marvel stories of all time. I think you could debate this from both sides, so I'll side with those that believe it is one of the greatest because it was ahead of its time.
March 5, 2010
Esta saga la leí en una época en la que creía que todo lo que tenía el nombre "X-men" era alucinante, así que me gustó mucho. No digo que esta historia no sea alucinante, cuando la releí años después me volvió a gustar. Pero probablemente si la leyera sin conocimiento previo hoy en día, por el tipo de narrativa la llevaría más a las tres estrellitas que a las consagratorias cuatro. Eso sí, que eran mucho más interesantes estas historias que la mayoría de las actuales, no lo dudo. Además de tenerlo incluido en algún tomo de Vid, también lo tengo en la versión de tapa azul, pero switcheo a la española por la misma razón de siempre: para disminuir el riesgo de que algún idiota la borre de un plumazo.
February 19, 2014
Days of Future Past is a classic comic story in every sense. Originally published in Uncanny X-Men #s 141-142 back in 1980, this one has it all: Dystopian future, time travel, high stakes and tragedy. Solid story by Chris Claremont and great art by John Byrne. A little dated now but holds up very well. A lot of current entertainment has this book to thank, and I am irrationally excited for the upcoming movie...
January 3, 2015
Finally got the chance to read this classic tale of time travel and war on mutantkind. Refreshing to read an epic tale that lasts for a couple of issues as opposed to today's multi-tilte crossovers. The only other X-Men team story I've read by Chris Claremont is "God Loves, Man Kills" which I actually enjoyed more than this, but both have enticed me to seek out more. If you enjoyed the movie, you should definitely read the original source material.
December 11, 2014
A decent two issue compilation of a classic X-Men story - these classic X-Men stories are very good and the art for this book is also. I'm not especially a fan of time travel stories, but this one was a little above average (probably because it isn't clear what the consequences are of what occurs). I do enjoy stories involving the sentinels and also the brotherhood of evil mutants.
August 31, 2015
It's so strange that such an important story in the X-Men mythos is only 2 issues long. Claremont really did know how to hit stories hard and fast, while laying groundwork for the next one. If it weren't for some of the cheesy narration, and some grammatical errors, I'd easily give it five stars.
December 6, 2014
Recopilatorio en inglés que aúna solamente los dos capítulos de la saga.
September 14, 2019
Uno de los primeros recopilatorios de esta clásica etapa. Incluye Chapter One, Chapter Two, y una página de Afterword por Louise Simonson.
March 10, 2026
La franquicia mutante ha logrado estar durante mucho tiempo en la vanguardia de las propuestas Marvelitas. Si bien puede que sus orígenes fundacionales con Stan Lee y Jack Kirby renqueasen partiendo de ese evidente trasunto de la Doom Patrol de la competencia y su estilo más "soap opera" a costa de esta desviación de la humanidad a individuos con increíbles poderes que se ponen a favor o en contra de los que algunos consideran los caducos homos sapiens. El cual con autores como Chris Claremont ya encontrarían una mejor síntesis con los cambios sociales y culturales de las décadas 70" y 80". En estos años es también cuando la Patrulla X establece grandes temáticas (es esencial para entender mucho de la cosmogonía espacial Marvelita o hasta esa hiper pulp Tierra Salvaje donde reina Ka-Zar) y revolucionarios arcos argumentales insertos de forma sorpresiva en la propia narrativa serializada. Pensando por supuesto en la emblemática Saga del Fénix Oscura que volvió a tratar el tema de la muerte y la pérdida en estos relatos pero esta vez siendo la fallecida una de las heroínas más poderosas y reconocidas de toda Marvel. Los mutantes siempre han sido sinónimo de drama y hostigamiento. Desde que la humanidad tiene constancia del Homo Superior y el peligro de individuos más hostiles como Magneto y su Hermandad, muchos altos cargos de los gobiernos disponen a todos estos individuos como un peligro latente mundial. Esto da origen a los Centinelas, unos androides gigantes especializados en detener a mutantes. Siendo enemigos recurrentes de la Patrulla X, no será hasta esta micro saga que se descubre la verdadera naturaleza y potencial terrorífica de estas creaciones de muerte humanas, al plantear un futuro donde un atentado perpetrado por Mística y la Hermandad de Mutantes Diabólicos motiva un acta de represión total del pueblo mutante que solo se extenderá a cualquier individuo con superpoderes o habilidades extraordinarias. Dando paso a uno de esos Futuros distópicos devastados que hoy en día tanto conocemos en la ficción... al igual que el tema del viaje en el tiempo para si no evitar, al menos generar una posibilidad de futuro menos terrible. Días del Futuro Pasado es una historia que hoy en día puede no sentirse tan emocionante como en su momento, más que nada entendiendo que consta de apenas dos entregas a grapa que si bien establecen y muestran a grandes rasgos ese increíble tapiz creativo propuesto por Claremont y John Byrne, está claro que apenas tiene tiempo de desarrollar y menos hacer calar en la lectura. Todo esto se hará a posteriori, siendo uno de esos highlights editoriales de la franquicia al que siempre tener en cuenta o acudir (y no solo en cómic).
