2025 update: holds up great. super easy to blitz through these books, but they're still smart and interesting. Expanding the cast beyond Aral (who remains the focus) doesn't hurt one bit.
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I am having a little trouble classifying these books; on the one hand, the tone is very low fantasy, trading on the dirty end of the street, with the crooks and assassins and so forth. On the other hand, the magic is pretty serious and higher end, as befits a high fantasy tale. In the end it doesn’t matter: these are really fun and enjoyable books.
One of the things McCullough is doing well is wrestling with Aral’s moral orientation and development as he adjusts to no longer having a divine mandate for anything he does. It’s being handled very nicely, especially with Aral bringing Triss into the middle of it, making his familiar consider moral questions his kind may have never dealt with before.
The plot on this one is gripping, with more fallen blades coming into the picture. Aral has acted like he was the last, even though we knew there were survivors of the fall of Namara and the temple, so it’s good to have more of his brethren in the mix, because of how their attempts to adapt to the new reality grate up against his.
One minor problem I have: Aral is jokingly referred to as “old” by Faran, in that way that teenagers do to anyone over 20. But Aral does have that world-weariness that someone with more age have...but he’s repeatedly referred to as under 30. Not sure that age really fits, even if he’s someone who has lived a lot. It’s a small quibble, but it does mess up the timelines a bit. It’s been six years since the fall of the temple, and before that Aral not only became the Kingslayer, but also had time to get engaged, break it off, and have both of them move on? It could happen, but it just doesn’t quite feel right.
Anyways, I’m really enjoying these. The magic is fascinating, the politics are really well thought out, and the interpersonal relationships make you want to know more. The dangers are serious and there are consequences to every damn thing.
And seriously: nice to have something so tightly plotted while still getting depth. Deconstruction has gotten out of control in some cases.