Willow Hendricks, the main character of Naomi Finley’s A Slave of the Shadows, is a headstrong and forward-thinking southern belle who wants nothing more than to see the slaves on her father’s plantation freed. Having been raised without her mother, cared for by Mammy, and raised alongside Mammy’s daughter, Mary Grace, Willow does not share her father’s love for running their plantation, Livingston. Run-ins with cruel and sadistic slave catchers, the burden of a childhood trauma, and the forging of new relationships fill Finley’s historical fiction drama set in 1850s Charleston. Willow, progressive and fearless, is a heroine like no other.
As I began A Slave of the Shadows, I picked up on that Gone With the Wind vibe. It is evident, however, that Finley has taken an entirely different turn from other novels based in this era. It is not often that we see a heroine’s story played out minus a heavy focus on romance. Willow Hendricks, a girl in her late teens, is as liberal and unyielding as a young woman could possibly be in the pre-Civil War South. Her disdain for seeing the slaves on her father’s plantation kept in servitude overcomes her, and that fire continues to build within her as the novel progresses. She is in no way shy about her feelings and, as violent as her father becomes at her opposition, she remains grounded and vocal.
Willow’s relationship with James, the blacksmith on her father’s plantation, is precious and touching. He loves her as much as the daughter he lost to circumstances beyond his control. In return, Willow sees him as every bit the father her own is unwilling to be. James is ever-protective of Willow and knows their relationship is a source of concern for everyone around them should Willow’s father, Charles, realize how close they are.
I appreciate the shift in point of view Finley provides throughout her work. Each of the brief chapters written in third person describing the secondary characters’ backgrounds adds necessary and interesting layers to the plot. In addition, Willow’s first-person account is perfectly crafted. The reader is afforded the opportunity to glimpse inside her mind and feel the anguish she experiences regarding the unanswered questions she has about her father’s business and her mother’s death.
The tension created by the early encounters with Bowden Armstrong serves to create an even more vivid picture of Willow Hendricks as a force with which to be reckoned. Her obvious pain and embarrassment at Bowden’s previous treatment of her shapes Willow into a fighter by all accounts. Her vulnerability later with Bowden is timed well and welcomed as this reader wanted to see Willow, a tormented soul, find happiness.
The side story involving Ruby is one I wanted to see more of and wanted it to come quickly. However, Finley moves at a quick pace in a different direction with the plot. I never felt quite satisfied with the outcome of Willow’s trip to New York and her chance meeting with Ruby.
I give A Slave of the Shadows an enthusiastic 5 out of 5 stars. Finley weaves a beautiful tale of genuine love and understanding while keeping her writing true to the era. The human spirit is alive and well in her character, Willow Hendricks, and Willow is, without a doubt, a worthy heroine.