So where to begin writing this review. I guess I should start by saying this is one of the loveliest, saddest, profound, bittersweet and joyful things I've ever experienced. I'm going to be reviewing the entire series so for people who've not read the later volumes then
SPOILERS
YKK is a post-apocalyptic story set after the sea levels have risen due to some unspecified calamity, it could be something to do with mount Fuji erupting. The remaining people live in small coastal towns and generally seem to be very content, just carrying out their business, peacefully trading, relaxing, and getting on with whatever is left of life. There aren't many children in the story, though two of the characters do eventually have a child towards the end, so there's potentially some infertility issues going on, and humanity is said to be in it's twilight years and is slowly but surely passing away. But the facts of this impending end of humanity are unimportant to the story, it doesn't matter why the cities are sunken or anything like that. That's just the way it is and people have found a peculiar kind of peace with that.
This actually reminds me of the start of Coronovirus, when in lockdown, in that I took a walk in a large public park and just sat around, and the people I saw seemed resigned. It felt like a very relaxed apocalypse. The sort you'd really want. I think generally that Western TV shows and films and books are generally obsessed with the violence and drama of THE END OF THE WORLD. Everyone is going to be killed in a big violent storm of some sort. And then the remnants of humanity will organise themselves in competing rape gangs. It's just really unwholesome and paranoid to assume that the worst of people is going to come out simply because of some calamity.
So far I've only really covered the backdrop of this series. And not even gone into talking about the main protoganist. Maybe I'm doing this because even thinking about her makes me emotional, so I'm avoiding talking about her. Anyway, I'll try. Here goes.
The main character of YKK is a robot called Alpha. She runs a cafe in the hilltops called Cafe Alpha, she doesn't really get many customers and spends most of her time indulging in various hobbies, seeing her friends (who at first consist of an old man at the petrol station, his grandson, and a local doctor).
There's a strange tendency in Manga to make their female characters very cutesy, and silly, almost to the point where they seem kind of retarded. Alpha still has these qualities but find that it works better for her simply because she is an artificial intelligence, the other human and other robot characters realise she is somewhat "special" and her strangeness and innocence actually enriches their existences. But as a character she has her own tragedy, and after reading 141 chapters of this manga I find that even looking at her, or thinking of her, makes me very very emotional. I'll get into this later.
So I'm going to talk about post-apocalyptic expectations again. This book plays with those. In one of the first chapters Alpha is sat in her cafe polishing her gun, and then she explains that her old owner gave her this gun because she might need to protect herself. So from the start you immediately get presented with a Chekov's gun, and it made me expect that at some point in this story Alpha is going to have to protect herself from some kind of post-apocalyptic rape gang (this is bloody Manga after all). But it never comes to that, the gun is only used once because Alpha takes it out one day and decides to try it out on an old street sign. Like most things that Alpha does it's just done for the sake of it, because she has nothing else to do on a particular day so she'll think "Oh! I'm going to try out this gun!"
The gun was given to her by her "owner" who has left her in the cafe (later there is a chapter which shows his departure and that he offers to take her with him, but she wants to stay behind and look after the cafe), so we get the impression that the "owner" thought that Alpha would need to protect herself, he was pessimisstic about her survival in the environment. We then get introduced to our 2nd robot character who is a courier and is delivering a package from "the owner" to Alpha. She delivers a camera. The camera is given to her because "maybe every day seems the same now, but in a ten or twenty of thirty years you might have things you'll feel nostalgic about."
And here comes the tragedy of this story. Everyone and everything around Alpha is gradually eroding, dying, moving away or is in some other way transient, whereas she's permanent. She's seemingly created to remember the human race and to carry that memory forward into the future. She's one of the more advanced robots of her kind and the most human, the courier robot even being inspired by Alpha to become more human. At one point it's remarked on that Alpha is unique in that she's the only robot that has the ability to cry. Also that Alpha is unable to digest animal protein so she's essentially a vegan. She is seemingly designed to survive through nature and not cause any damage to it. So she's emotionally and physically designed to be the perfect vessel for carrying humanity forward. She's completely alone but yearning for connection and company and sharing love in the most simple way of making people cups of coffee and tea. And she has to contend with the idea that the people she meets are getting older, going to die, going to move away, and she will eventually be alone to remember them.
On some level this is really fucked up and really painful to read through.... and even more effectively so because so much of it is unspoken, so much of it is conveyed through very pleasant conversations she has, or the look of indescribable yearning and lostness you might see in her. It's really incredible and potent stuff. And I'm only really scratching the surface of it in this review, and possibly expressing the intent of the story quite clumsily because it's an emotion that's difficult to put into words. There's a lot more happening in in, so much more stuff. Like the earth itself is erecting mushroom statues of humanity to remember them as they pass away. Or there's a large plane that is constantly moving around the Earth with another Alpha model inside it looking down at the surface, constantly passing over and looking as the sea rises above the street lamps. There's other characters with romances and connections, the book paints a really lovely vision of it's world and scenarios. It's actually very funny in places too. The artwork is never short of being completely amazing, but it's not hitting you over the head with it's amazingness... for the most part it's very low key and getting the job done.
After reading it I found out that this is an entire genre in Japan. The genre of the "Mono No Aware" which translates to something like the "appreciation of the passing of things." And that the genre came into prominence after terrorist attacks and environmental issues in Japan in the 90s. That is was designed to soothe the soul and make people relax. Maybe because I'm Japanese I found this the opposite of relaxing, there's something incredible dark within the beauty of it, something new and that I've never come across before.
Anyway, just posting this review to see if anyone else has read this, what your thoughts are, whether anyone has a single thing bad to say about it. And if anyone can recommend anything similar that's going to be as good.... because I think I've found something that's going to be hard to beat. And for the first time in ages I've just read something that I want to read again, all the way through, because I clearly totally love it.