Final Rating - 3 Stars
Border - 2.5 Stars
A very odd little story that went in a different direction that what I first thought. The characterisation was fantastic; Tina, Vore, and Roland, all having their own little quirks and history. It was a story about self discovery more than anything else, which is why there really wasn't much in terms of plot. I'm unfamiliar with the folklore of Sweden, so I don't know if this was somehow related, or whether something was lost in translation, but I just didn't quite understand what Tina was, how that was linked to Vore, why he did what he did, and her...anatomy issues. I did like the idea of Tina being 'shaped' as a child into what humans wanted her to be, which is why she always felt wrong, but she didn't know how to be anything else. This story wasn't really creepy, and I guess it could be categorised as horror...maybe...but it just didn't really hit that spot some of his others works have. Very underwhelming.
Village On The Hill - 3.5 Stars
This was much better! A deep sense of forbidding, paired with strange events, mixed together with some blood and monsters, and I feel like Lindqvist is back on track. Joel lives at the top floor of an apartment block and is spending his time either drinking wine or building a scooner out of matchsticks. Then one day he notices that the building he lives in is listing to one side, and it only gets worse. When he goes to visit his casual girlfriend on the ground floor one night, he makes a very grim discovery, and that something is rising through the building, something so powerful it is pulling the building with it. When Joel discovered the blood, and the mail, I actually think I got tingles down my spine. The story was well written, the pace very well done (excluding the parts where Joel would spend in the pub; not sure what the point of that was), and the last few pages were excellent.
Equinox - 4 Stars
A bored, unsatisfied wife and mother starts breaking into people’s homes for some excitement and to create stories about their better lives. Then one day she walks into a bedroom of a nearby home and finds a dead body; naked, with a knife sticking out of his chest. Instead of calling the authorities or finding out who lives in the home, she keeps the body for herself. She talks to him, cares for him, and finds excitement in coming to visit him every day. That is until he starts talking back. The whole idea of the story was creepy and psychotic, kind of like Stephen King’s Misery in a way, but I didn’t feel that there was any real payoff in the end. The narrative kept on switching between first and second person, which was well done in certain parts, but the switches of voice would be so sudden I had to read back a bit to make sure there was a change and I hadn’t been reading it wrong. This had the Linquvist flair that I would expect from his writing.
Can’t See It! It Doesn’t Exist! - 2 Stars
What an odd name for a story. This piece didn’t really do much for me, and it was quite short (20 pages), but it wasn’t just the length that I disliked, it was the story itself. One thing I do love about Linquvist is his ability to create strange situations for his characters, who are usually odd in their own right, and this is no different here. However, I couldn’t really associate with what was going on, it was difficult to follow at times, and also a little bit predictable. It wasn’t memorable, and didn’t even have the creepiness factor that I would have expected. So maybe it was a good thing it was short.
Substitute - 3 Stars
There was a very foreboding aura about this story, like something hidden just beneath the surface of the water that is slowly coming to the surface. I kept waiting for some kid of revelation, the big reveal in a way, and while the outcome was creepy it just didn’t shock me like I expected it to. Then when I reached the end, all I could ask was why is the protagonist being told this information, why now after all these years. I thought it may be directly related to them, but instead it seemed to not have any correlation. The atmosphere was what saved this story, and even at the end it leaves you questioning whether the world is being taken over my ‘substitutes,’ or these were just ramblings of a corrupt mind.
Eternal/Love - 4 Stars
I really enjoyed this story; it was sweet, sad, and spooky. Josef and Anna are in love, and they mean everything to each other. That is until one night Josef goes out in his boat and never comes back home. He survives, but there is something different. Lying in the river, not anticipating rescue, he feels death. And it's not a shining white light, but a creature that devours you a bit at a time. After his experience, Josef thinks he knows how to possible negotiate with the creature; essentially beating death. Anna is torn between the man she loves, and the child she is carrying. I identified with Anna a lot, and I really felt for her as she watched the man she loved change completely, but stayed with him out of obligation, misguided trust, and the need for a future that she wanted so much. But everything comes with a price, and it is not something they can both come to accept. Again the characters were so well sculpted, and so integral to a story like this, it was an engaging read.
Let The Old Dreams Die - 5 Stars
So this was the story that I was actually reading this collection for. Let The Right One In is one of my favourite books; it is written so beautifully, has a fair share of gore, and haunting characters that have stayed with me years later. But whatever happened to Oskar and Eli? What I loved was that the story was not focused directly on them. However, it is similar in so many ways as it talks about a kind of different love, a love that transcends, and two people who would do anything for one another. It was like seeing the story from the outside, with the protagonist, who I actually don't think was ever named, speaking of his friends Stefan and Karin. Karin was involved with the investigation of Oskar's disappearance, and she has been obsessed with case for the next twenty five years. Here is a lifetime in a few short pages, a mystery that hides a secret about what humans know of their world, and a love that spans forever.This story had such an exquisite sadness to it, and was perfectly written. It's nice to think of Oskar and Eli still out there together, and the life they are sharing. I wonder if Karin and Stefan went to find Oskar and Eli to finally solve the case before the end came, or if they wanted to join them. This is story writing.
To Hold You While The Music Plays - 1 Star
Ummm...okay...that was different. Don't know what else I can really say about it. Three pages of WTF am I reading.
Majken - 3 Stars
There was no supernatural element to this one, which caught me off guard a little. That being said, it wasn’t a bad story or anything, but it just wasn’t what I was expecting given the collection so far. I have based my rating on the characters and how well built they were. Lindqvist does have this ability to create such complete characters in such a small space of time. I also liked the way the story played out, how the narrative changed slightly after it was determined Dolly was actually talking to someone and where she was. I had a few questions after the story was finished, so it didn’t really seem complete in some ways, but the writing was what was engaging
Paper Walls - 2 Stars
This story was pretty short (only five pages), and I didn’t think much of it to be honest. There was little suspense, characterisation, or some semblance of a plot. It all revolved around a child playing with a large box that his father brought home for him. He likes to shut himself away inside, until it is dark, and tries to seemingly isolate himself. Why he would do this, I don’t know, and maybe it’s just something kids do. It just left me feeling nothing really, and following on from the story before it, I needed something to pick the collection up a bit, but it seems to have perhaps peaked.
The Final Processing - 2.5 Stars
I don't really remember much about Lindqvist's novel Handling The Undead, mainly because I found it really disappointing after the brilliance of Let The Right One In. So I didn't really remember much about it, which appeared to be a requirement of this story. From what I can recall, dead bodies were being reanimated and causing people to experience odd sensations, liked being able to sense emotions, but the souls of those people were trapped in these 'zombies.' So this story was essentially about a roadie called Kalle meeting a girl, Flora, and finding out how her gift could help set those souls free. There was some great imagery, for example when death came and turned the dead's souls into butterflies and each strand of hair had a small hook for her to take them away (and yes, death is a she). However, at the same time there was a lot of odd things that happened, and I don't mean in a good way. What was the Visitor doing? What did this have to do with Kalle's father? And maybe it was just a bit too long. Less a short story and more of novella. Nothing's wrong with that, but at the same time if it is going to be that involved, at least give some kind of background.