January 19, 2021
Ήταν το 2014 όταν κυκλοφόρησε η ταινία X-Men: Days of Future Past, μια ταινία που ακόμα και σήμερα θεωρείται από τις καλύτερες(αν όχι η καλύτερη) στην σειρά ταινιών με τους μεταλλαγμένους σούπερ ήρωες της Marvel, και η οποία τους τοποθέτησε σε ένα μετα-αποκαλυπτικό και δυστοπικό μέλλον.
Προσωπικά οι X-Men ήταν από ανέκαθεν από τους αγαπημένους μου κόμικ ήρωες. Έτσι όταν οι X-Men συναντήθηκαν με την δυστοπία στην μεγάλη οθόνη δεν μπορούσα παρά να ενθουσιαστώ από αυτό το γεγονός.
Τώρα, χρόνια μετά την κυκλοφορία της ταινίας, αποφάσισα να διαβάσω το αρχικό υλικό επάνω στο οποίο πάτησε το κινηματογραφικό σενάριο.
Για όσους δεν το γνωρίζουν, το Days of Future Past δεν αποτελεί κάποια μίνι σειρά κόμικ ή κάποιο ξεχωριστό event graphic novel, αλλά η ιστορία έλαβε μέρος στα τεύχη #141 και #142 της σειράς The Uncanny X-Men.
Η συγκεκριμένη graphic novel έκδοση περιλαμβάνει αυτά τα δύο τεύχη μόνο(υπάρχουν και άλλες πιο σύγχρονες εκδόσεις που φέρουν μαζί και κάποιους ακόμα τίτλους από την συνολική σειρά πριν και μετά από αυτά τα δύο τεύχη), αλλά αυτό δεν με εμπόδισε από το να απολαύσω την ιστορία η οποία έχει αρχή, μέση και τέλος(ένα διαφορετικό και πιο ανοιχτό τέλος από ότι εκείνο της ταινίας).
Σε σχέση με την ταινία, αν και η βασική ιδέα είναι η ίδια, οι δύο εκδοχές της ιστορίας έχουν διαφορές. Για παράδειγμα στους χαρακτήρες που βλέπουμε να συμμετέχουν στην ιστορία αλλά και στον χαρακτήρα που κάνει την μετάβαση από το μέλλον στο παρελθόν(στην ταινία ο Wolverine στα κόμικ η Kate/Kitty Pryde).
Χωρίς να μπω σε παραπάνω λεπτομέρειες, θα κλείσω λέγοντας πως σε οποιαδήποτε μορφή της η συγκεκριμένη ιστορία είναι αρκετά δυνατή έχοντας πολλές κοινωνικές αναφορές κυρίως σχετικά με την διαφορετικότητα και τον φόβο των ανθρώπων ως προς το διαφορετικό σε οποιαδήποτε μορφή του(κάτι που ισχύει έτσι κι αλλιώς στον πυρήνα όλων των ιστοριών του σύμπαντος των X-Men).
Προσωπικά οι X-Men ήταν από ανέκαθεν από τους αγαπημένους μου κόμικ ήρωες. Έτσι όταν οι X-Men συναντήθηκαν με την δυστοπία στην μεγάλη οθόνη δεν μπορούσα παρά να ενθουσιαστώ από αυτό το γεγονός.
Τώρα, χρόνια μετά την κυκλοφορία της ταινίας, αποφάσισα να διαβάσω το αρχικό υλικό επάνω στο οποίο πάτησε το κινηματογραφικό σενάριο.
