Written from the point of view of Ernie, a man struggling to overcome childhood trauma, Jenevive Desroches’ “Oblong” begins as Ernie and his girlfriend, Dianne, head into a house of mirrors on a desire-charged game of cat and mouse. The moment the happy couple enters the maze, however, things change. Ernie loses sight of Dianne amidst the twisted reflections, and takes a spill before he can find his way out. When he awakens, the world around him is just slightly off kilter. As the night passes, he and Dianne begin to conflict in small, but steadily increasing steps. Ernie’s shadowy past emerges in snippets and with it, Dianne’s own demons are unleashed in brutal, decimating clarity.
Like the house of mirrors, this story is never quite what you expect it to be. Desroches’ writing is lyrical, but the bedroom scene she paints crawls with the darker side of sexuality and domestic violence, begging questions we so often, as a culture, ignore. Her characterization is particularly stellar: Ernie’s transition from protagonist to antagonist was subtle enough I had to go back and figure out when I’d stopped worrying about him and started genuinely disliking him. And, as all good writers do, Desroches didn’t stop there. She turned the tables on me a second time, bringing Dianne’s darkness to the forefront, leaving me unsettled by both her characters.
In “Oblong”, Desroches captures the flavour of the suspense writers of the 1960’s: the world she’s written feels familiar to the reader, yet unnerving at the same time. There is a Ray Bradbury-esque quality to the escalating interactions of Ernie and Dianne and a satisfying twist to their storyline. As with life, “Oblong” is a complicated mix of past and present, truth and lies, and Ms. Desroches explores this dark side of human nature without flinching. A definite must-read!