Thought in the Act: Passages in the Ecology of Experience

by Erin Manning, Brian Massumi

“Every practice is a mode of thought, already in the act. To a thinking in movement. To a thinking through color. To perceive in the a thinking of the world’s varied ways of affording itself.” —from Thought in the Act

Combining philosophy and aesthetics, Thought in the Act is a unique exploration of creative practice as a form of thinking. Challenging the common opposition between the conceptual and the aesthetic, Erin Manning and Brian Massumi “think through” a wide range of creative practices in the process of their making, revealing how thinking and artfulness are intimately, creatively, and inseparably intertwined. They rediscover this intertwining at the heart of everyday perception and investigate its potential for new forms of activism at the crossroads of politics and art. Emerging from active collaborations, the book analyzes the experiential work of the architects and conceptual artists Arakawa and Gins, the improvisational choreographic techniques of William Forsythe, the recent painting practice of Bracha Ettinger, as well as autistic writers’ self-descriptions of their perceptual world and the experimental event making of the SenseLab collective. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. Thought in the Act enacts a collaborative mode of thinking in the act at the intersection of art, philosophy, and politics.

Genres: Philosophy, Research

224 pages, Paperback

First published January 1, 2014

About the author

Erin Manning holds a University Research Chair in the Faculty of Fine Arts at Concordia University (Montreal, Canada). She is also the director of the Sense Lab (www.senselab.ca), a laboratory that explores the intersections between art practice and philosophy through the matrix of the sensing body in movement. In her art practice she works between painting, dance, fabric and sculpture (http://www.erinmovement.com). Her current project entitled Folds to Infinity is an experimental fabric collection composed of cuts that connect in an infinity of ways, folding in to create clothing and out to create environmental architectures. The next phase of this project will explore the resonance between electromagnetic fields and movement through the activation of the existent magnets in Folds to Infinity. Her writing addresses the senses, philosophy and politics, articulating the relation between experience, thought and politics in a transdisciplinary framework moving between dance and new technology, the political and micropolitics of sensation, performance art, and the current convergence of cinema, animation and new media.

Reviews

[kit · Rating 5 out of 5]

leaning from theory into practice, and back again. deft writing that teases insight. records of experiments that provoke curiosity. seriously one of the most practical philosophy texts i've read. merits more than one reading.

[Noah · Rating 2 out of 5]

book of pragmatics barely in excess of the old pragmatics

[Breanna · Rating 3 out of 5]

There’s some really interesting ideas here but it could have been soooo much shorter and less convoluted