If I could, I'd probably give the first two books in this trilogy a 3.75, but because I enjoyed them both so much despite their flaws, they've earned their rounding up to 4 stars. These books were entertaining, gripping and many times so moving that I was surprised by a lump in my throat and tears in my eyes, that's how strongly I was able to connect with Max. That's been pretty rare in my experience reading scifi (not that I've had vast experience... I read a lot of scifi in my youth and am only just now getting the space bug again, thank you to both Andy Weir and to "Star Wars: The Force Awakens").
Strengths:
-Max's narrative voice. These two books are told in limited 3rd person, which is something I always enjoy when I really like the character doing the storytelling. He's funny, a little snarky, and honorable (which is important given that's a major theme in this trilogy).
-the technical details, which some may find tedious but I enjoyed reading, though sometimes even I ended up skimming when such passages felt redundant.
-the strong links to humanity's past--too often scifi novels seem to be written with the idea that humans shed any and all knowledge of past pop culture, history and customs. I love that Max is a Cajun and they still eat Cajun food way out there in space, and that he gets a giggle out of a communications man named Marconi. The books are filled with little historical/pop culture references like those and I loved it.
- good worldbuilding in general. I liked that the planets are colonized with people groups from Earth who retain their unique cultural traditions.
- the nods to CS Forester and O'Brien
- Banter. There's some fun banter and good military/Naval humor. The ongoing "celerity" joke was perfect.
- Chrrlgrf and Admiral Hornmeyer... both were so fun. Especially Hornmeyer. I smiled every time he showed up.
- Mother Goose
- Naval traditions in space. I love me a good submarine and a good Age of Sail story and these books have the feel of both. The Cumberland is a bit of a "if Hornblower's HMS Lydia and Clancy's USS Dallas had a baby" type.
Weaknesses:
-the overarching plot does wander a bit as the author indulges in Captain/crew interactions. I can't really complain too much, though, because those chapters are what gives these books their heart. I just wish there'd been as much attention given to the actual political/war aspects. Readers love BIG novels these days, and I found myself wanting a lot more in the way of intrigue and suspense and betrayals, etc. If the novel were longer, or perhaps trimmed of some of the redundant technical details, there would be room for more strong antagonists for Max. Max needed an ongoing thorn-in-his-side character similar to Richard Sharpe's Obadiah Hakeswill, someone to trip up Max's upward journey and make the reader gnash their teeth and groan and want to snap his neck. Duflot comes close to being that sort of foil, but he was too neatly disposed of (unless maybe he someday returns to cause issues). Max *is* lovable, but he also needs some plausible haters to wreak some havoc, much as it pains me to say.
-there's quite a few spots where more closely following the writing adage of 'show, don't tell' would have strengthened the books, especially w/r/t the bigger plot. The Krag, for all that they're the Big Bad, really don't actually leap from the page as I wanted them to. It would have been nice to have seen them in as much detail as the Pfelung and Vaaach.
-Max and crew were perhaps a bit *too* perfect. While the story does leave you feeling there's a sense of real peril as you read it, looking back over all of it, you realize that 'nah, he always makes it out alive'. Even when he was actually injured, it was glossed over and he bounced back a little too easily. The same with his PTSD issues. Those especially fell under the 'I wish Honsinger had shown those, rather than telling' heading. There was no sign Max had those problems until suddenly they were dropped into the story in an expository bit that came a little out of the blue. There were little mentions of it farther along and one very nice moment with the middies that had some good emotional heft, but overall, it would have been far better if Honsinger had dropped in mannerisms and tells that the reader could pick up on (along with Bram, who, sadly, leads to my next weak point...)
-Bram remains really underdeveloped, especially considering he's supposed to be Max's best friend. The idea of a slow-burn buildup of their friendship was nice, but it was... too slow? Bram often felt superfluous other than to ask questions during battles. There were some really good opportunities to show their friendship building that were missed, one of which might have been when Max got injured.
-Much as I enjoy male-driven stories and don't get hung up on whether a book passes the Bechtel test etc etc etc, gosh this book needed women. I suppose that there weren't token women there only for romance was a strength, but the utter lack of female characters was a definite flaw.
Overall, these are both *very* good books, despite their flaws (and maybe that's why I went on at length... these books and their characters and world are now living and breathing in my brain). I'm definitely going to read the 3rd book in the trilogy and am looking forward to future stories as well. Max has definitely jumped onto my 'favorite literary heroes' list and I need more of him and his adventures.