This is a well-written, brief book about a couple of easy-going, rather mindless chums, and how their world changes as the Browns - the fascists and their evil regulations - creep up on them. The two buddies occasionally get together for a coffee or a drink, and seem to have no problem with the initial new laws decreed by the Browns. They have rationalized the regime's arbitrary and hateful regulations and the clampdown on the free press. They are willing to believe the phony excuses for the new laws, since they are so easy-going, and more or less live in the world of sensation or sensory pleasure. They are a bit heartless that way, but have more or less adjusted to the world, especially the new fascist world, by avoiding controversy, following the law, and not questioning. They have totally accepted the new laws, but then the protagonist realizes that his chum, Charlie, has been arrested because of an arbitrary "infraction" of the "rules" they were never told about - and then the protagonist realizes that the extension of the laws means that almost anybody can be arrested at any time, but he understands this too late, since at that very moment, the Browns are knocking at his door in the pre-dawn darkness (Matin Brun - the French title of the book, means Brown Morning).
It only takes less than an hour to read the book and the accompanying essay, yet the power of the book is instantaneous. No wonder it became a world-wide best-seller.
There were also some extremely effective black and white litho style (or possibly litho or other graphic art medium) illustrations, that heightened the emotional impact of the turning points of the narrative - such as when the protagonist's cat was unknowingly eating the cyanide pellets distributed by the Browns to residents who had the wrong color cats (i.e. anything but brown cats).
Oddly enough, the chums' attitude toward creeping fascism reminded me of the mindlessness of the chums Raymond and Meursault in Camus' The Stranger which I just read. I could imagine these characters as those - they had a similar devotion to the moment, to having a good time, and not thinking too much about things, rationalizing, justifying unjustifiable actions. The chums in The Stranger didn't try to intervene to help Salamano's dog, just as Meursault didn't help the Arab girl when Raymond was beating her up. In Matin Brun, the first victims were non-brown dogs, but the chums could somehow carry on as if nothing had happened. They rationalized the loss of their pets (one chum lost a dog, the other a cat) by saying they're only dogs and cats, that the replacement brown pets would be just as good. They laughed off the injustice and were willing to live with it. Their callousness, obliviousness, and becoming "well-adjusted" to an absurd, unjust world - maybe their attitude links the chums of the two novels together.
The book exactly captures the attitude of "adjustment" - willing to get used to arbitrary incomprehensible laws, that then creep up on the population, until it's too late. The chums are willing to laugh off losing their pets - they've become monsters - they've rationalized their actions, they've accepted the propaganda of the fascist regime, and think life just goes on, as they sip their coffee at the outdoor cafe. They don't think much, or say much - only follow sports, the races, playing cards, having a good time - apolitical perhaps, and certainly law-abiding. They are willing to go along with the new laws even if it means they must do away with their non-brown pets, only because the pets are not brown, and the fascist regime has deemed (lied) that brown pets are healthier, live longer, and eat less. In other words, the people believe or trick themselves into believing, unjust laws, life still seems "normal" - but they've turned into monsters in the process. It's the imperceptible process of self-deception, rationalization, going with the flow, adapting and adjusting to the changes/restrictions/laws - the book gives an uncanny description of a regime of arbitrary and cruel laws closing in on the population, because the population is willing to go along with the laws (the Brown party or group is however feared, so there's the implicit threat of violence enforcing the arbitrary laws). These people have probably always obeyed the law, so why shouldn't they obey the new laws, even if the new laws are absurd or in the end, murderous? This is a description of how one shouldn't act if fascism sets in. Most people do not resist though - like the chums in Matin Brun, they just go along with the unending and ever-restrictive regulations until it's too late to resist. Like the chums, most people tell themselves things are alright even when they aren't because it's difficult for most people to leave their comfort zone and resist. This book gives the steps and the rationalizations, leading eventually to the end for the chums - the new regulations pile up so quickly, the effect is like that of slipping on the top step by accident and then being unable to gain traction or balance again, as one tumbles down the flight of stairs, perhaps to one's doom. That's how uncanny the effect of the fascist regime is: First a law about pets that if one's heart was hardened enough, the person could "accept" - then a newspaper is closed because it disagreed with the pet law, then the publishing house associated with the banned paper is also shut down, then the books in the libraries published by the closed publishing house are removed and destroyed. The chums can adjust to every change, every new law, every new restrictions - they rationalize everything and continue pursuing amusements, sports, games, the track. They finally realize that the new laws are so designed that anybody can be arrested and detained for any reason, but by then, their cooperativeness and the chums' easy-going, law-abiding attitude, means it is too late when the Browns come for them.