An excellent story, and you can't beat free as a price. I fell in love with the protagonist, Dana, almost instantly and really wanted her to succeed. And Eric was almost as engaging. They were a perfect couple almost from the start, the only thing keeping them apart, really, was Dana's trauma from years ago.
I don't know anything about rape survival, and Dana's rape in the past was particularly brutal (no, this is not a spoiler, we learn of this pretty much from page one). I have no way to know how she should be coping and no way to judge where she was in overcoming the trauma that makes it difficult for her to be around men—even family. Not that it felt unrealistic. Indeed, it felt terribly realistic, even dreadfully so. So her victory, slow, but steady, over her panic attacks felt earned, even as I was impatient for her to overcome.
One aspect of this novel that truly shone, though, were the non-Eric men in the book. There were some truly strong secondary characters who helped Dana as much in their own way as Eric did. Gayle depicted these men both sympathetically and realistically and their honest desire to help and protect show exactly how civilization is built—by the strong being put in service to the weak and with kindness overcoming the evil effects of the selfish.
So this was a very strong story, extremely well-told (going by how it felt real and conveyed the inner landscape of its protagonists even though I have no way to relate personally). But there were some aspects that grated, even so. First, I'm not really a fan of the trade-off narrative that switches perspective with a hard break each time. I don't mind switching perspectives (in romance), but hanging a hat on it with hard section breaks mid-chapter was just jarring. Worse, though, this one made some effort to keep the breaks even, trading off on a regular pattern and at what felt like extremely regular intervals. If you're going to switch PoV, I much prefer going with where the more interesting story lies rather than switching on a timer.
Second, the pacing was a bit awkward. Dana only has six weeks for her project, so skipping ten days at a stretch with kind of lame gloss felt a bit off. If you're going to skip that much with no progress or regression, you might as well say she only has five weeks and cut the jump. Even though the narrative doesn't pause, you can't help inserting a long pause as the reader and that's jarring. It wasn't the only time you got odd jumps, either.
But the real pain was the last quarter of the book or so when both Dana and Eric failed, utterly, to simply communicate. You sometimes have books where the "I love yous" come too fast. In this one, they came way, way, way, way, uh, way, too slow (I skipped some "way"s for brevity). It felt like the last couple chapters of the book were simple filler for the sake of drama. Given how much I loved both Dana and Eric, their pain as each insisted to themselves that the other couldn't possibly love them as much as they had fallen in love was painful.
So yeah, a firm four stars until that point, but it dropped to a 3.5 with downward momentum leading to rounding down. I'll definitely be picking up the rest of the series, though.
A note about Steamy: There's only one explicit sex scene, but the whole novel is about Dana learning to accept masculine touch without panicking. That makes the entire novel a long, slow burn and some of it is intimate enough to qualify on its own. That still leaves it on the lower-middle range, though.