Για όσους δεν το γνωρίζουν, το Days of Future Past δεν αποτελεί κάποια μίνι σειρά κόμικ ή κάποιο ξεχωριστό event graphic novel, αλλά η ιστορία έλαβε μέρος στα τεύχη #141 και #142 της σειράς The Uncanny X-Men.
Η συγκεκριμένη graphic novel έκδοση περιλαμβάνει αυτά τα δύο τεύχη μόνο(υπάρχουν και άλλες πιο σύγχρονες εκδόσεις που φέρουν μαζί και κάποιους ακόμα τίτλους από την συνολική σειρά πριν και μετά από αυτά τα δύο τεύχη), αλλά αυτό δεν με εμπόδισε από το να απολαύσω την ιστορία η οποία έχει αρχή, μέση και τέλος(ένα διαφορετικό και πιο ανοιχτό τέλος από ότι εκείνο της ταινίας).
Σε σχέση με την ταινία, αν και η βασική ιδέα είναι η ίδια, οι δύο εκδοχές της ιστορίας έχουν διαφορές. Για παράδειγμα στους χαρακτήρες που βλέπουμε να συμμετέχουν στην ιστορία αλλά και στον χαρακτήρα που κάνει την μετάβαση από το μέλλον στο παρελθόν(στην ταινία ο Wolverine στα κόμικ η Kate/Kitty Pryde).
Χωρίς να μπω σε παραπάνω λεπτομέρειες, θα κλείσω λέγοντας πως σε οποιαδήποτε μορφή της η συγκεκριμένη ιστορία είναι αρκετά δυνατή έχοντας πολλές κοινωνικές αναφορές κυρίως σχετικά με την διαφορετικότητα και τον φόβο των ανθρώπων ως προς το διαφορετικό σε οποιαδήποτε μορφή του(κάτι που ισχύει έτσι κι αλλιώς στον πυρήνα όλων των ιστοριών του σύμπαντος των X-Men).
March 6, 2025
John Byrne hubiera hecho una serie de 32 números de X-Men Days of the Future Past en 1981.
Cuando esta la historia de algún comic de X-Men situada en el futuro vemos nuevamente una repetición de days of the future past, mejor hubieran hecho en Marvel o Byrne un arco largo de 32 números en esa historia.
El final original de Byrne era que al evitar la muerte de Kelly nunca existió el futuro de Kate Pryde, pero Claremont con los diálogos lo cambio, con esa tontería del beso.
La influencia de Byrne con Días del Futuro Pasado los campos de concentracion y viajes en el tiempo distopico, les ha dado para hacer millones de dólares y muchos cómics a marvel con esas ideas.
donde viajan al pasado y matan a Professor X, así América es conquistada. Se ha repetido algunas veces en los medios como en Age of Apocalypse.
Byrne le dio protagonismo a Kitty Pryde, tal vez John Byrne debió hacer una serie de mínimo diez números de Days of the Future Past.
Cuando esta la historia de algún comic de X-Men situada en el futuro vemos nuevamente una repetición de days of the future past, mejor hubieran hecho en Marvel o Byrne un arco largo de 32 números en esa historia.
El final original de Byrne era que al evitar la muerte de Kelly nunca existió el futuro de Kate Pryde, pero Claremont con los diálogos lo cambio, con esa tontería del beso.
La influencia de Byrne con Días del Futuro Pasado los campos de concentracion y viajes en el tiempo distopico, les ha dado para hacer millones de dólares y muchos cómics a marvel con esas ideas.
donde viajan al pasado y matan a Professor X, así América es conquistada. Se ha repetido algunas veces en los medios como en Age of Apocalypse.
Byrne le dio protagonismo a Kitty Pryde, tal vez John Byrne debió hacer una serie de mínimo diez números de Days of the Future Past.
September 22, 2024
I loved the X-Men cartoon as a kid so I was already familiar with the basic idea of this story, but only recently learnt that the TV version was quite different to the original.
Overall, I really enjoyed this and would go so far as to say I loved the first of the two issues. The second one was good too but, being more action-heavy, was less my thing (somewhat ironically, the action sequences tend to be my least favourite part of superhero comics). It was still good though.
