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Как така?
Съдържа разказите: "Как така?", "Врана", "Кастел", "Нова буболечка", "Торлак", "Падането на Икар", "Житие-битие", "Кучешка преписка", "Зеленият таралеж", "Патарана", "Аврамови ръкавици", "Махови пера", "Руската верста", "Торлак пише писмо до Торлаците".
134 pages, Hardcover
First published September 10, 1974
2 people are currently reading
17 people want to read
About the author
Yordan Radichkov
82 books73 followersYordan Radichkov was a Bulgarian writer and playwright.
Literary critics Adelina Angusheva and Galin Tihanov called him "arguably the most significant voice of Bulgarian literature in the last third of the 20th century". Some literary critics have referred to him as the Bulgarian Kafka or Gogol. Radichkov is widely known for his numerous short stories, novels and plays. He is also known for the screenplays of the Bulgarian film classics Torrid Noon (1966) directed by Zako Heskiya, The Tied Up Balloon (1967) and The Last Summer (1974).
In 2000, Radichkov was decorated with the high government prize the Order of the Balkan Mountains. In 2007, a monument dedicated to him was officially opened at the garden of the former Royal Palace, nowadays National Art Gallery in Sofia city centre.
Literary critics Adelina Angusheva and Galin Tihanov called him "arguably the most significant voice of Bulgarian literature in the last third of the 20th century". Some literary critics have referred to him as the Bulgarian Kafka or Gogol. Radichkov is widely known for his numerous short stories, novels and plays. He is also known for the screenplays of the Bulgarian film classics Torrid Noon (1966) directed by Zako Heskiya, The Tied Up Balloon (1967) and The Last Summer (1974).
In 2000, Radichkov was decorated with the high government prize the Order of the Balkan Mountains. In 2007, a monument dedicated to him was officially opened at the garden of the former Royal Palace, nowadays National Art Gallery in Sofia city centre.
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Displaying 1 of 1 review
June 5, 2021
Тези разкази се леят като вино от сорта "кастел", с много магически препратки и одухотворен материален свят. Но този магичност при Радичков продължава да има силна връзка с реалността и хората, тя служи не като бягство, а по-скоро като епизодичен мираж, като нещо вълшебно, за да продължава да има смисъл живота. Радичков пише с много любов за хората, за грешките и за изборите им.
"Торлак пише писмо до торлаците" ми е любимият разказ.
"Торлак пише писмо до торлаците" ми е любимият разказ.
Displaying 1 of 1 review