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Cable Guys: Television and Masculinities in the 21st Century
The emergence of "male-centered serials" such as The Shield, Rescue Me, and Sons Of Anarchy and the challenges these characters face in negotiating modern masculinities. From
the meth-dealing but devoted family man Walter White of AMC’s Breaking Bad,
to the part-time basketball coach, part-time gigolo Ray Drecker of HBO’s Hung,
depictions of male characters perplexed by societal expectations of men and
anxious about changing American masculinity have become standard across the
television landscape. Engaging with a wide variety of shows, including The
League, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz
identifies the gradual incorporation of second-wave feminism into prevailing
gender norms as the catalyst for the contested masculinities on display in
contemporary cable dramas.
Examining
the emergence of “male-centered serials” such as The Shield, Rescue Me, and Sons of Anarchy and the challenges these characters face in negotiating
modern masculinities, Lotz analyzes how these shows combine feminist approaches
to fatherhood and marriage with more traditional constructions of masculine
identity that emphasize men’s role as providers. She explores the dynamics of
close male friendships both in groups, as in Entourage and Men of a
Certain Age, wherein characters test the boundaries between the homosocial
and homosexual in their relationships with each other, and in the dyadic
intimacy depicted in Boston Legal and Scrubs. Cable Guys provides a
much needed look into the under-considered subject of how constructions of masculinity
continue to evolve on television.
the meth-dealing but devoted family man Walter White of AMC’s Breaking Bad,
to the part-time basketball coach, part-time gigolo Ray Drecker of HBO’s Hung,
depictions of male characters perplexed by societal expectations of men and
anxious about changing American masculinity have become standard across the
television landscape. Engaging with a wide variety of shows, including The
League, Dexter, and Nip/Tuck, among many others, Amanda D. Lotz
identifies the gradual incorporation of second-wave feminism into prevailing
gender norms as the catalyst for the contested masculinities on display in
contemporary cable dramas.
Examining
the emergence of “male-centered serials” such as The Shield, Rescue Me, and Sons of Anarchy and the challenges these characters face in negotiating
modern masculinities, Lotz analyzes how these shows combine feminist approaches
to fatherhood and marriage with more traditional constructions of masculine
identity that emphasize men’s role as providers. She explores the dynamics of
close male friendships both in groups, as in Entourage and Men of a
Certain Age, wherein characters test the boundaries between the homosocial
and homosexual in their relationships with each other, and in the dyadic
intimacy depicted in Boston Legal and Scrubs. Cable Guys provides a
much needed look into the under-considered subject of how constructions of masculinity
continue to evolve on television.
- GenresResearchTvNonfiction
251 pages, Paperback
First published March 31, 2014
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Displaying 1 - 2 of 2 reviews
March 24, 2014
Lotz's new study offers a compelling theoretical and industrial model to analyze the overwhelming appearance of male antiheroes in contemporary American television linking their appearance to the development of what Lotz labels as "male centered serials." This new form of male character and narrative mode she argues is the result of post-second wave feminism and it's positive impact on the construction of a variety of masculine experiences that she notes requires us to think through the idea of male gender in America through the lens of masculinities. Her study is designed to question the prevalence of this new form of male identity while also advocating that television studies scholars began to examine the history of the representation of American masculinities paying attention to the cultural, institutional, and economic forces driving these representations.
November 17, 2015
mehhh. I read it for class and I wasn't thrilled about it, just like I'm not thrilled by shows all about dudes
Displaying 1 - 2 of 2 reviews