This book sets out to interpret the fiction of the Bronte sisters in the light of a Marxist analysis of the historical conditions in which it was produced. Its aim is not merely to relate literary facts to historical facts, but, by close critical examination of the novels, to find in them a significant structure of ideas and values which relates to the Brontes ambiguous situation within the class-system of their society.
Widely regarded as England's most influential living literary critic & theorist, Dr. Terry Eagleton currently serves as Distinguished Professor of English Literature at the University of Lancaster and as Visiting Professor at the National University of Ireland, Galway. He was Thomas Warton Prof. of English Literature at the University of Oxford ('92-01) & John Edward Taylor Professor of English Literature at the University of Manchester 'til '08. He returned to the University of Notre Dame in the Autumn '09 semester as Distinguished Visitor in the English Department.
He's written over 40 books, including Literary Theory: An Introduction ('83); The Ideology of the Aesthetic ('90) & The Illusions of Postmodernism ('96). He delivered Yale's '08 Terry Lectures and gave a Gifford Lecture in 3/10, titled The God Debate.
Being one of the first direct implementations of Marxist Literary Criticism, it's an important work of its time. There is some quite interesting analyses, which probably would displease, and possibly had displeased the traditional critics at the time it's published. Having read Eagleton relatively thoroughly by now, the self-rewriting -or as some prefer to call self-plagiarism- is quite evident. The most interesting bit of the work is the newest preface, where the older, more experienced Terry criticizes the younger, more assertive one.
Also, I'm not quite sure where the idea of the "death of the Heights" really come from in the chapter on Wuthering Heights. Is there an over-reading here, or am I missing something? At the end of the novel, Hareton, the heir of the Heights, ends up with Catherine the heiress of the Lintons, at the Wuthering Heights.... right?
Some really interesting stuff in here, and Terry Eagleton's always a critic I find very readable. He mentions in the preface that he regrets not incorporating feminist criticism and I definitely felt its absence in some places - The Tenant of Wildfell Hall and (for reasons I'm not quite sure I could word right now) Villette, especially.