I can definitely see why the storyline is a classic and it's one of the few Marvel stories I've read as an adult that I felt was really great, and I'd recommend anyone with a passing knowledge of X-Men to give it a go.
Overall, I really enjoyed this and would go so far as to say I loved the first of the two issues. The second one was good too but, being more action-heavy, was less my thing (somewhat ironically, the action sequences tend to be my least favourite part of superhero comics). It was still good though.
I can definitely see why the storyline is a classic and it's one of the few Marvel stories I've read as an adult that I felt was really great, and I'd recommend anyone with a passing knowledge of X-Men to give it a go.
July 28, 2019
5/10
So you’re telling me that Kitty was supposed to be the protagonist of Days of Future Past? And the movie not only replaced her with Logan but almost cut her out of the movie entirely??
Other than me being mad about that I will say I think Days of Future Past, while an important and widely revered X-Men comic, is honestly just average to me. I feel like they could’ve done a lot more than with the concept.
So you’re telling me that Kitty was supposed to be the protagonist of Days of Future Past? And the movie not only replaced her with Logan but almost cut her out of the movie entirely??
Other than me being mad about that I will say I think Days of Future Past, while an important and widely revered X-Men comic, is honestly just average to me. I feel like they could’ve done a lot more than with the concept.
February 8, 2023
My love for the X-Men universe had recently reignited so what better way to start than reading the comic which inspired one of my favorite films. Surprisingly I think it's nowhere near as good as the film in terms of emotional themes that stood out in the film. Should have been expected considering this storyline is only 2 issues long although I did enjoy the more grounded focus on the future storyline here. Definitely worth a read for anyone looking to get into X-Men comics.
November 14, 2019
This is a great example of how a great story doesn't have to be a long one. This tale is a mere two issues, yet it has been undoubtedly impactful, not only on the X-Men, but on the greater Marvel Universe.
The concepts introduced and touched on here are nothing less than epic. The art is energetic with some images, like the cover of the first part, that are iconic.
The concepts introduced and touched on here are nothing less than epic. The art is energetic with some images, like the cover of the first part, that are iconic.
May 26, 2023
Este es el claro ejemplo de crear y adaptar la historia para hacerla muchísimo mejor es posible, sin perder la escencia y el mismo concepto la película de Days of the future past es mejor que el cómic, sin embargo no le quiero quitar el mérito a los creadores de esta historia, ya que los centinelas por muchos años fueron uno de los mejores villanos de los X-Men.
October 9, 2025
Pretty cool, 4 stars a solid 8/10, right off the back the movie made deviations and came with their own liberties and inventions. And, i think it worked better as a whole. The comic especially the original run of issues 141-142, left the story unresolved and on a cliffhanger. Almost everyone dies. Honorary classic.
April 22, 2026
Probably one of the best two-issue arcs ever made, hard to believe they crammed so much into two books. Travel back and forward in time with the X-Men as they fight to save the future from the present. X-Men '94 and '97 viewers will recognize some "classic" characters in their first appearance including Senator Kelly and Mystique.
August 18, 2018
Spectacular storytelling - one of the ultimate tales in comics history. Believe the hype. John Byrne's art is basically just right, and he created some iconic imagery. Read this, please, if you want to understand me as a person - I felt understood as a person when I read it...
July 24, 2023
Wow! This was amazing! Solid and descriptive writing from Claremont, and beautiful art from John Byrne! The story was innovative and super interesting. Such a cool concept perfectly packed into 2 intense and intriguing issues. Highly, highly recommend!
January 20, 2018
i absolutely love anything x-men. but this one. oh man, this one is an exceptionally good one!!!
March 13, 2018
Thank goodness they don't write comics in this style anymore.
December 31, 2018
La obra que usaron y en la que se basaron para la película: X-men días de futuro pasado. Y aunque me sorprendió lo corta que fue, estuvo bastante entretenida con las menos de 50 páginas que tuvo.
February 10, 2019
This and other Chris Claremont books reviewed here: https://fsfh-book-review2.webnode.com...
April 5, 2020
A great storyline, terrific art and wonderful character stories.
All in all an awesome book!
All in all an awesome book!
April 24, 2020
Alucinante este cómic, ya veo porque la película estuvo bastante buena. Con algunos cambios obvio, pero igual de entretenida.
Calificación: 5 / 5 🌟
Calificación: 5 / 5 🌟
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